The lone survivor of an enigmatic spaceship incident hasn't returned home alone - hiding inside his body is a dangerous creature.The lone survivor of an enigmatic spaceship incident hasn't returned home alone - hiding inside his body is a dangerous creature.The lone survivor of an enigmatic spaceship incident hasn't returned home alone - hiding inside his body is a dangerous creature.
- Director
- Writers
- Stars
- Awards
- 1 win & 16 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Well, what do we have here? Could this be one of those films that have stopped coming from big studios a long time ago? Could this be a decent, well-made and thought provoking story in an interesting setting with great visuals and acting? In 2020?
Well, yes! Leave it to the Russians to bring some loving Sci-Fi back. Set in an intriguingly nostalgic feeling USSR of the 80s, "Sputnik" is a slow-paced, but increasingly intense story that manages to make you think a bit. The characters are nuanced, the plot is adequate, the cinematography very nice to excellent, and even the CGI is better than many films with way higher budgets.
If you don't try to project any "Western" expectations onto it and maybe even understand the "Russian soul" a bit, you will definitely enjoy this.
Well, yes! Leave it to the Russians to bring some loving Sci-Fi back. Set in an intriguingly nostalgic feeling USSR of the 80s, "Sputnik" is a slow-paced, but increasingly intense story that manages to make you think a bit. The characters are nuanced, the plot is adequate, the cinematography very nice to excellent, and even the CGI is better than many films with way higher budgets.
If you don't try to project any "Western" expectations onto it and maybe even understand the "Russian soul" a bit, you will definitely enjoy this.
I know something about Russian cinema (I live near Russia and I speak Russian).
Let me explain why this movie is not what it could've been.
First of all, modern big-budget Russian cinema is desperately trying to copy Hollywood-style productions and franchises, they even borrow some scripts and ideas (which is fine, many European filmmakers do this). Indie Russian filmmakers mostly do other types of films and there are lots of great Russian films out there, like Durak (2014), Leviathan (2014), Zhit (2010), Zavod (2018) and many more.
This film is not an exception in terms of Hollywood copy-pasting. Up to around 1 hr mark, they just copy scenes and concepts from popular films like Annihilation, Venom, Gravity (opening scene), Arrival, After Earth, and Alien Covenant. This is a common practice since sometimes they just straight-up rip off scripts and whole films like Nochnye strazhi (2016) (MIB rip-off with vampires), Den D (2008) (Commando scene-by-scene ripoff), Voin (2015) (a rip-off of Warrior (2011) and many, many more.
They do this copy-paste pretty well, the cinematography is great, the 80ties Soviet-era setting works although they never really dive deep into it since this film was made for international release and most of the more complicated stuff just wouldn't be understood. In this film though they re-create those scenes not exactly knowing what they are meant to establish. Many scenes are supposed to be emotional but not in this film, they clearly misunderstood the tone of some of those since the music is heavily misused in this. Like the scene where the doctor is transported to the facility, which was taken from the Arrival, but they play military-style music which does not fit well into the "delving into the unknown" style of the scene, more like an action film build-up.
Right around 1hr mark, they run of these and just start making their own stuff up, making really big stretches in terms of the script. Since the premise was a mix of other films they didn't really know where to go with this and thus, the film transformed into a mess of unbelievable scenes and random unnecessary subplots. Character motivation is completely dropped and all the things the characters do make absolutely no sense, nobody knows what and why they are doing.
The kid subplot was so incredibly unnecessary and disconnected that removing it from the story would change absolutely nothing. I have absolutely no idea why it was even included (probably because of using this mix of ideas they didn't really know what genre the film is supposed to be, a sci-fi horror? a family drama? who knows).
The ending is very messy and kind of defeats the purpose of most of the unmotivated character actions, which is a staple of these types of films.
We will surely see more of these since foreign markets are very profitable, and since most of these big productions are co-funded by Fond Kino (Cinema Fund, Russian governmental organization), the creators are not really scared of losing money and are just trying to build up better visuals and more recognizable imagery to sell their product worldwide.
Even though this film was quite a mess, I still want to give props to the filmmakers (one of which is the son of a great Soviet director Sergei Bondarchuk (the author of many great films and even an oscar-winning Voyna i mir (1966-67), who plays the commander in this one) for achieving a technical level of a good Hollywood production.
Too bad they had no original concept or a general idea of what they are trying to show.
Hope this review makes it easier for foreign viewers to understand and appreciate this film for what it is.
Let me explain why this movie is not what it could've been.
First of all, modern big-budget Russian cinema is desperately trying to copy Hollywood-style productions and franchises, they even borrow some scripts and ideas (which is fine, many European filmmakers do this). Indie Russian filmmakers mostly do other types of films and there are lots of great Russian films out there, like Durak (2014), Leviathan (2014), Zhit (2010), Zavod (2018) and many more.
This film is not an exception in terms of Hollywood copy-pasting. Up to around 1 hr mark, they just copy scenes and concepts from popular films like Annihilation, Venom, Gravity (opening scene), Arrival, After Earth, and Alien Covenant. This is a common practice since sometimes they just straight-up rip off scripts and whole films like Nochnye strazhi (2016) (MIB rip-off with vampires), Den D (2008) (Commando scene-by-scene ripoff), Voin (2015) (a rip-off of Warrior (2011) and many, many more.
