Jason Bourne : L'Héritage

First film without Matt Damon and the Jason Bourne character. The movie turned out well and this is thanks to co-writer and director Tony Gilroy (who worked on all three previous films in the series) and Jeremy Renner, perfectly cast in the lead. The results are not flawless but good enough to provide the sort of action and storytelling that Bourne fans expect. Jeremy Renner has earned his way to this high-profile part, doing a great job since his performance in The Hurt Locker. He has the required physicality to make his character — a highly-trained, genetically enhanced undercover agent — totally believable. Furthermore he's perfectly matched with leading lady Rachel Weisz, also credible as a research doctor becoming a pawn and bail at the same time. On balance and on the whole the movie works, though a bit to long. To sum up I was entertained and I'm more than grateful for that.

Now that the dust has settled and the fifth Bourne film (and Damon's return to the role) has come and gone, and after having re-watched this after seeing Jason Bourne (2016), I can safely say that this is still the fourth best Bourne flick, and a very solid action movie in its own right.

The main reason this is stronger than the fifth one: Tony Gilroy.

He wrote the original film trilogy. He understands the universe of the films, he understands this type of character. He did NOT write Jason Bourne (2016), which was the first and only one in the franchise that wasn't penned by him, and it showed. That movie was much less intelligent and gripping than Bourne 1-3, and this one.

This isn't perfect or as great as the first three. The main problem is that the plot for this installment feels slight. This is literally a throwaway concept (Renner's character and the organization he is a part of are basically being cast under the rug here by the evil US government, and that's the angle). Renner is essentially just reacting to the events in the previous films. It's not quite a sequel because it's actually happening concurrently with the trilogy. Which is a unique touch, I guess, but it destroys any true sense of importance into the proceedings, especially since you hear nothing about the events of Legacy in Jason Bourne (2016). So while this is a fun, well-made film, it inevitably feels inconsequential when you take the entire series into account.

I thought the lack of Damon would be a weakness but it's actually not; Renner is a solid actor, even quite excellent in some roles, and even if he doesn't have the sheer charisma/star power of Damon, he brings his own sense of tough smarts and cool wit to the film, and he does a really good job of communicating the same sense of constantly-three-steps-ahead that Bourne himself did. Renner has that same natural air of intelligence as Damon, but in a grittier fashion, and Tony Gilroy knows how to utilize it.

Rachel Weisz doesn't have a whole lot to do but she has her plucky moments and at least plays a heroine with some intelligence, and who isn't simply a love interest for the protagonist. I actually think Gilroy handled that part well.

Here's hoping that if they make another Bourne installment, Tony Gilroy comes back as the writer. And I would gladly see Renner continue this role, but it probably will never happen.

There is never just one. We've reached our fourth globe-trotting adventure based on the novels of the late Robert Ludlum, and the first without former series lead Matt Damon as the enigmatic superspy Jason Bourne. With its name taken from a 2004 installment not actually penned by Ludlum, The Bourne Legacy explores the ripple effect of the events that played out in The Bourne Ultimatum. While little could be done to cushion the drop in quality that was bound to come with well, anything, that followed that near-masterpiece of action, Jeremy Renner makes an apt substitute and the thrills, wit and set pieces are all top notch, even if it won't quite have audiences asking, "Jason who?"

In the mischievous and highly top secret world of clandestine CIA superspy programs, the program previously known as Treadstone has once again morphed – from Treadstone to Blackbriar and now to Outcome (officially known as Alcom), a bio-weapons division in New York State that operates under the ruse of a pharmaceutical research firm. It is through this project that Rachel Weisz's Dr. Marta Shearing crosses path with Outcome agent Aaron Cross, as her employer's cloak-and-dagger endeavors supply its agent with viral treatments that boost both physical and mental efficiency.

While on a training procedure in Alaska, Cross is nearly assassinated by his own people after it's been decided by the powers that be that Jason Bourne's actions in "Ultimatum" have metastasized beyond repair and all outlying assets must be eliminated (including Dr. Shearing and her peers). Going on the run is one thing for Cross, but now without the pills he has been taking to keep himself stimulated, he faces the threat of crashing like a lifetime heroine addict gone cold turkey – a dire situation which would indefinitely lead to his — and the doctor's — death.

