A train accident in rural Nebraska gradually unveils a mystery involving the town's bank clerk.A train accident in rural Nebraska gradually unveils a mystery involving the town's bank clerk.A train accident in rural Nebraska gradually unveils a mystery involving the town's bank clerk.
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For many the film will probably be too slow and carefully paced, and there are a few times when it did feel a little sluggish, but at no point did I ever feel I had a firm idea of where it was going, and I was so curious to find out. That sense of experiencing something completely unexpected is rare in motion pictures these days. Without being a traditional thriller there was considerable suspense, albeit of a more intellectual kind. And at no point were we subjected to cardboard cut-out characters or two dimensional plot-advancers, even in the smallest of roles.
It ends a little ambiguously, which is a momentary disappointment, until you realize that the notion of "mystery" is at the core of this film and leaving us to ponder what the future might hold for these people is perfectly in keeping with it. Ultimately, when it comes to human beings, nothing can be predicted, and you have to sometimes question every thing you think you know.
And can I mention again just how amazing Cillian Murphy is? This even eclipses Breakfast on Pluto (as a performance, but not the film as a whole).
I for one would highly recommend it.
And yes Cillian Murphy's performance is.... breathtaking
Cast-wise, it's a plethora of talent. Cillian Murphy has always been prodigious actor. It's unfortunate that his performance in this movie didn't get the recognition it deserves. His was probably one of the best performances in the decade. Susan Sarandon, Ellen Page, Josh Lucas all have a small, yet pivotal role, played with intent and unfeigned.
"Peacock" explores the fragile and unstable mental health of "John" due to an abusive and extremely reserved childhood. It's clear that "John" is suffering from Multiple Personality Disorder, but the way both his personalities "John" and "Emma" competes with each others aspects, how they are aware of each others presence but do nothing to avoid it, how both have contrasting perceptions and beliefs, how both try to undo matters done by the other etc are portrayed superbly, but the overall premise is subject to multiple explanations.
Overall, "Peacock" strangeness lies in the fact that it offers or rather viewer can perceive multiple explanations for the turn of events in the movie. Having said that, "Peacock" is a satisfying watch, courtesy of Cillian Murphy.
My Verdict: 7/10
It's about an incredibly socially inept, anxiety-ridden young man named John, whose mother has died a year previously and he's been traumatized/psychologically damaged by the loss. He seems to have been both coddled/protected and smothered/extremely isolated by his mother's hermetic, semi-abusive love. She was all he had, exactly because of the way she raised him and formed his relationship to the world. Her upbringing of him, and also to a smaller extent her subsequent death/taking away of herself, both contributed to cripple him in his relationships with others. Not that much is revealed about her even by the end, and I would have liked to know more.
Cillian Murphy is so interesting and engaging to watch as the Willardesque character John, and the completely different female character, Emma, who is mild, benignant, with a quiet strength. I didn't ever not sympathize with Emma, even though I knew she was calculating. I pitied John, whose face is like a parade of his shifting emotions: his neurotic shyness, anxiety, almost childlike anger, and emotional frustration.
Cillian even looks different as John; he changes his appearance through his acting: through the way John purses his lips, carries his body, and his nervous facial tics, etc. (you will see what I mean when you see it). When he's Emma, he also looks different in accordance with her different personality. It's not like anything I've ever seen before! He must be doing something right, to be playing a character so different from his usual self, and two characters who are so different from each other, in such a thoroughgoing, immersive way as to be utterly convincing as each. It's like he completely becomes John, and then becomes Emma, and neither is at all "Cillian."
I think this movie deserves at least a 7. Some people have said that the story isn't that credible, but I didn't find anything wrong or that off about it (it's just that it doesn't really explain everything about his mother or her "true" nature, ultimately), and the protagonist himself is the driving force behind the movie, as he should be. Besides, it's a shame when people can't suspend their disbelief just a little when it's not really that central to the point of the movie and recognize the merit of it. I couldn't help thinking that maybe some people just don't like to see Cillian Murphy in a more humbling or "weird" role, and that's why they didn't enjoy it more.
I think a better title would have been "Emma," it's simple yet it really suits the movie and makes more of a point than "Peacock," which doesn't really evoke anything apart from just being the name of the town.
Of course, Murphy was brilliant in 28 Days Later and downright creepy in Batman Begins but his turn as John Skillpa, a young man apparently tormented by years and years of child abuse, shows the truer depths of his acting range.
I'm pretty sure this feature will be well overlooked by the Academy Awards, but it shouldn't be as far as I'm concerned as Murphy and the rest of a well picked cast shine in nearly every scene. To be honest, however, I wasn't thrilled with Ellen Page's performance but I believe she did a capable job in the role she played.
Keith Carradine and an almost unrecognizable Bill Pullman are the other actors of note besides, of course, the pushy but sensitive Fanny Crill played by Susan Sarandon.
What I can tell you, without spoiling the film, is that it's set in a not too distant rural America where the oddities of life must be kept well hidden for one to survive.
What is genuinely fresh and interesting though is how the mind of John Skillpa chooses to handle the forced revealing of a secret he's kept under wraps for quite some time in a quiet house where no one would suspect there was anything out of order.
Did you know
- TriviaCillian Murphy was very reluctant to shave off his eyebrows. The scene had to be shot very carefully so as to get it right in one shot.
- GoofsThe Clark candy bars seen at the start (at around 25 mins) have modern plastic wrappers with barcodes.
- Quotes
[first lines]
Mother: [in overlapping voices and moods like memories] I'm doing this because I love you. John. You know what happens... I warned you. I warned you, John. This is what you'll turn into. I warned you. Don't talk to anyone. Why would you keep things from me! Look at me. Look at me, John. Look at me. John! Don't look at me unless I tell you to. You ruined it. Don't talk to anyone. Don't talk to anyone. Don't you keep things from me! I'm doing this because I love you. Don't move a muscle unless I tell you.
Mother: I don't love you any more.
- Alternate versionsAs attested to on the cover of the DVD (see image #23 in the Photo Gallery), there is an alternate ending and deleted scenes available.
- ConnectionsFeatured in WatchMojoUK: Top 10 Cillian Murphy Performances (2018)
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Details
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- Also known as
- El misterio de Peacock
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- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1