They do this copy-paste pretty well, the cinematography is great, the 80ties Soviet-era setting works although they never really dive deep into it since this film was made for international release and most of the more complicated stuff just wouldn't be understood. In this film though they re-create those scenes not exactly knowing what they are meant to establish. Many scenes are supposed to be emotional but not in this film, they clearly misunderstood the tone of some of those since the music is heavily misused in this. Like the scene where the doctor is transported to the facility, which was taken from the Arrival, but they play military-style music which does not fit well into the "delving into the unknown" style of the scene, more like an action film build-up.
Right around 1hr mark, they run of these and just start making their own stuff up, making really big stretches in terms of the script. Since the premise was a mix of other films they didn't really know where to go with this and thus, the film transformed into a mess of unbelievable scenes and random unnecessary subplots. Character motivation is completely dropped and all the things the characters do make absolutely no sense, nobody knows what and why they are doing.
The kid subplot was so incredibly unnecessary and disconnected that removing it from the story would change absolutely nothing. I have absolutely no idea why it was even included (probably because of using this mix of ideas they didn't really know what genre the film is supposed to be, a sci-fi horror? a family drama? who knows).
The ending is very messy and kind of defeats the purpose of most of the unmotivated character actions, which is a staple of these types of films.
We will surely see more of these since foreign markets are very profitable, and since most of these big productions are co-funded by Fond Kino (Cinema Fund, Russian governmental organization), the creators are not really scared of losing money and are just trying to build up better visuals and more recognizable imagery to sell their product worldwide.
Even though this film was quite a mess, I still want to give props to the filmmakers (one of which is the son of a great Soviet director Sergei Bondarchuk (the author of many great films and even an oscar-winning Voyna i mir (1966-67), who plays the commander in this one) for achieving a technical level of a good Hollywood production.
Too bad they had no original concept or a general idea of what they are trying to show.
Hope this review makes it easier for foreign viewers to understand and appreciate this film for what it is.
I am happy to see that Russian scifi films are finally moving towards the Russian scifi literature that I loved so much as a child. This is a wonderful little gem, a Russian version of Life, but with more focus on the people and less on the special effects and action scenes. Not perfect, mind you, but so far the best Russian science fiction film I've seen them make recently. And the special effects were very good, too, which makes the decision to keep them in the background so much more laudable.
The weakest link is the main character, unfortunately, who does things that make little sense for a scientist. Yet her contribution is not that of a character, but as a carrier of the audience, so what she does is really not that relevant.
I hope Russian cinema will start bringing back the intellectual slow burn story, the civilian scientists that have to solve problems without relying on strength or weapons, but on their own thinking.
The weakest link is the main character, unfortunately, who does things that make little sense for a scientist. Yet her contribution is not that of a character, but as a carrier of the audience, so what she does is really not that relevant.
I hope Russian cinema will start bringing back the intellectual slow burn story, the civilian scientists that have to solve problems without relying on strength or weapons, but on their own thinking.
I have to say,I really liked it. The story was tense from the beggining and the acting was quiet good. This is how every sci-fi movie should be...Entertaining,good plot, new and fresh ideas...Overall a good sci-fi movie... well done
This is a very well done sci-fi with a solid creature which isn't too over the top and is kept just simple enough to really work. Some of the only gems coming out of the horror and sci fi genres these days are the indie/foreign films and this one delivers a scary creature without getting so bogged down and convoluted as some of the more recent big budget films. It is subtitled but you can still appreciate that the actors/actresses were quite good. It was an unexpected surprise and I recommend it to anyone surging through the massive catalog of cookie cutter and ridiculous horror movies of late.
Did you know
- TriviaAround 70% of the film's scenes were shot at the Shemyakin-Ovchinnikov Institute of Bio-organic Chemistry in Moscow. It was built in 1959 and is a good example of brutalist Soviet architecture.
- GoofsWhen Tatyana is first arriving at the facility in Kazakhstan, the guards are watching the car convoy arrive through a window and press the button to open the gate. In the next scene, the gate opens and the convoy enters the facility. A dog is walking near the fence by the gate, but was not visible in the area in the previous scene from the guardhouse.
- Quotes
Tatyana Klimova: Are you allergic to Buspironum?
Security guard: Me? I don't think so...
[Tatyana stabs him in the neck with a sedative syringe]
- ConnectionsFeatured in WhatCulture Horror: 8 Creepiest Horror Movie Monsters In Disguise (2020)
- How long is Sputnik?Powered by Alexa
Details
Box office
- Budget
- RUR 190,000,000 (estimated)
- Gross US & Canada
- $18,853
- Opening weekend US & Canada
- $11,024
- Aug 16, 2020
- Gross worldwide
- $354,023
- Runtime1 hour 53 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content
Top Gap
What was the official certification given to Sputnik - Espèce Inconnue (2020) in Brazil?
Answer