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5.8/10
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American journalists in Sudan are confronted with the dilemma of whether to return home to report on the atrocities they have seen, or to stay behind and help some of the victims they have e... Read allAmerican journalists in Sudan are confronted with the dilemma of whether to return home to report on the atrocities they have seen, or to stay behind and help some of the victims they have encountered.American journalists in Sudan are confronted with the dilemma of whether to return home to report on the atrocities they have seen, or to stay behind and help some of the victims they have encountered.
- Awards
- 1 nomination total
Noah Dalton Danby
- Theo Schwartz
- (as Noah Danby)
Olise Ikechukwu
- Mohammed - Yusuf's Son
- (as Ikechukwu Olise)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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This is my first Uwe Boll film. I have only ever heard of his movies, which mostly flop and are derided by critics and audiences. Recently, I heard about this movie, and I saw familiar faces in the cast. I wondered if this might be the film that convinces audiences that Boll has ability to make a good movie. I watched the trailer and researched production information behind the project, and all of it seemed to point towards a great film in the making. Boll appeared a calm, reflecting instructor in front of the camera. He spoke about the issues of Darfur and expressed hope that the UN and NATO would finally get involved somehow. All this added to my eagerness to see the movie for myself.
I finally got the chance today. One night in my city, special screening in the cinema, with the assistance of STAND Canada. All the profits this movie makes on this tour will help fund STAND Canada and its attempts to raise awareness of Darfur's genocide.
Let me just say, the film is shocking. The film is ghastly in its realism, and many a time came where my hand flew up in horror and I struggled to continue watching the film. Boll does not tone down anything for the audiences, and gives us a vicious film that is simple in showing us what happens in Sudan.
In the midst of this are six Western journalists, being led by a small group of military units from UA. They take the journalists to a small village where they see for themselves what is happening here in this region of the world. Darfuri speak to them in hushed voices, restraining tears or speaking with quiet resentment towards these people who promise to show the world what is happening.
Much of the dialogue was improvised, and most of the people playing the villagers are themselves survivors of Darfur. The knowledge of this lends an eerie sense of realism to the film, and it is fascinating to see how the American and British actors prepared and developed their characters in the film.
Most prominent are Malin (Kristanna Loken) and Freddie (David O'Hara). Malin is moved by the plight of the people as she asks them questions with terrible answers. Freddie observes the village and the attitude with some hint of disgust at this endless cycle of violence, where both blacks and Arabs are guilty of killing each other. As a journalist, he is relentless, bombarding the captain who is supervising them with questions on why nothing is being done, though he is himself reluctant to put himself on the line for the people. This leads to a revelation in his character that leads to perhaps the strongest performance of the journalists. O'Hara's gravelly voice and his grim face dominate the scene where he is present, and his character develops well as he is exposed to this world.
Also present are Billy Zane, Matt Frewer, Edward Furlong, and Noah Danby. They all give their characters specific quirks and opinions on the topic of Darfur. Zane is emotionally moved by the answers he gets from the villagers. Furlong's character remains aloof and tries to escape the horror of it all emotionally. Danby stares at all around him with a determination to tell this story to the world, while Frewer's character is most concerned with the safety of his camera and taking pictures for his daughter.
What happens next is evident in the synopsis; a group of Janjaweed arrive with an intent to massacre the village. The journalists must decide whether they stay and attempt to protect the villagers with their status as foreigners, or flee to tell the world of what is going on. In two of the strongest performances in the movie, we are given the Captain (Hakeem Kae-Kazim) who is ultimately responsible for the safety of the journalists, and the leader of the Janjaweed band (Sammy Sheik) who has no need for subtlety when dealing with those who oppose him.
The film is brutal, violent, and graphic. The issues it tries to show are real and the film is very effective in giving us this scene of terror and carnage. It is certainly not for all to see; do not come in expecting to feel fine walking out.
