Burlesque
- 2010
- Tous publics
- 1h 59m
A small-town girl ventures to Los Angeles and finds her place in a neo-burlesque club run by a former dancer.A small-town girl ventures to Los Angeles and finds her place in a neo-burlesque club run by a former dancer.A small-town girl ventures to Los Angeles and finds her place in a neo-burlesque club run by a former dancer.
- Awards
- 6 wins & 21 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I waited a long time to write this review. I liked the film a great deal but I'm not so sure everyone will. It is entertaining in the way of old fashioned entertainment. Other people in the theater I attended liked it a lot also. That was easy to ascertain by the loud comments both during and after the film.
The story, itself, is a little shallow, mainly it's there as a means to fill in the space in between the elaborate musical numbers. However, the story is enough for the vehicle it carries, happy ending and all.
Cher, as the club owner Tess, has top billing but the entire show is undoubtedly Christina Aguilera as country-girl turned burlesque performer Ali. I'm old enough to say that in my life I've seen most of the premiere singing performers of modern times, many in live concert. Little Christina Aguilera is not just in a class by herself. Ms. Aguilera is in another universe, perhaps even another dimension. Her voice has a tonal quality, a power and a range that is nothing short of staggering. But the best part is that she knows how to make fullest use of that magnificent instrument.
Every second that Christina Aguilera is on screen she is absolutely riveting. You can't take your eyes off of her; and not just because she's remarkably beautiful. Here she is in this film, surrounded by a good number of extremely beautiful and talented women, yet they all seem to fade into the background fog when she is on. She has something more than beauty. She radiates raw animal magnetism and positively smolders in some kind of unidentifiable sexual power that just plain overshadows everything around her. In short, this film is well worth watching just for Aguilara's screen time.
If you can tear yourself away from watching Christina, there is more here to see. All the participants turn in great performances. All the dancers surrounding her are talented and wonderful to watch. All together they create very memorable entertainment. Kristen Bell as Nikki and Julianne Hough as Georgia are great but it's Bell who is the surprise. Being so used to seeing her as the usual blonde adornment in romantic comedies she surprised me with her dancing talent. She's really good. And, Hough is a given in a dancing costume; as flawlessly great as she is beautiful.
For me, the performance I enjoyed the most other than Christina's was Stanley Tucci as Sean. Mr. Tucci is a great talent who adds character and charm to everything he does and he won't disappoint anyone here.
I saved any negatives for last and none have anything to do with the cast. I found I didn't like the sound the way it was presented. The techniques they used tended to make the performances almost look like they were all canned/lip synced. I'm sure they thought the vocals had more power the way they did them but it truthfully detracted from the overall presentation.
The decision to make a PG-13 rated film was, no doubt, made to try and capture the kiddie ticket buyers. I honestly feel that if they actually pulled out the stops and made an honest R rated film with a more adult slant it would have been better and more profitable in the long run. To me, trying to make anything called "BURLESQUE" anything other than an adult film just seems ludicrous on the face of it.
In spite of the negatives it's still entertaining. I'll take friends to see it with a clear conscience.
By Bruce L. Jones
http://webpages.charter.net/bruce.jones1/
The story, itself, is a little shallow, mainly it's there as a means to fill in the space in between the elaborate musical numbers. However, the story is enough for the vehicle it carries, happy ending and all.
Cher, as the club owner Tess, has top billing but the entire show is undoubtedly Christina Aguilera as country-girl turned burlesque performer Ali. I'm old enough to say that in my life I've seen most of the premiere singing performers of modern times, many in live concert. Little Christina Aguilera is not just in a class by herself. Ms. Aguilera is in another universe, perhaps even another dimension. Her voice has a tonal quality, a power and a range that is nothing short of staggering. But the best part is that she knows how to make fullest use of that magnificent instrument.
Every second that Christina Aguilera is on screen she is absolutely riveting. You can't take your eyes off of her; and not just because she's remarkably beautiful. Here she is in this film, surrounded by a good number of extremely beautiful and talented women, yet they all seem to fade into the background fog when she is on. She has something more than beauty. She radiates raw animal magnetism and positively smolders in some kind of unidentifiable sexual power that just plain overshadows everything around her. In short, this film is well worth watching just for Aguilara's screen time.
If you can tear yourself away from watching Christina, there is more here to see. All the participants turn in great performances. All the dancers surrounding her are talented and wonderful to watch. All together they create very memorable entertainment. Kristen Bell as Nikki and Julianne Hough as Georgia are great but it's Bell who is the surprise. Being so used to seeing her as the usual blonde adornment in romantic comedies she surprised me with her dancing talent. She's really good. And, Hough is a given in a dancing costume; as flawlessly great as she is beautiful.
For me, the performance I enjoyed the most other than Christina's was Stanley Tucci as Sean. Mr. Tucci is a great talent who adds character and charm to everything he does and he won't disappoint anyone here.
I saved any negatives for last and none have anything to do with the cast. I found I didn't like the sound the way it was presented. The techniques they used tended to make the performances almost look like they were all canned/lip synced. I'm sure they thought the vocals had more power the way they did them but it truthfully detracted from the overall presentation.
