From Paris with Love
IMDb RATING
6.4/10
124K
YOUR RATING
In Paris, a young employee in the office of the US Ambassador hooks up with an American spy looking to stop a terrorist attack in the city.In Paris, a young employee in the office of the US Ambassador hooks up with an American spy looking to stop a terrorist attack in the city.In Paris, a young employee in the office of the US Ambassador hooks up with an American spy looking to stop a terrorist attack in the city.
Chems Dahmani
- Rashid
- (as Chems Eddine Dahmani)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaKelly Preston: As Reese calls his girlfriend from the Eiffel Tower cafe, Kelly Preston can seen sitting behind him. She is wearing sunglasses and seated at a table with two children.
- GoofsDuring the car chase Wax leans out of the passenger side window of the Audi, aiming his rocket launcher across the roof towards the terrorist's car, which travels on the driver's side. In several shots it is clearly visible, that the Audi has a glass sun roof. This type of roof can always be opened with Audi. So rather than leaning at high personal risk out of the passenger's side window, it would have been the logical thing to do for Wax to open the sunroof which would have also provided a much better field of fire and be at the same time be far less risky.
- Quotes
FBI agent Charlie Wax: This motherfucker hates Americans so much, even though we saved his country's ass in not only one world war but two, he still won't let me through with my cans!
- SoundtracksJ'ai Deux Amours
Music by Vincent Scotto
Lyrics by Georges Koger and Henri Varna
Performed by Madeleine Peyroux
(c) EDITIONS SALABERT
(p) 2004 ROUNDER RECORDS CORP.
With Courtesy of Universal Music Vision
Featured review
Please be gentle, this is my first review.
First of all, Travolta is back! Since Pulp Fiction, where I really enjoyed his play, I always had the feeling that his acting was about skin-deep. What happened in this movie is an invention of a new old-school action hero which would have stood in one line with Willis, Stallone and Schwarzenegger without trying to be one of them. He's powerful, funny and seriously "true" without being ridiculously over-torqued like in Pelham 123 or Face-off.
Basically you need to enjoy old-school action movies to like this. The storyline must have come to the writers mind while brushing his teeth in the morning - It's solid, well grounded, but a little bit too compressed for a 90 min movie. Concerning the speed of this movie, the camera work is fantastic and the cut allows to enjoy the action at it's fullest. (In the last years there were many movies of this type with a cut/camera like a flip-book with missing pages, which made them completely unenjoyable.)
I would like to see more movies of this type in the next years. It's not pretending to be more than what it is: Solid "hero-action" with a proper sidekick.
First of all, Travolta is back! Since Pulp Fiction, where I really enjoyed his play, I always had the feeling that his acting was about skin-deep. What happened in this movie is an invention of a new old-school action hero which would have stood in one line with Willis, Stallone and Schwarzenegger without trying to be one of them. He's powerful, funny and seriously "true" without being ridiculously over-torqued like in Pelham 123 or Face-off.
Basically you need to enjoy old-school action movies to like this. The storyline must have come to the writers mind while brushing his teeth in the morning - It's solid, well grounded, but a little bit too compressed for a 90 min movie. Concerning the speed of this movie, the camera work is fantastic and the cut allows to enjoy the action at it's fullest. (In the last years there were many movies of this type with a cut/camera like a flip-book with missing pages, which made them completely unenjoyable.)
I would like to see more movies of this type in the next years. It's not pretending to be more than what it is: Solid "hero-action" with a proper sidekick.
- mr-paladin
- Mar 25, 2010
- Permalink
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- París en la mira
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $52,000,000 (estimated)
- Gross US & Canada
- $24,077,427
- Opening weekend US & Canada
- $8,158,860
- Feb 7, 2010
- Gross worldwide
- $52,844,496
- Runtime1 hour 32 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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