Road, Movie

Finally, "Road, Movie"- critically acclaimed director Dev Benegal's much awaited 3rd directorial venture comes to Indian screens after 'wandering' over from a number of film festivals.

First look at the movie and you will know that the director isn't catering to a large strata of audience. The movie has a chugging along sort of pace, quite like the Truck that is the carrier of our protagonists. A feel of wanderlust will strike you if you have that sort of streak.

The movie is basically about a journey of self-discovery (Vishnu's). The wanderlust struck oil businessman's son discovers in this journey the meaning of relationships. His companions in this journey are a mechanic (kaushik), a tea-seller boy (Faizal) and a nomad (tannishtha). Along the way there are skirmishes with the police and water mafia.

The performances are sterling. Abhay deol plays to the hilt the selfish, city-lad. Mohammed faizal impresses as the tea-stall boy an Tannishtha Chatterjee is natural in her role of a wandering nomad. But the man who steals the show as the mechanic is veteran actor Satish Kaushik. Absolutely wonderful performance by him.

Besides the cinematography is absolutely scintillating. Never has the rajasthan landscape been so beautifully picturised on screen. Michael Brook's background score is beautiful to say the least.

A movie with international sensibilities but an Indian heart. Calling this Bollywood will be a shame. This movie belongs to world cinema. Quite easily this one belongs to the collector's shelf. Mr. Dev Benegal-- Take a bow, Sire!

Go on this journey or rather 'Wander' into it.

You were not forced to buy a ticket to this and neither were you going to the theaters for a women crying on the remains of her dead son/husband.

Road,movie comes as a completely basic story line that has Vishnu(Abhay Deol) as a boy who goes through a certain phase revolving around poverty stricken, starving population of the deserts and ends the movie as a man.

The others are cameos, Satish Kaushik carves the way with super acting amidst the most gorgeous the deserts have ever looked ! 90 minutes are not very long and Road is more than worth it for within a certain number of years the main behind cinema will shift towards cinematography and art direction.This is the bible for those days.

overall a 7/10 || 8/10 and a pleasure watching the closest Bollywood has ever come to "El aura".

'Road, Movie' is an extraordinary movie and one of the most beautiful films I've seen in recent years. This is the story of Vishnu (Abhay Deol), a young apathetic and carefree guy who hits the road in his old neighbour's very antique kind of a truck, a 1942 Chevy with a traveling cinema in its back carrying Victoria film projectors. For him, this truck is in a sense a way to escape his family's burden - selling Atma hair oil for his dad — and take a week of freedom while driving from Rajasthan to the sea. On his way, Vishnu picks up several passengers who go on this journey with him: a smart orphaned boy, an old wise mechanic, and a beautiful widowed gypsy. Even this barren place has its rulers, however, and they appear in the form of a sadistic policeman and cruel, water-hoarding gangsters.

This movie is visually stunning, poetic, artistic and completely real. Dev Benegal's direction is fantastic. In order to understand the true meaning of this symbolic piece, one would have to figure out what every object in the movie signifies - the oil, the water, the well, the people he meets and goes on this journey with, the group of water searching women he always encounters on his way. This is the journey of life, and everyone is free to interpret it the way they want. But it does not really matter if you just want to enjoy the film. The movie is just engaging, mysterious and interesting without forcing you to find a hidden significance in the story. The situations, the dialogue, the characters, the locations are so authentic and fascinating that the movie flows extremely well. I was captivated not only because it is visually stunning; it is also perfectly paced and has an inexplicably understated sense of life.

Road, Movie captures the serene and peaceful beauty of the broad and desolate desert landscapes. It is done is a way that is so precise that there seems to be no way possible to take your eyes off the screen. This is aided by two aspects which are of the strongest in the film: the exquisite cinematography and the superb background score. These two aspects, done with sheer excellence by Michel Amathieu and Michael Brook, respectively, are perfectly brought together on-screen to create a breathtakingly mesmerising visual treat. The music complements the images and vice versa. I loved the sequences in which the group started screening different classic films, used to relax the villains. From Deewaar (1975) to Jaal (1986) to Andaz (1971). And ironically, Vishnu's father's damned hair oil somehow always comes to his rescue.