With Tony Gilroy, some will be relieved to be done with the shaky cam approach of Paul Greengrass but what does remain intact is Gilroy's dense, jargon-filled dialogue that even if being dumb, always sounds so incredibly smart. There is certainly no mistaking that this is a film from this universe.

The Bourne Legacy is easily the goriest of the bunch and at times really pushes the envelope when it comes to a PG-13 rating. As evidenced in the trailers, there is an early-set shooting involving Weisz's character and it is quite disturbing and effective in its robotic ruthlessness. Forget the controversial scene in Gangster Squad that is being reshot due to the Aurora, Colo. shootings, this sequence is bound to give anyone close to that event vivid flashbacks. And speaking of Weisz, even in her quiet moments (and she has plenty of loud and quiet) she steals her show coming off as both devastated and strong and nimbly sidesteps the oft- seen trope of the shrieking helpless female victim.

Gilroy's foray has a number of inspired instances, and though "Legacy" could have used about 15 minutes of trimming, it never bores. There are a number of intense and well-choreographed sequences that aptly showcase Cross' lethality and they're presented with enough frequency amidst the bureaucracy. An electric and immensely entertaining sequence takes place back when Cross is back in Alaska and attempting to avoid a quick death both by a military drone and a pack of wolves. I won't spoil anything, but it puts a whole new spin on the "slip your GPS tracker so your pursuers think you're somewhere else" cliché.

At other times, however, it seems like Gilroy is just going down the "Bourne" checklist even down to playing Moby's "Extreme Ways" at the end credits (I was really glad about that, actually). Bourne beats up some unsuspecting guards — check. Bourne engages in an extended car chase in an exotic location — check. Bourne evades capture by running along rooftops — check. Another agent is sent to eliminate Bourne — check. The only "check" missing is the inclusion of the man himself. However, in lieu of giving us an utter deconstruction of the series (or nothing at all), why should we be disappointed that The Bourne Legacy gives us everything we could expect (and at times quite a bit more)?

It also becomes clear pretty early on that Damon's Bourne is not the only one who has been given a redux. David Strathairn's Noah Vosen (who is under investigation following his attempted cover-up) has been given the form of Edward Norton's Eric Byer and Joan Allen's Pamela Landy (who is also having problems with her "treason" as it were) effectively with Donna Murphy's Dita Mandy (only changed one letter in the last name there). It's safe to say, despite strong performances, they feel like a downgrade when recalling the fiery antagonism shared with Vosen and Landy in The Bourne Ultimatum.

One thing The Bourne Legacy makes utterly clear is that at the distinguished age of 41, Jeremy Renner has proved himself to be a formidable action hero, both bringing a classic look to Cross but also matching Damon in displays of physicality and athleticism. He has now proved his leading man potential and I look forward to Renner headlining further action adventures (be it in this series or others).

But after all the conspiracies have been unmasked and the last bullet drained, I still couldn't help but miss Damon in the lead role. We all knew how great he was as Jason Bourne, but it would seem that I at least took his work for granted, perhaps failing to truly appreciate how magnetic he was in his ass-kickery. Let's hope Damon comes to miss his involvement and teams up with Renner in future missions, because that would be an on-screen duo worthy of all kinds of legacies.

Questionable follow up to the Bourne trilogy that has the right pieces in place but lacks the conviction to justify its existence. Taking place almost at the same time of the climax of the third Bourne film (Ultimatum), this film deals with the fall out of the exposure of "Operation Blackbriar" and how an another agency with in the government is trying to cover up their program in order not to be caught up with the coming scandal create by Jason Bourne. "Outcome", the program in question is an offshoot of both "Treadstone" and "Blackbriar" but with a huge difference, they are tabbing into science to create super agents that are faster and stronger than any other agent before them.