Uwe Boll gives us a mighty film about the issue of Darfur, and relating to his previous filmography, I don't care if he made ten times as many flops as he has. All that is forgotten while watching this film, at least for me.
I finally got the chance today. One night in my city, special screening in the cinema, with the assistance of STAND Canada. All the profits this movie makes on this tour will help fund STAND Canada and its attempts to raise awareness of Darfur's genocide.
Let me just say, the film is shocking. The film is ghastly in its realism, and many a time came where my hand flew up in horror and I struggled to continue watching the film. Boll does not tone down anything for the audiences, and gives us a vicious film that is simple in showing us what happens in Sudan.
In the midst of this are six Western journalists, being led by a small group of military units from UA. They take the journalists to a small village where they see for themselves what is happening here in this region of the world. Darfuri speak to them in hushed voices, restraining tears or speaking with quiet resentment towards these people who promise to show the world what is happening.
Much of the dialogue was improvised, and most of the people playing the villagers are themselves survivors of Darfur. The knowledge of this lends an eerie sense of realism to the film, and it is fascinating to see how the American and British actors prepared and developed their characters in the film.
Most prominent are Malin (Kristanna Loken) and Freddie (David O'Hara). Malin is moved by the plight of the people as she asks them questions with terrible answers. Freddie observes the village and the attitude with some hint of disgust at this endless cycle of violence, where both blacks and Arabs are guilty of killing each other. As a journalist, he is relentless, bombarding the captain who is supervising them with questions on why nothing is being done, though he is himself reluctant to put himself on the line for the people. This leads to a revelation in his character that leads to perhaps the strongest performance of the journalists. O'Hara's gravelly voice and his grim face dominate the scene where he is present, and his character develops well as he is exposed to this world.
Also present are Billy Zane, Matt Frewer, Edward Furlong, and Noah Danby. They all give their characters specific quirks and opinions on the topic of Darfur. Zane is emotionally moved by the answers he gets from the villagers. Furlong's character remains aloof and tries to escape the horror of it all emotionally. Danby stares at all around him with a determination to tell this story to the world, while Frewer's character is most concerned with the safety of his camera and taking pictures for his daughter.
What happens next is evident in the synopsis; a group of Janjaweed arrive with an intent to massacre the village. The journalists must decide whether they stay and attempt to protect the villagers with their status as foreigners, or flee to tell the world of what is going on. In two of the strongest performances in the movie, we are given the Captain (Hakeem Kae-Kazim) who is ultimately responsible for the safety of the journalists, and the leader of the Janjaweed band (Sammy Sheik) who has no need for subtlety when dealing with those who oppose him.
The film is brutal, violent, and graphic. The issues it tries to show are real and the film is very effective in giving us this scene of terror and carnage. It is certainly not for all to see; do not come in expecting to feel fine walking out.
Uwe Boll gives us a mighty film about the issue of Darfur, and relating to his previous filmography, I don't care if he made ten times as many flops as he has. All that is forgotten while watching this film, at least for me.
I'm 18 years old. And I'm the type of person who doesn't get emotional during a sad movie/tv/video game scene. I mean I did cry during Bambi and the lion king, but it was a short amount of time before I composed myself. This movie though. This movie was a challenge to compose myself while watching.
This movie is emotionally powerful. From the story, to the many scenes where I couldn't compose myself, and the fact that this is a story set around an actual genocide made me overwhelmed with emotion.
The only reason why I rated this an 8/10 is that while the film was good, it's very disturbing, given the subject matter. As well as the enemy soldiers kinda acting generic and a bit like stormtroopers.
This movie is emotionally powerful. From the story, to the many scenes where I couldn't compose myself, and the fact that this is a story set around an actual genocide made me overwhelmed with emotion.
The only reason why I rated this an 8/10 is that while the film was good, it's very disturbing, given the subject matter. As well as the enemy soldiers kinda acting generic and a bit like stormtroopers.
