Josie's creative motivation is challenged as she struggles to balance her artistic aspirations with taking care of her aging grandfather, Nathan, in the early stages of his Alzheimers. New d... Read allJosie's creative motivation is challenged as she struggles to balance her artistic aspirations with taking care of her aging grandfather, Nathan, in the early stages of his Alzheimers. New doors open when an art dealer named Ian shows interest in more than just her work. Josie is... Read allJosie's creative motivation is challenged as she struggles to balance her artistic aspirations with taking care of her aging grandfather, Nathan, in the early stages of his Alzheimers. New doors open when an art dealer named Ian shows interest in more than just her work. Josie is forced to come to terms with decisions that could not only change her life, but those clo... Read all
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I did wish many of the supporting actors' stories could have been expanded. For instance, Kenny's story seemed interesting to explore as well as the origin of the tension between Josie and Manoj P. It feels like there are at least 4 other stories going on in the film which makes it intriguing and leaves room for other projects to spawn from this one.
The cinematography and the score were both well done and the actors did a wonderful job. All the leads said so much with their expressions and body language. This picture put me in the mind of the film "The New World". I felt this to be a strong coming of age film for the twenty-something. A glimpse into the impetus that kicks each of us into our destinies and influences us to walk on the path God has laid out for our lives.
Two thumbs up!! Denise
I also notice a trend that this has with other films that come from the school, in the fact that they all seem very quiet, tone driven and visual. Some may call them arty, but I find them very moving and not pretentious.
Aspects of "Sunset," that moved me the most are the relationships between the characters; especially the one between Josie and her grandfather, who is struggling with Alzheimer's. I am very close to this subject and every scene in the movie that deals with it, reminded me of my own personal horrors with the issue. Yet even though it does hit very close to home for me, I like how the film chooses to handle the subject tenderly and in a delicate way, without over sentimentalizing it, hitting us over the head and/or doesn't exploit the illness for dramatic purposes. It is also this issue that helps me realize why the film has its title.
The score also touched me in this film and it did a great job at complimenting the "poetic" visuals. It's funny that the film deals with an artist and has so many nature shots in it; when Josie admits to liking Monet and impressionism, I immediately realized the point behind the many transition shots.
Very well, done from another member of what I believe is a new wave of great filmmakers (what do they feed those guys at that school?)
The acting was decent. The two leads (Jordon Alexander and Carrie Anne Hunt), while easy to look at, gave rather stiff performances. Some of their scenes felt a little too forced. The best acting of the film came from supporting roles. Both Ted Johnson (Grandpa) and Tristan Ramel Greye (Kenny) stole every scene they were in. Also, I don't know if it was because his acting great, or horrible, but I too wanted to punch Manny Torres (Manoj P) in the face.
I highly recommend this film if you are in the mood for an artistic drama.
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