Achille et la tortue

After two introspective films before Achilles to Kame, Kitano is back to complete his trilogy. With Takeshis' he explored himself as an actor, Kantoku: Banzai! revealed Kitano as a troubled filmmaker and Achilles to Kame, third in line, is telling us something about Kitano as a painter. And art. Or non-art, for that matter.

The film starts of rather slow. Kitano seems to reach back to the feel-good 50s try-outs he made in Kantoku: Banzai! Soft lightning and swift switches between humor, slices of life and drama of the poor make up most of the first 30 minutes. A few scarce moments remind us we are watching a Kitano film, most of them coming from the interaction between the young kid and the village retard. Scenes that are not unlike the ones between the grandpa and little girl in Ishii's Taste of Tea.

While those first thirty minutes are quite pleasant, the humor is warm and comforting and the score is pretty spot on (staying very close to the work of former Kitano regular Hisaishi), as a Kitano flick the film is definitely missing something vital. That something is added when we jump a couple of years forward to the painter's college years. It is obvious that Kitano's style starts to flourish in a more modern Japanese environment.

This is also the time when things start to go wrong for our young painter. Up until then he has been following his heart, making the paintings he likes best. But apparently, that is not to the liking of the young art dealer who is asked to sell his work and our young painter is urged to start following art lessons. He begins learning about art, which kick-starts his everlasting journey to grasp to concept of Art (with a capitol A).

Visually this second part is much more like the films that made Kitano famous. Static camera views, harsh lighting and many shots of stark facial expressions. The structure too becomes more like his older work, reminding me a lot of Kikujiro. Where the first parts grounds the trip the main characters are about to make, the core of the film lies in the sketchy scenes that follow. Our young painter teams up with his classmates and through several (often very funny) attempts eh tries to capture the core of art, spirit and originality.

After this second part the film jumps to the current time, Kitano himself (of course) portraying the painter as someone who has lost touch with reality, still running behind this idealized image of capturing the essence of art. In this third part the film really starts to shine as Kitano himself can fool around to make the best of the scenes he's in. He is visibly enjoying himself as probably a couple of those scenes were largely improvised on set (remembering the docu I once watched on Kikujiro).

Kitano will always remain Kitano, no matter what character he plays, but since he's playing himself that's hardly a fault. Apart from that, his mannerisms and posture are gold in the comedy scenes. Still, Kitano's character starts to sink deeper and deeper to the point where the comfortable life around him is shattered to pieces, with Kitano unable to let go of his self-induced passion.

The first section of the film is obviously the weakest but important for Kitano's vision on the subject. The moment he goes to school to learn about art he loses his spirit and becomes a parody of what an artist is supposed to be. Kitano pretty much trashes artists, art dealers, self-indulged amateurs and buying customers alike as he questions and undermines the importance of art and its function in our society.

It is nice to see a director doing this so openly and directly. Even though the film revolves around Kitano as a painter, it is easy to broaden the perspective and to see this film as a comment on art and art appreciation in general. On how people approach art, want to understand art and want to profit from it. It is also good to see that Kitano can walk away from it in the end with a contented heart and a freed soul.

Achilles to Kame is a film that combines the themes and topics of his two latest outings with the style and feel of his earlier work. The comedy is typical for Kitano, the acting (with a neat little cameo for Terajima), directing, structure and pacing are all very much like his earlier films too. Even the music seems to come right out of Hisaishi's office. It's very nice to see all these things come together to create something that feels like the current Kitano, bearing his past baggage and showing multiple sides of his personality as a director, while still remaining very consistent in style and feel.

A must for Kitano fans and probably art fans alike (as all paintings were made by Kitano himself and are apparently based on existing paintings). Probably not the best place to start for people not really familiar with Kitano's earlier work as a director, but as a fan of his directorial efforts this is a pretty complete and awesome film to behold. 4.5*/5.0*

People may think that creators make a living by what they want to do. The working to keep living looks similar to what they really want to do at first. But, actually it's different for some people. Even if he seems to do what he wants, everyone wants more honor really.

This's the story about lives of an unsuccessful artist, Machisu and his wife. He had been nearby where he wanted to reach. That's why he had felt more frustrating by not reaching there. Neverless, he must create some things. I can image how tough it is. But he had to answer a need because he made a living by it. And his pride must not be able to let him publish the garbages to the public. How easier it is to make it just "a hobby".