The decision to make a PG-13 rated film was, no doubt, made to try and capture the kiddie ticket buyers. I honestly feel that if they actually pulled out the stops and made an honest R rated film with a more adult slant it would have been better and more profitable in the long run. To me, trying to make anything called "BURLESQUE" anything other than an adult film just seems ludicrous on the face of it.
In spite of the negatives it's still entertaining. I'll take friends to see it with a clear conscience.
By Bruce L. Jones
http://webpages.charter.net/bruce.jones1/
Christine A's music knocked this movie out of the park. Who cares about the story? Those pipes carry you from start to finish. Other fun stuff in there too. Stanley Tucci ALWAYS delivers. If you like to hear Christine A sing, don't miss this one. It's fun. Burlesque with an incredible twist!
Well this movie is amazing. The entire feel is Moulin Rouge meets Sex and the city.
From the dances, the costumes, the make up, the hair dos, everything was so freshly daring. The entire look of the movie was so perfect for the entire dramatic effect that this movie required and could easily pull off.
Both the actresses, Christina and Cher, were splendid with their vocals and their acting. Although Cher has been seen on and off the silver screen, this was Chistina's first major venture and she sizzled on screen.
The only pitfall for the entire movie was its very predictable and very sugary story line. There were no real black moments. Maximum it touched was a few shades of gray.
But if you enjoy musicals and have a penchant for dramatics, this is a perfect watch.
From the dances, the costumes, the make up, the hair dos, everything was so freshly daring. The entire look of the movie was so perfect for the entire dramatic effect that this movie required and could easily pull off.
Both the actresses, Christina and Cher, were splendid with their vocals and their acting. Although Cher has been seen on and off the silver screen, this was Chistina's first major venture and she sizzled on screen.
The only pitfall for the entire movie was its very predictable and very sugary story line. There were no real black moments. Maximum it touched was a few shades of gray.
But if you enjoy musicals and have a penchant for dramatics, this is a perfect watch.
I can easily summarize this film into short sentences. This film has everything, everything but a plot that is. What you should expect from Burlesque is almost two hours of high powered entertainment. Burlesque is just that, entertaining. If you are going to this film to witness a great storyline unfold don't go see this film. However, if you want to be entertained with great vocals from Christina Aguilera and Cher in addition to great acting from Peter Gallagher, Stanley Tucci, Alan Cummings, and again Cher then this film is a must see. I must say prior to the screening that I attended, I was very apprehensive that I was going to see a product that resembled a "Nine" / "Coyote Ugly" blend of a film, but I was certainly wrong. Burlesque holds itself above the rest of the films in its category. The film obviously cost a lot to produce and I believe that the money was well spent. Cher's performance was excellent. Say what you want about the person, but the actress conveys a confidence level in front of the camera as though she has done this a hundred times. Stanley Tucci is also quite merit worthy in this film. His performance in "Lovely Bones" is still haunting and his role as Cher's right-hand gay best friend/costume designer in this film just shows what incredible range this actor has. The costume design, casting, choreography and set design for this film are also worthy of mention. You can count on this film definitely being nominated in the Best Film in Comedy or Musical category for the Golden Globes in December. This film will also do incredibly well at the box office. I would have no problem watching this film again.
The musical numbers reminded me of "Sweet Charity" and the camera moves around the Kit Kat Klub style room like Fosse's camera did in "Cabaret" The similarities stop there. The film is a brave attempt but the writing walks a very, very thin line. Was Steve Antin trying to be funny? Some of the lines were received with loud guffaws and there is no way to know if that was the intention because, personally, I felt like cringing. Never mind. It was fun. Christina has a powerful voice but not film presence and Cher is a fearless icon but she had so little to show for it. The best performance is, without question, by Stanley Tucci. The songs work at the moment you're watching them being performed but I couldn't hum a tune now, 48 hours later, for the life of me. So, I was entertained and in the big scheme of things, I guess that's enough
Did you know
- TriviaThe photo of seven-year-old Ali with her mother is a photo of a much younger Christina Aguilera with her mother, Shelly Kearns.
- GoofsYou can hear feedback when Ali is onstage and Nikki sabotages the mixing console. You can not create feedback by disconnecting the inputs. Feedback is usually caused by microphones, and since the dancers were supposed to be lip-syncing at this point, the microphones on stage would not be live to create feedback anyway.
- Crazy creditsThe credits play over a background of the stage set from the final scene ("Show Me How to Burlesque" dance number).
- ConnectionsEdited into 5 Second Movies: Burlesque (2010)
- SoundtracksMakin' Plans
Written and Performed by Miranda Lambert
Courtesy of Columbia Nashville
By arrangement with Sony Music Licensing
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Noches de encanto
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $55,000,000 (estimated)
- Gross US & Canada
- $39,440,655
- Opening weekend US & Canada
- $11,947,744
- Nov 28, 2010
- Gross worldwide
- $89,520,336
- Runtime1 hour 59 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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