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7.1/10
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Mina's life is turned upside down when she learns that her husband was innocent of the crime for which he was executed, so she starts a silent battle against a cynical system for her own and... Read allMina's life is turned upside down when she learns that her husband was innocent of the crime for which he was executed, so she starts a silent battle against a cynical system for her own and her daughter's sake.Mina's life is turned upside down when she learns that her husband was innocent of the crime for which he was executed, so she starts a silent battle against a cynical system for her own and her daughter's sake.
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On the day on which BERLINALE winner Jafar Panahi (Golden Bear 2015 for "Taxi Tehran") was arrested in Tehran, it is of course even more important to remember Iranian cinema. This film also tells of guilt and forgiveness with formal rigor. Together with her husband Behtash Sanaeeha, the Swedish-Iranian actress, director and screenwriter Maryam Moghaddam (*1970) was nominated for the Golden Bear at the BERLINALE 2021.
Mina's husband (Maryam Moghaddam) was sentenced to death and executed a year ago. Since then, she has had to look after her deaf daughter Bita (Avin Purraoufi) alone. Her brother-in-law (Pourya Rahimisam) makes an unpleasant effort to look after her. Suddenly it turns out that Mina's husband was innocent. The judge Reza (Alireza Sanifar), whom Mina has never seen, has remorse and begins to take care of Mina and her daughter. Of course, this can't remain undetected forever...
What does it mean to have to live normal everyday life and special crisis situations in a religious dictatorship like Iran? Especially in a big city juggernaut like Tehran! However, there can be no normal everyday life for single women in Iran. And even for young guys like Reza's son, the only way out is often to escape into an overdose. After all, drugs are not a problem in Tehran. Films from Iran are often like a message in a bottle that smuggles secret messages. This is also the case here, where little Bita was named after a film character from 1972, who was played by the Persian superstar Googoosh (*1950, according to Wikipedia) in the pre-revolutionary period.
A great film in which every look, every gesture and every detail counts. Let's hope that Panahi and all his imprisoned colleagues will be released soon!!!
Mina's husband (Maryam Moghaddam) was sentenced to death and executed a year ago. Since then, she has had to look after her deaf daughter Bita (Avin Purraoufi) alone. Her brother-in-law (Pourya Rahimisam) makes an unpleasant effort to look after her. Suddenly it turns out that Mina's husband was innocent. The judge Reza (Alireza Sanifar), whom Mina has never seen, has remorse and begins to take care of Mina and her daughter. Of course, this can't remain undetected forever...
What does it mean to have to live normal everyday life and special crisis situations in a religious dictatorship like Iran? Especially in a big city juggernaut like Tehran! However, there can be no normal everyday life for single women in Iran. And even for young guys like Reza's son, the only way out is often to escape into an overdose. After all, drugs are not a problem in Tehran. Films from Iran are often like a message in a bottle that smuggles secret messages. This is also the case here, where little Bita was named after a film character from 1972, who was played by the Persian superstar Googoosh (*1950, according to Wikipedia) in the pre-revolutionary period.
A great film in which every look, every gesture and every detail counts. Let's hope that Panahi and all his imprisoned colleagues will be released soon!!!
I believe the movie tries to make a message about the irreversible consequence of execution penalty by court system and how it eventually destroys life on rather large scale, not just life of the prisoner, but also life of the relatives of the prisoner and also life of the people who are serving the court system.
I really did like the plot in the movie. It is mainly conveyed via dialogue which was enjoyable to follow. You can guess in some point what the final act is going to be. Once you realize that, it is actually really interesting to follow how things evolve to the conclusion.
Good movie. Give it a change.
One interesting notion during the movie. I think it has only one music track which is played only once at the movie.
I really did like the plot in the movie. It is mainly conveyed via dialogue which was enjoyable to follow. You can guess in some point what the final act is going to be. Once you realize that, it is actually really interesting to follow how things evolve to the conclusion.
Good movie. Give it a change.
One interesting notion during the movie. I think it has only one music track which is played only once at the movie.
Finally quality cinematography after a long time. Fortunately this is because of movies from countries like Iran where this gem comes from. 1 hour and 41 minutes with not a single boring second. It grips you from the beginning without letting you down until the end. A manifestation against death penalty, showing a very original aspect of the facts, so I cannot reveal anything otherwise I am gonna spoil the whole movie. After a while the whole plot points out brilliantly the connection between loss, justice, rules, forgiveness and punishment by people and God; the perfect confession to a crime which falls apart despite the strong evidence. In any case this movie is ideal for every judge and prosecutor out there, it's a very deep lesson to crisis above people for their actions. It also contains some very provoking parts from the Coran, some are quite chilling as this one: the meaning of our life lies at the consequences of our actions. Go and watch it.
A story about guilt, healing and redemption, although the latter two are very hard to come by, if not impossible here.
It kept me on edge as Mina faces discrimination and harassment from her in-laws and her conservative neighbour, and as soon as we find out who her quiet benefactor is. He hardly stood a chance but he couldn't help himself.
Didn't understand the white cow metaphor and was a little confused by the glass milk scene. I think it should have ended right then and there, but anyway, it's a quiet little movie about social and political oppression and I sure hope they make more of them. It's a small wonder they're able to.
It kept me on edge as Mina faces discrimination and harassment from her in-laws and her conservative neighbour, and as soon as we find out who her quiet benefactor is. He hardly stood a chance but he couldn't help himself.
Didn't understand the white cow metaphor and was a little confused by the glass milk scene. I think it should have ended right then and there, but anyway, it's a quiet little movie about social and political oppression and I sure hope they make more of them. It's a small wonder they're able to.
Have you been wept recently watching a movie. Watch this movie. Its a family drama. Its is rare to see good people in real day life thats why we have these cinemas to watch and look upon ourselves.
Did you know
- TriviaThe title refers to the Cow Surah, a chapter from the Quran. The white cow is a metaphor for an innocent person condemned to die.
- ConnectionsFeatures Petite princesse (1939)
- How long is Ballad of a White Cow?Powered by Alexa
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- Ballad of a White Cow
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- Gross worldwide
- $42,467
- Runtime1 hour 45 minutes
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- 1.85 : 1
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