Fang

FANG is a great, compelling film that is both a body horror film and a psychological horror film. The main character, played by Dylan LaRay, has some autistic tendenceis and pretty miserable life. He has a terrible job with a horrible boss and he lives with his mother, who has serious physical and mental problems. She suffers from Parkinson's Disease and her condition is rapidly deteriorating. Lowry gives one of her greatest performances, able to change her mood and tone very quickly, as when she gets angry. She can be a monster at times, but at other times can be a good mother. After Dylan gets bitten by a rat, he starts growing fur on his arms, and this is where the film becomes a gross Cronenbergian body horror film.

The acting is first rate- in fact, I am still angry at Dylan's boss for being such a jerk. LaRay is incredible and gives a strong emotional performance. He evidences some traits of schizophrenia and through his art and comic book drawing, he has created a new universe for himself, as he does not seem to fit in this one. His acting is great but Lynn Lowry steals the film. I have been a fan of hers for my entire life and this is one of her most serious and intense roles. At times, she is truly evil and tyrannical, at other times she is weak and vulnerable. At all times her acting is superb and realistic.

There are several other things that elevate this film to a modern classic.

First is the beautiful cinematography, and second is the editing, which is innovative and realistic and propels the story forward. The chemistry between the two leads is great and when the kid and his mother are arguing things get really exciting.

According to IMDB, this is the first full length film from director Richard Burgin. This is hard to believe, because the film is so well made that I assumed while watching it that the director had more experience. He is definitely someone to watch and I look forward to his next film. With its harsh look at autism, schizophrenia and Parkinsons Disease, this film does a great job at capturing these illnesses in its characters, and fans of psychological suspense (and body horror) are sure to enjoy this great film with its realistic performances of degeneration, angst, frustration, anger, and jealousy.

Richard Burgin delivers with Fang on all levels. Engaging story, great cinematography, killer sets and phenomenal acting by all especially the lead and Lynn Lowry. The chemistry between these two was excellent and kept you on edge. The rest of the cast was great. Very impressive score and sound design helped to get the frantic and nerve wracking scenes across. The use of the lighting and colors helped tell the story especially in the bar scenes. I can't forget the gory and realistic practical Fx that was in the movie. I'm a big fan of practical Fx and glad to see this in this film. Check this out and share the love!!

If you watch other independent films before you watch this one, you'll understand why I gave it a 7 (granted I wanted to do like a 6.5 so I rounded up).

As someone who has watched a LOT of indie films and gets distracted easily, I can tell you I actually watched this whole film--YAY. Most indie films, especially if they're over 30 minutes long, they don't stand a chance at holding my attention normally.

Now, this film is far from perfect. A lot of things don't make sense and there are a lot of filler walking scenes that were unnecessary (also can we get Billy a better broom for that warehouse??). However, the lead actors as well as the lighting and cinematography of this film really carry it though. The colorization is absolutely gorgeous and the camerawork gives this film a boost beyond independent films. Dylan LaRay and Lynn Lowry absolutely capture your attention when they're in scenes together, and, again, it's better than a lot of independent films that are out there.

Like a combination of Requiem for a Dream, Donnie Darko, American Psycho, and Adam Wingard's films. It's rare to see such a strong and vivid madcap sense of humor in a low-budget indie film. The movie keeps progressing and escalating toward madness. You could take it as a metaphor for growing up and leaving the nest. The performances are all very much on point. And the camerawork, editing, and direction exhibit a level of impeccable craftsmanship that at times touches mastery. It operates with a strong cult classic vibe. There were hypnotic stretches where I was sitting there like, "Holy god almighty this is awesome." Very strong, strange trip that will absorb and zap you. Richard Burgin is definitely a filmmaker to watch.

Wow!

The performances here are first rate!

Dylan La Ray, as Billy Cochran, and Lynn Lowry, as Billy's mother, Gina Cochran, bring strong skill, believability and nuance to this small but important film. Jess Paul, as Myra Valenti, Mrs. Cochran's caretaker and Billy's friend, also delivers a first rate performance.

Billy Cochran is a lonely 23 year old whose dad died young. He works a mind numbing job at a meat packing plant and comes home to a dingy Chicago apartment, where he tends to his aging, ailing mother. Once free from work and home responsibilities, Billy likes to draw, building elaborate alternate worlds and species in his art-notebook. But Mother is never far away, and yes, there are shades of Psycho here, as Billy's creative time is constantly interrupted by Mom's extreme neediness.

As Billy's mother slips ever deeper int late stage Alzheimer's she becomes emotionally abusive. This emotional and verbal abuse, along with a plot device that I won't mention so not to reveal any spoilers, cause Billy to begin his own slow slide into despair.

Dylan's ability to show us Billy's growing torment is truly remarkable, and Gina is simply stunning in her seamless switches through a massive range of human emotions, sometimes all in the same scene, with a face that goes from sweet and maternal to twisted and sinister at the flip of a switch.

Mood and tone are ominous, pushed along by very creepy soundtrack. Setting and locations are gritty urban rust, and Billy's transformation into something "other" seems all too real.

My only beef would be with the hard nosed boss. I believe this plot line could have been better developed. That said, this is an indie horror film on a budget, there's never enough time/money for everything; concentrating on that which matters most is what works.

Fang is a worthy film from Richard Burgin, an important new writer/director. I look forward to seeing what he does next!