If his goal was just realistic arts, his job will be replaced by AI easily. Is the art which has the goal worth?

It's just the "foundation" to give the persuasion and reality on his own opinion. Everyone can copy and draw realistically with practicing a lot. There's the trend and the styles everyone likes. So it's a bit stupid to ignore the flow stubbornly. The creators who make new things must know new and good ones and choose to adopt or reject them. There's some things --- sold well, liked by creators and acknowledged by everyone. It's exciting to live with them, but is also very tough. It's like a marathon without the goal. They're running out of breath forever. When they would stop it, it's "the End" really.

To go different way from the others, it would be a detour. Machisu couldn't creat even good things because he held too complexed things. There's something about him that made everyone feel that he looked great. But that kind of expectation became a handicap and dragged him down. He's like Achilles who cannot overtake the Tortois.

There's an absolute difference between getting the top selling and the talent.

Beat Takeshi's "Dolls" is one of my favorite movies, and I really enjoyed his other films "Kikujirou no Natsu", "Zatoichi", and "Brother". However, his last two films I viewed, "Kantoku, Banzai!!" and "Takeshis'" were nothing but narcissistic garbage, so I expected nothing from this movie. To my surprise, it turned out to be a fantastic film that's not only funny, but also deep.

The story follows the life of a boy who loves art and destined to become an artist, though fail to achieve success due to lack of originality and excessive imitation.

What I really liked about this film is that it explores what art really is, and pokes fun at the absurdity of some of today's so-called 'modern art'. It also depicts the suffering of an artist whose works are not 'understood' by others. It's interesting Kitano Takeshi's films are often artistic in its own way. Makes me wonder if his previous two films were too artistic for me to comprehend?

In any case, I enjoyed this film tremendously, and there were many memorable moments. Casting was done extremely well, especially in the 'college days', and all the actors gave a great performance for this wonderful movie.

The movie does not work in only one level; so it can be seen as a sampling of art, in this case: "painting"; from different viewpoints or dimensions. Good actors, humor Kitano style, the Japanese twisted style; however it is a mixture of 2 or 3 movies in one; changes radically from one part to another (the movie is not formally divided) and the only connection seems the art itself (that s not bad at all...) The first half has a coherent development of the script, good photography and shows us the protagonist as a school kid then as a young man. He, an almost autistic person that seems unaffected by the (good and bad) things that happen in his life. Perhaps the answer to why he continues to fail in his work. Failure to get emotionally involved in a way o another in such episodes or not take part physically or to be mentally affected by them, makes an artist that will not acquire the necessary skills (after assimilate and process its) to then translate them into his work; normally a way to say things or feelings of what a person (an artist) can not say in another way. We see a person who may have a natural talent for painting, or based on to paint and repetition developed good capabilities but do not know how to let out his own creative streak, which just ends up imitating the great painters or following great schools of painting in an evident level.

-in a second part of the movie, changes completely and we see Kitano, fulfilling the lead role and with his rough style and Yakuza pose, this main character loses all silence and dedicating autism demanding constantly to his suffered side kick wife; dragging them in a not so good life. In this part the artist is showed like an "art junkie" There s kind of humor here and the shots are more TV like ones. The movie could be better or could be at least two movies...

This should be required viewing for everyone in the "art" world. Kitano skewers global modern art culture and also makes fun of his own work.

The story is simply of an artist from childhood to "middle age" (which seems to be around 62) as he tries to be a successful artist. He starts out as an untrained "primitive" but with a certain talent for texture and color. He is insulted at every turn while we get to see the "good" art by "masters" which are all really, really bad. Unfortunately the artist gets progressively worse as he takes advice from gallery owners on how to make his work "sellable", which it never is. Every time the work gets better, he's advised to go in a different direction. Many mildly humorous situations arise but the film isn't going for outright laughs most of the time. The scenes of the "middle aged" artist (played by Kitano) getting his supportive wife to make his art are very long, get progressively cruel (probably part of the point) and could have been cut down a little. The issue of autism isn't directly addressed but the character certainly exhibits symptoms.

This is a very good film although a little long. It may not be as good to someone who has no experience with the art world of today. Kitano created all the art in this film, good and purposely bad.