In order for me to tell you what is good about this movie, I have to explain what is wrong with it and that is the fact that you get the feeling fifteen minutes into the film that there is no reason for it to exist. The last film (Bourne Ultimatum) pretty much closed the book on the series, with little to no wiggle room for an encore. This movie feels like a studio trying to milk dried what was good from the original trilogy in order to make more sequels. The bad part is that they did it in the most unbelievable way, so much so that you really need to forget what you saw in the last three films in order to believe what was going on in this movie. Tony Gilroy (Who wrote the first three movies) directs and writes this one but falls flat on his face with halfhearted explanations that try to justify this movie's existence. Not to mention the fact that the villain of the movie is a lightweight compared to what came before him plus the glaring fact that Edward Norton's performance as the heavy is pretty much phoned in. He does not have the confidant arrogant swagger that Chris Cooper's character had in the first film nor the desperate menace of that Brain Cox's character brought to the second. Norton's character is more in line with the villain of the third, who was played by David Strathaim (who has a cameo in this film). However, Strathaim's character had a sense of justifiable menace that drove him, while Norton's character just seems like a man trying to justify his actions for the greater good, making him more of a government shill than a villain. The science fiction angle that comes up is insulting to what the last three films were, not to mention the fact that the direction here lacks the kinetic energy that Paul Greengrass brought to the last two movies of the series. Say what you may about the shaky camera work but he knew how to stage a thrilling action piece of pop art. Gilroy's motorcycle chase towards the climax is decent but lacks kinetic spark. He is however very good in staging small intimate moments within this movie but that is more a compliment to the A + cast (Mainly his two lead actors) than the terrible script that they are forced to working with.

Jeremy Renner is a talented actor with serious range and complexity. However, the character he plays is not much of a character and the script that he has to work with is riddled with cliché after cliché. He can do anything a secret agent can do but better but the character is not very compelling or interesting to say the least. Jason Bourne was a compelling character that needed to find himself and through that journey in the original trilogy, we saw complexities that were compelling and thoughtful. He was a conflicted man whose drive was dictated by an inner sense of redemption. The character of Aaron Cross is a cartoon character compared to Jason and that is the main problem of the script for this movie. It is though Renner's efforts as an actor that we care about the character of Aaron Cross and that is one of the few bright spots this film has. Renner injects likability and vulnerability to this character and because of it, we want him to succeed in beating the bad guy and save the girl but Renner is working with a script that goes against itself and we are left with a half fast story that deals with supermen than a human story about survival. It is through Renner's efforts as an actor that we see humanity and conflict in this character while the script itself does not give that sort of detail and Renner is working overtime to accomplish that. Renner would have done wonders with a compelling character like Jason Bourne, unfortunately that is not found with the character of Aaron Cross.

Rachel Weisz is one of the most versatile, gifted and complex actors working today. An actor's actor in every sense of word but like Renner, she does not have much of a character thanks to the cliché script they both have to work with. Her character is on the run with Cross through out the film and acts as his doctor and object of protection. It is through Weisz's amazing strength and range as an actor that we are able to witness levels of complexity and humanity in the character of Dr Marta Shearing that we really do not get from the script. Because of that, we are not only able to care and identify with her but Weisz actually makes her character more complex and interesting than Aaron Cross himself. You can tell that Weisz was working overtime in achieving that and her efforts pay off ten fold, which is a blessing considering that most of the characters outside of her and Renner come across as cardboard cutouts.

It is a shame because Renner and Weisz try their best and for the most part succeed despite all odds but they like the fans deserved better.

I have never written a review here, but I felt compelled to actually step up and defend this movie.

The Bourne Legacy was everything I expected it to be. It couldn't be too close to the previous Bourne films, but had to be close enough to let us know a storm is coming.

Bourne's presence throughout the film is what spins this story into action and I felt it was balanced perfectly. We all want Bourne, but this is Aaron Cross's story. Renner and Weisz were great, but I think the scripting has been derided by many as terrible. I had no issues with anything and even felt compelled by Renner's character motivation. This was someone yearning to be more, not someone who was already better than everyone else, but just couldn't remember.

Let's cross our fingers and hope we all get what we want and pair Bourne and Cross in the next film.

There is so much more going on than just Jason Bourne and if we don't get to explore that then the franchise will be poorer for it!