La faille

This was without doubt one of the most debased and depraved series I have had the misfortune to watch. It did not start out so bad. There are 8 episodes. By Episode 5, I had had enough. It is merely an excuse to watch men abuse women, portray women in degrading and dehumanizing conditions, blame the women for their situation, and in most other ways offend viewers sensibilities. A creepy town and a creepy plot. And I thought Canada was a pretty nice country!

I had a feeling before even starting this one that I was going to like it a lot. Well I did, enough to watch all 8 episodes straight though with only small break.

Some will say it is predictable, and in some ways it could easily be seen that way, but it has enough red herrings to make it hard to work out. Plenty of suspects like any good whodunnit.

A good watch and the subtitles should not be a problem if you are not a French speaker.

If you are not hooked by the end of the first episode this is not a show for you.

8/10.

I found season one was quite good 7/10 but s2 was a flop and i could not watch s3. The characters were weak and poorly acted. The whole thing was too much of the same.

"The Wall" is a crime drama series that revolves around a police officer and her team as they investigate various cases in Montreal. The series was created by Martin Michaud and stars Maripier Morin, Julianne Côté, and Sophie Desmarais.

I don't speak french so i had to pause play a lot to catch up with the subtitles at times. The french speak nearly as fast as the spanish.

S1 was entertaining, s2 was okay, s3, I had had enough of it and their fake stories that sound too unbelievable and poorly acted by some of the cast.

The first episode starts off by providing little or no context as to exactly what's happening. To make matters worse, there are many characters who are introduced in rapid succession in the first few scenes, and no context is provided as to who any of them are, or what their roles might be. As the first episode moves along in a disjointed and disconnected manner, viewers are taken from one location to the other, with little in the way of continuity of dialog to even start to pick up the threads of the story. By the middle of the first episode, the confusion and chaos is proving so tiresome that there is loss of viewer engagement, and the correct course of action is to cease watching the bit of rubbish.

I have watched a crap ton of these kinds of shows and really like Nordic-Scandinavian noir procedurals because they tend to be more myopic, character driven, and tightly written-which this is. If you want overly dramatized twists so you can't guess the killer and wild plot beats with gorgeous, likable, actors for the partners, which 90% of these shows are, this is not for you.

This is for fans of the also pretty great Canadian show Cardinal, Midnight Sun, Mare of Easttown, Wisting. Personal, slow burn but well written shows. Not something as bombastic and shocking like Happy Valleys plot beats develop into or The Killing, The Bridge, Pagan Peak, with substantial sub plots. This is 8 episodes a season, much more tight.

The characters are flawed and realistic and the casting is subversive of type. Though, the leaders I would say are still quite attractive, the hotshot young one has a great character arc across the 3 seasons, and the relationship between the detective and him fits the show very well. The lead is only unlikable only if you don't like competent, confident and over 30. I don't need or want characters to be likable. I want them to be understandable and compelling in ways I haven't yet seen much of, or at all.

The writing is excellent. I always know who does the murder regardless of the plotting, it's just the way it is unless the show deliberately withholds information from the viewer. Instead, the red herrings and the investigation proceeds in such a way as to bring a very nice character arc and thematic crescendo, which is much preferable to me over a wild twist. Every character and every piece of dialogue is there for a purpose, even if you don't realize it until the last couple episodes, and even side characters are well written. They're dynamic, sometimes for descent queer rep, sometimes to hit a trope or to subvert it.

The acting delivers, though isn't academy award level, but far more serviceable than anything you'd be watching on mainstream. Very pleasantly surprised.