Love & Secrets

A disquieting thriller, complexly plotted and with numerous twists and turns which actually turns out to be fairly closely based on a real-life story in America, which kind of shoots to pieces any criticisms I had of the credibility of the narrative development here.

That said, I'm not sure the time-honoured device of flash-backing from the trial of the accused David Marks, with interspersed updates as matters proceed, best serves the flow of the film. Moreover, things do take some time to get moving with too much concentration, in my opinion, on character development, especially on subsidiary characters, before Marks' strangeness starts to manifest itself, although this too is done awkwardly (off- camera conversations with himself, point-blank rejection of having a family with his living wife, peer-pressure from his father) so that I'm not sure I made the leap to psychopathy that Ryan Gosling's character actually makes.

The supposed thriller sequences are done in a hackneyed manner too, with night-time filming, dark shadowy interiors and even thunderstorms outside which work against the realism striven for elsewhere. By the end, after some head-scratching about Marks' transvestism and the strange, fateful relationship he builds up with his elderly fellow- tenant, I felt the movie hadn't satisfactorily plugged the plot-holes along the way for it to flow as it should.

Gosling and Kirsten Dunst are both good in the lead parts, although the shifts in character for the former, as indicated, are difficult to surmount. While Gosling plays each facet of Marks' contrasting personalities at different stages, I'm not sure he convinced this was all mixed up in one person, although that may be down to the writing. I did appreciate the sub-Herrmann use of soundtrack music, but ultimately felt this movie failed to gel in attempting to combine fact-based analysis of a psychotic Norman Bates type character with the conventions of a mainstream Hollywood psychological thriller.

In All Good Things, the director/writer has created a plausible fiction to account for a series of actual crimes. The evolution of the supposed killer from carefree youth to malignant immoralist is depicted, step by step. The strength of the movie as a story lies in its focus on a web of characters and their relationships to one another, rather than on the crimes themselves. We never see actual violence, but only its effects on characters, and their subsequent efforts to conceal the truth, to escape from their situation, or to satisfy some personal need. The movie functions mainly as a kind of indictment, and I wonder if it would work were it not for the 'documentary' angle, the movie as crusader for the truth, bringing to light the possible culpability of a real person, abetted by certain friends and family, a man as yet unpunished.

The motivations of this character, the object of the indictment, are accounted for in the course of the story, as various traumatic and painful incidents from his life are shown or recalled, and by allusions to deviant mental conditions or sexual preferences that are not. Whether these revelations are served up clearly or merely hinted at, they somehow fail collectively to satisfy as explanations for the barbarism that emerges as the story proceeds. At the end, the inner life of the putative killer remains obscure, a source of dissatisfaction for a movie that is about character.

So, not a great movie, but an engrossing entertainment if you are in the mood for a dark story that leaves you wondering how closely real events in fact matched up to this clever reconstruction.

This is not a bad movie at all, but you should watch the documentary "The Jinx" and get the true story. I didn't connect the two untill I watch this movie the second time, but this is made over the life and story of Robert Durst.

Both Ryan Gosling and Kirsten Dunst play their roles very well, and there is an evil vibe to the movie - it never really shows any dull moments. Andrew Jarecki did a good job directing this, but a much better job directing "The Jinx", and the tension is so much better and much scarier. And of course have a huge flip side - but enough of that here ;-) Watch it instead!

All Good Things is a film that's 'based on a true story.' However, I've lost count of the amount of times I've seen those words, only to find that the movie was so loosely based on reality that it might as well have been Star Wars. Yet, with All Good Things, it really is based on a real murder/missing persons case in America from the eighties.

We see Ryan Gosling and Kristen Dunst meeting and falling in love. Everything seems idyllic until Gosling starts acting more and more strangely. Then his erratic behaviour starts to get physical and even violent. The strength of the movie as a story lies in its focus on a web of characters and their relationships to one another, rather than on the crimes themselves. We never see the actual violence, but only its effects on characters, and their subsequent efforts to conceal the truth, to escape from their situation, or to satisfy some personal need.

We're given plenty of visual ammunition with which to base our own conclusions on who may or may not be guilty of which crimes, mainly through alluding to deviant mental conditions or sexual preferences. None of these offer any real evidence, only circumstantial. However, despite leaving the viewer in the role of judge as to whether Gosling's character is guilty or innocent, the film is worth watching for the two leads' performances. They do well to get into some very difficult characters and the film is definitely worth a look.

So, not a great movie, but an engrossing entertainment if you are in the mood for a dark story that leaves you wondering how closely real events in fact matched up to this clever reconstruction.

Greetings again from the darkness. Who among us isn't intrigued by a real life "unsolved" murder mystery? Throw in a very wealthy New York real estate family, a never-discovered body, an executed friend, and a horrible childhood trauma and it is certain to draw the attention of filmmaker Andrew Jarecki. Jarecki's film "Capturing the Friedmans" won numerous awards and is among the best documentaries ever made. He has a knack with dark family secrets.

In the film, Ryan Gosling plays David Marks, disenchanted son of Real Estate mogul Sanford Marks (a powerful Frank Langella), who witnessed the grisly suicide of his mother when he was very young. David meets the energetic and affectionate Katie (Kirsten Dunst) and the two dreamers escape Daddy's clutches and head to Vermont to open a health food store. Finally wilting under pressure from Sanford, the couple returns to the city and David joins the family business. The good things are soon to end.

Since much of the real life story is still a mystery, Jarecki does a nice job in assembling pieces from the trial records. Along the way, we meet David's friend Deborah Lehrman (Lilly Rabe), an acclaimed writer who seems to always be there for David ... as he is for her. We witness the transformation of David from loving husband to mentally disturbed murder suspect.

Jarecki gives us some guidance on what might have happened and how the plan could have been executed, but we'll never know for sure. What we do know is that there was not much happiness associated with this family, despite the wealth and 42nd Street real estate holdings.

The acting in the film is tremendous. Gosling, Dunst and Langella are top notch. Yes, Ms. Dunst provides what is easily her best screen performance ever. Support work from Lily Rabe, Phillip Baker Hall, Nick Offerman and Kristen Wiig is all strong and believable. This one will give you the creeps ... and rightly so.