The Christmas Ball

Christmas Ball

I waited until the plot required that she got him out of his clothes, and he wasn't bad to ogle, but I just couldn't finish this film. Not the performance we've come to expect from Nick Hendrix from 'Midsomer Murders'.

The acting overall was very exaggerated and the whole setup was very twee. That Yankee interpretation of us Limeys, so obviously an American film made in Britain, because they all think that we are bumbling posh blokes that wear suits all of the time or precious old ladies.

Unscored as unfinished.

If you like a film with a dance theme, particularly, Tchaikovsky's 'Nutcracker', you'll be charmed by this festive romantic Anglo/American drama.

Normally this genre is invariably made in the USA/Canada but this one is mainly set in England with some scenes set in a dance studio in Boston, Mass - the unfamiliar setting for this story adding further to its charm.

I found the story, characters and dialogue intriguing ie not clichéd or run-of-the-mill - and The Ball itself is a visual/audio delight.

A bigger budget (to give the story premise more credence ie Aunt Bridget's house is being assessed for National Trust status as the Ball is taking place) and perhaps better casting of the leads may have given this a superior finish, but it is what it is; and given the Christmas Romance genre attracts a lot of mediocrity this feature is certainly not in that category.

Which is why I score it a 7. The dance scenes really pull this one up above average fare.

The performances are perfectly fine, but Caroline Langrishe as Aunt Bridget is delightful, and of course being a former ballerina she is a dream on the dancefloor as are the other three leads.

If you love the 'Waltz of the Flowers' from the The Nutcracker it's a MUST SEE!

The Christmas Ball is a harmless piece of made-for-tv Seasonal fluff, presumably made with a mainly American market in mind. The premise of saving a ''centuries old'' historical house rather founders at the get-go as the building in question is a mock Tudor one built in the thirties by the look of it...the idea that it is centuries old is laughable - surely even Americans know what a castle or mansion looks like, compared with a large surburban home? Meanwhile the plot is utterly devoid of surprises from the moment the stuffed shirt professor meets the free-spirited dancer. I give it three stars as a film to wrap Christmas presents to....

For Regency and Victorian era fans, it might be fun to see two dances performed from that era, the Quadrille, and the Waltz done with some extra pizazz.

The bones of the story are pure formula. Claire lost her job as a ballerina and flees "home" to recoup before returning to seek a new spot somewhere else. Aunt Bridget is retiring. Together with Liam they work on a Christmas Eve ball to impress a committee to save the house. Liam and Claire spend a lot of time together. In this case, much of that is rehearsing the dance performances. The conflict is exactly what this situation requires. The outcome is exactly what you'd expect.

There are no great highs or lows or surprises in the story. Even the tension doesn't appear until late. The only thing that sets this movie apart at all is the historical angle.

I wish I could say there was great chemistry, but Nick Hendrix as Liam was too much the stoic English professor.

Every Christmas film i watch , you see them cutting down a big tree at least 7 feet and above and then when they get it home , it is 5 feet or less , i love these films , i am a sap for them ,