In the heart of Italy, the Social Welfare Agency rescues young girls from hospital beds and gives them a second chance at life using the latest in cybernetic advancements. With their artific... Read allIn the heart of Italy, the Social Welfare Agency rescues young girls from hospital beds and gives them a second chance at life using the latest in cybernetic advancements. With their artificially enhanced bodies, the girls are brainwashed and trained as assassins to carry out the... Read allIn the heart of Italy, the Social Welfare Agency rescues young girls from hospital beds and gives them a second chance at life using the latest in cybernetic advancements. With their artificially enhanced bodies, the girls are brainwashed and trained as assassins to carry out the dirty work of the Italian Government
Featured reviews
Pacing is quite appropriate, and definitely faster than season 1. The monologues in the first episode establish all the backstory you need, should you choose to skip Season 1 (but don't).
While the character development for the antagonists was good in the first season, they learned how to focus more closely in season 2. Pino's backstory is compelling, and makes the viewer question exactly which side they'd be on in real life.
The "teatrino" is a male assassin, Pinochio ("Pino" to friends). IF what they wanted was a super villain that could vie with the cyborgs on equal footing, they should have made him one, as in a robot or another cyborg - easy! - but they didn't, he is only a mere human who is good at his job. It's like creating Superman, the indestructible being from Krypton, and then having a bunch of Earth humans beat him up! Doesn't work! It is so unbelievable in the context of the story, that it is disastrous. This flaw was a combination of laziness, thoughtlessness, and lack of imagination, just to try to find an easy way to come up with some dramatic action for the girls - LAME! As a sci-fi author myself, I know there are MANY ways they could have accomplished their action without destroying the fundamental foundation of the story. It's truly disappointing and could have been done much better and more believably with a little more effort and creativity. Still, it is worthwhile to follow the girls & the fratella around as they continue their lives; it's just not quite as interesting as the original.
The multiple "breaks" with the original all of which detract from the series from the art to characters. One example and in my opinion the most significant was the apparent fate of one of the main characters as perceived in the final episode which cheapens the emotional response many felt when finishing the "Gunslinger Girls".
Visually, the anime style is quite different, changing how one perceives the characters. The first season illustrated them as cute, but with an underlining seriousness/ sadness about them. This second season draws them a little more "cutsey" and I find it hard to connect them to the original characters. Also, the quality of the anime seems lower, like there was a budget cut this time around.
Character wise, they seem to be portrayed differently... can't quite put my finger on it, but it is different.
Now, I realize that a couple of years have passed from the time Gunslinger girl was aired to this "Il Teatrino" and I've only watched the first episode of this season. I'll give it a couple more episodes before I decide if I'm going to bother watching the rest.
Did you know
- ConnectionsFollows Gunslinger Girl (2003)
- SoundtracksTatta Hitotsu no Omoi
Written and Performed by Kokia
Details
- Release date
- Country of origin
- Language
- Also known as
- Gunslinger Girl: Il Teatrino
- Production companies
- See more company credits at IMDbPro
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1