Vampir

I genuinely can't understand the bad reviews. This is a really thought provoking horror that mixes the psychological with the hairs on the backs of the arms creepy. It's well paced, exquisitely acted from our lead and all supporting, including non speaking parts. It also places the genre in an unfamiliar environment of the countryside of Serbia which in many ways acts almost as another character. We manage slowly slip into this Groundhog Day world, where even the use of one outfit that doesn't change much on our lead actor gives us a sense of being trapped in a world we are desperate to escape. 10/10.

Vampir is grounded in Serbia and this country side. The pace is slow, and the land is sparse. The film is somewhat silent given the main character doesn't speak Serbian, and no one in the village speaks English.

The main character suddenly arrives in Serbia from London, and he is taking a position to be the caretaker for a cemetery.

But, as he tries to settle in, the main character finds that the village and villagers are odd. Then, he starts experiencing odd disturbing dreams. At this point, the reality of this character starts to be questioned.

Small subtle details can be found that relate to some points in Dracula. These are little hints to show where the story is heading. The main acotr does well in his role as his past unfolds into his present.

This doesn't have the typical shock and gore of a horror vampire film. Instead, it has a steady and quiet sense that overpowers by the end.

A very promising film with great locations, and a decent story.

However the camerawork is shaky at best, and except for one or two acceptable locations it never shines or manages to pull off anything remotely scary.

Most of the scenes are shot in the daylight which does confuse the overall nature and intent of the film.

There are a plethora of vampire films out there to choose from, but this fails in almost every department which is a real shame.

The main characters performance is so wooden he could've staked the entire village in one sentence.

A shame really as this could've been something special.

I saw this film at Sitges International Film Festival and was pleasantly surprised. This film reminded me of earlier horror classics like Carnival of Souls and especially of contemporary European auteur cinema. This is a different kind of horror film, not a typical vampire horror movie with loud bangs and cheap tricks what we have been used to seeing in recent years.

Vampir takes place in modern times in rural Serbia. We follow the protagonist as he arrives from London to this place and is confronted by local habits, traditions and superstitions.

Tomovic does a great job by telling the story by staying close to the character and showing everything subjectively through the main character's eyes. The lack of subtitles for the Serbian dialogue spoken by the locals enhances the paranoia and fear. The film is very creepy and atmospheric, cinematography and sound design go hand in hand in creating this beautiful yet very haunting picture. The acting throughout is superb as it's very authentic, subtle and naturalistic.

Tomovic as a writer/director succeeds in creating a very Kafkaesque story that has a much deeper meaning than an ordinary vampire movie. It is full of metaphors and has themes of returning as an immigrant child to your ancestor's country and belonging.

This film was part of the Screamdance section at Raindance Film Festival and I had a beautiful evening discovering this unique film there. The presentation was followed by a Q&A with writer/director Branko Tomovic and producer Jean-Louis Alexandre where they gave the audience insight information on how and why this film was shot.

It was interesting to hear that Vampir is deeply connected to Tomovic's upbringing and that haunting village really exists in real life. The film is about so much more than just a silly horror film with lots of scares. For those who understand what being an immigrant child means this film raises interesting topics about your heritage and being confronted by traditions and superstitions of the locals. All this is cleverly masked by the filmmaker with great local characters and suspenseful metaphors.

Tomovic did a great job in making you feel for the character, the entire story is told subjectively through Arnaut's eyes. The film makes you feel the isolation of that place, the loneliness and paranoia. The claustrophobia kicks in as there is no way out. It's beautifully shot and acted. A sensitive authentic subtle performance. The film's strength is the atmosphere and doom that slowly creeps in. Once you realise there is no escape it is too late.