As already mentioned, the film is extremely realistic, and the acting is roundly natural. All characters no matter how lengthy or brief they are look totally genuine. Abhay Deol leads this film, and this brilliant actor yet again proves why he is possibly the finest actor of his age bracket. He is a brave actor as he is not afraid to be unlikable or look selfish and he does it exceedingly well. Mohammed Faisal plays the nameless boy who is in search of a better life with ease and conviction. Tannishtha Chatterjee is mind-blowing as the mysterious and widowed gypsy woman. The scene in which she starts singing a beautiful folklore song is wonderful. However, the one who steals the show is undoubtedly Satish Kaushik - he is simply outstanding from start to end. He makes his character so authentic, likable and memorable. This is one of his finest performances and according to me the finest in the movie.

In one of the film's most wonderful dialogues, Satish Kaushik's character says something that really epitomises the power of this picture: "Ah, the magic of cinema - lets you forget life, pain, worry... Takes you far away into a world of dreams." 'Road, Movie' really is a lyrical tribute to the magic of movies - a breathtaking, beautiful and fascinating gem. This is a spectacular picture.

The movie is awesome! A very brave attempt by the director!

The worst thing that could happen to a director is getting extremely shallow reviews. And which, unfortunately, happened with Dev Benegal. Although critics/reviewers appreciated the movie,but I believe, almost all of them could not decipher the metaphors, woven to form the story, which actually was the backbone of the discourse.Every character, every event in the story is well crafted. So, in this article, I just plan to throw a few hints on the metaphors used in the movie. For the sake of exhaustiveness of this article, I would like to mention that direction, cinematography etc. etc. are superb.

Superficially it seems that the story shows journey of a young boy, 'Vishnu' (Abhay Deol), from his home town to Samudrabad on road. But actually this was a philosophical portrait of 'The journey of life', and subtle metaphors were used as colors.Every thing is very cleverly shown. 1.Huge stress has been given on 'water'. Does 'water' signify water or something else? 2.What do those weird characters (group of water searching ladies, water lord etc.), portrayed by the director, signify actually? 3.Things, like the character of mechanic who always gives the right suggestion or the strange fair that suddenly appeared out of the blue an vanished in Shoonya, mean something ? Or probably are the side effects of Director's Block . 4.What does the 'Atma (means 'soul' in Hindi) Oil', that magically (and comically) solves every problem, signify? 5.At the very first thought, "Road, Movie", why this name?

.....and the list of all those riddles, which should spontaneously pop up in the mind of keen and intelligent viewer, go on . Solving and linking these riddles brings to you a great philosophical discourse.Special mention: The way in which the magic of the mesmerizing virtual world of film been picturized is simply admirable.

So Please go and watch out this awesome movie with the attention and respect that this movie deserves. (Originally posted at http://skepticeye.wordpress.com )

The first thing that you would probably feel at the end of the movie is - The movie was Strange. The movie basically doesn't have a "real" story as in nothing really happens. I would liken this movie to something very loosely on Easy Rider. The protagonists in that movie were on a trip to Mardi Gras, here the Mechanic is searching for a Mela. They encounter few people on the way, they reach the destination and the movie ends - to put it in a oversimplified terms.

This movie does contains few moments of subtle laughter - but doesn't give you enough. The scene with the local water don is quirky and it seems that the movie is going to change some pace - but it is left at that.

Abhay Deol seems to have carried his Dev D attitude in this movie which sometimes feels like a misfit. Satish Kaushik's character as the Mechanic is the best cast.

May be few years down the line this will be termed as a defining piece of work in Indian Cinema - Bollywood does needs to change its face to catchup with the global scene and not be a laughing stock with its song and dance sequences in huge bungalows. This just might be a baby step towards that direction.