If a movie can raise awareness of any issue that should concern us, that is to be applauded. No matter who made the film and if you didn't like what he did previously (especially concerning the game to movie franchise overall). Familiar faces/actors who surely were driven to do this not just because of the money, but because they wanted to help in showing people what went on in Darfur.
The beginning makes you wonder though, because it could've been done as a documentary as well. You have survivors and real people being interviewed by our actors pretending to be journalists. But that question goes away once it goes into action territory, where it gets a bit fantastical. You may criticize that part, but that is what excuses this not being a documentary. So in trying to make people listen we go back to the action movie blueprint. I don't think it defies the purpose and all is shot well. You may argue about a couple of writing, editing and character decisions, but you could also say that it's nitpicking ... One of the better Boll movies, though still not the masterpiece he would like you to believe this is
The beginning makes you wonder though, because it could've been done as a documentary as well. You have survivors and real people being interviewed by our actors pretending to be journalists. But that question goes away once it goes into action territory, where it gets a bit fantastical. You may criticize that part, but that is what excuses this not being a documentary. So in trying to make people listen we go back to the action movie blueprint. I don't think it defies the purpose and all is shot well. You may argue about a couple of writing, editing and character decisions, but you could also say that it's nitpicking ... One of the better Boll movies, though still not the masterpiece he would like you to believe this is
I was quite surprised by what I saw when watching this film. It turns out to be pretty straightforward in educating the public of the possibilities of what is happening in the African area between the Sudanese and militia Janjaweed. The film opens with reporters going on an excursion with the assistance of the nation of Africa's captain as both a guide and chaperone. They run into a small village on their way to a place pretty far off and distant in the desert. The two easily identifiable stars in this film are Billy Zane and Edward furlong. The two heros are virtual unknowns. It turns out that the janja weed militiamen raid these villages for sex and acknowledgement of existence...they want to be feared and revered as very very important and are told to the viewer that they are a threat to any public villager closeby the Sudan country. For some reason it seems to explain that the main two differences between people of that region are African and Arab. so the heightened climax of the film happens after the Janjaweed encounter the Americans and the African captain at this small village in Darfur...not too far away from Sudan.The Janjaweed then wreak havoc and the Americans are frightened away Until two of the crewmembers decide that there will be unnecessary bloodshed and that they feel that they could at least assist in battle to protect some of the innocent lives that will be killed by the Janjaweed raiders. Its a very violent film.
I've just finished watching this movie and I've never felt strongly enough to actually write a review or commentary on IMDb before. However, after watching this movie, I feel compelled to.
Filmed in a style that could almost be mistaken as a documentary, the actors play their parts perfectly. As was said in another review here, this movie is not about the actors but about the people of Dafur and the struggle therein.
Uwe Boll has done an amazing job here. I won't go into any detail about the movie but will keep this short and sweet. Watch this movie, you may not enjoy it in the conventional sense but it's a movie that needs to be seen. Once you've seen it, then you'll understand why.
Filmed in a style that could almost be mistaken as a documentary, the actors play their parts perfectly. As was said in another review here, this movie is not about the actors but about the people of Dafur and the struggle therein.
Uwe Boll has done an amazing job here. I won't go into any detail about the movie but will keep this short and sweet. Watch this movie, you may not enjoy it in the conventional sense but it's a movie that needs to be seen. Once you've seen it, then you'll understand why.
Did you know
- TriviaAbdul Karim, one of the Sudanese participants, suffered a breakdown while filming a scene of losing his family in a raid. He had lost his family in Darfur.
- Quotes
Freddie Smith: [From Trailer] Stop the car.
- ConnectionsFeatured in Fuck You All: The Uwe Boll Story (2018)
- SoundtracksBring It Easy
Performed by Stevie Salas
Words and Music by Stevie Salas
Published by Hella Stevie Salas Songs (BMI)
Produced by Stevie Salas for South Apache Costa Rica
- How long is Attack on Darfur?Powered by Alexa
Details
- Runtime1 hour 38 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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