Babil
- TV Series
- 2020
- 2h
IMDb RATING
7.1/10
1.7K
YOUR RATING
Irfan, an idealistic professor, faces unfair dismissal and struggles to care for his ill son. As opportunities dwindle, he unwittingly embarks on a dark, inescapable journey.Irfan, an idealistic professor, faces unfair dismissal and struggles to care for his ill son. As opportunities dwindle, he unwittingly embarks on a dark, inescapable journey.Irfan, an idealistic professor, faces unfair dismissal and struggles to care for his ill son. As opportunities dwindle, he unwittingly embarks on a dark, inescapable journey.
- Awards
- 8 nominations total
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Featured reviews
I did not find the series totally satisfying. I kept watching because of the presence of remarkable actors such as Halit Ergenc (Irfan), Asli Enver (Aishe), Birce Akalay (Ilay) and Onur Saylak (Egeman 2).
The story is supposed to be about money as the main motivator in life, but it is also about revenge and family dynamics, in particular father-son love.
While Ergenc brilliantly conveyed all the subtleties of Irfan's character, his beautiful relationship with his son, the extent of his despair, his dilemmas, his humanity, and the journey that led to his transformation, I found the character played by his wife, Eda (Nur Fettahoglu), quite annoying. During Season 1, she was a ticking bomb, ready to explode anytime. In Season 2, the character had more depth and nuance, but the attraction between her and Egeman was not obvious. He kept on evoking their once brief relationship as the highlight of his life, but there were just no sparks between them. Regarding the changes linked to the Egeman character, Ozan Guven was more playful and managed to convey Egeman's childish aspects whereas Saylak displayed the darkness of his soul to the full extent. Only at the end did the two characters merge.
The main bad guy in the story (Suleiman, played by Mesut Akusta) could not elicit the slightest sympathy and yet, he was omnipresent. I found him irksome and predictable as a character (more than his son, Hakan, who was quite touching). I could not understand why a sophisticated and beautiful woman such as Ilay could be his mistress. If she needed money for protection in order not to give way to despair, why did she ever start dating Irfan in her youth? The relationship between her and Suleyman and also between her and Irfan was not well articulated and to me, she remained a mystery (I think Akalay tried her best) (here, "money as the sole motivator" remains too shallow). Kudret (Veda Yurtsever), as Suleyman's first wife, was more interesting because of all the twists in her character. Finally, Asli Enver, as Ayse/Nihal, was quite compelling, she brought the needed passion and warmth (again, her relationship with her father, to me, was an unnecessary ark and did not add much to the story).
All and all, it was an interesting series with a provocative premise, but it just dragged on for too long. I think too many secondary aspects were evoked only schematically to sustain the viewer's interest. Ergenc, as usual, immersed himself deeply in the role but I felt there were moments of downturn because the screenplay was just not coherent all along. The finale was compelling though.
The story is supposed to be about money as the main motivator in life, but it is also about revenge and family dynamics, in particular father-son love.
While Ergenc brilliantly conveyed all the subtleties of Irfan's character, his beautiful relationship with his son, the extent of his despair, his dilemmas, his humanity, and the journey that led to his transformation, I found the character played by his wife, Eda (Nur Fettahoglu), quite annoying. During Season 1, she was a ticking bomb, ready to explode anytime. In Season 2, the character had more depth and nuance, but the attraction between her and Egeman was not obvious. He kept on evoking their once brief relationship as the highlight of his life, but there were just no sparks between them. Regarding the changes linked to the Egeman character, Ozan Guven was more playful and managed to convey Egeman's childish aspects whereas Saylak displayed the darkness of his soul to the full extent. Only at the end did the two characters merge.
The main bad guy in the story (Suleiman, played by Mesut Akusta) could not elicit the slightest sympathy and yet, he was omnipresent. I found him irksome and predictable as a character (more than his son, Hakan, who was quite touching). I could not understand why a sophisticated and beautiful woman such as Ilay could be his mistress. If she needed money for protection in order not to give way to despair, why did she ever start dating Irfan in her youth? The relationship between her and Suleyman and also between her and Irfan was not well articulated and to me, she remained a mystery (I think Akalay tried her best) (here, "money as the sole motivator" remains too shallow). Kudret (Veda Yurtsever), as Suleyman's first wife, was more interesting because of all the twists in her character. Finally, Asli Enver, as Ayse/Nihal, was quite compelling, she brought the needed passion and warmth (again, her relationship with her father, to me, was an unnecessary ark and did not add much to the story).
All and all, it was an interesting series with a provocative premise, but it just dragged on for too long. I think too many secondary aspects were evoked only schematically to sustain the viewer's interest. Ergenc, as usual, immersed himself deeply in the role but I felt there were moments of downturn because the screenplay was just not coherent all along. The finale was compelling though.
I've just finished episode 5 and am happy to rate this series a solid 8. The script is well written, the cast are all talented and as the series moves along, the viewers asks questions of themselves of what will they do if they are caught in that situation. How far will you go to make sacrifices for your loved ones? We often read on rich educated people falling into ponzi schemes and wonder how is that possible. This series share some insight into scams and fraud too. I would have wanted to give a rating of 10 but I was rather irritated by the overboard and insistent jealousy acts and whining of Eda (Irfan's wife) and also of Suleyman's wife. Too much drama that spoilt a pretty intelligent series. I had to fast forward those parts. Hopefully the episodes continue to be good.
The story line of the drama is fabulous, by far the greatest achievement of the drama is the suspense and the remarkable presentation of how cruel this world can get and in fact money is the actual root to all disasters. This drama also teaches how many sacrifices can one make for those they love.
One of the best serieses I've ever watched. Halit's acting is amazing. The only defect (in my viewpoint at least) is the changing of Egemen actor in the final episodes that compromised my emotional relationship with the previous Egemen for the following one or two episodes till I reaccustomed to him.
My three favourite actors are in this drama. I am a fan of Asli Enver, Birce Akalay and Halit Ergenc. Scenario is ok but too much repeat, the tempo is facing time to time. I did not like the decision to change actor who plays Egemen. Because he was really good. Anyway, another watchable TV drama nowadays.
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