Tove

Well I watched it, but as someone who was/is enchanted by the Moomins even into adulthood, I felt cheated. I personally have very little interest in most people's sex lives, but I am especially uninterested in the sex lives of people who would have So Much more interesting things to talk about. She obviously grew up inspired by the countryside, and there's a lot of that in the Moomins. This was unexplored. And then there was the delightful mother role, who obviously inspired the character of Moomintroll's mother, but whose character was shamefully unexplored. How anyone can make a film like this about something so fascinating and just focus on sex and longing for romance is TOTALLY BEYOND ME. I was quite disappointed. I am just not very interested in knowing about people's sex lives. Not even if they were gay in a time when it as frowned upon by some. I am far more interested in their intellect and ideas. I consider this film to be full of missed opportunities. They didn't even explore why Vivica, the lover/theatre director had the fantastic idea of making a children's play about the Moomins, which in itself must have been a new, breakthrough genre of theatre. That was genius. If I had made this film it would have been better, and I don't say that lightly.

This biopic about the artist Tove Jansson opens the Festival, which focuses on her relationship with her great love, not fully reciprocated. Leaving on a secondary plane other relationships that seem more interesting to us, such as the one she maintains with her father, this biopic is conventional. There is an unrequited double relationship, but the script unbalances her interest. Everything is in its place, but nothing stands out especially, except the work of the actress Alma Pöysti.

Tove: Tove Jansson (Alma Poysti) wasn't just the creator of the Moomins, she was an artist, a writer, a playwright. Tove illustrates this as it covers her life from 1944 to the late 1950's. Her passion for people and for the Arts is vividly depicted, as is the poverty of her early days, denied grants she paid her rent with paintings. She finds her studio/apartment after Helsinki is bombed in 1944 and turns that into a work of art as well. Though the Moomins brought her financial security she felt it took away from her real work and her demanding sculptor father Viktor (Robert Enckell) criticised it as not being art. Her love life was unconventional, she had ongoing affairs with politician/philosopher Atos Wirtanen (Shanti Roney) and theatrical director Vivica Bandler (Krista Kosonen). Vivica's polyamory caused her heartbreak, she had even left Atos for her. The relationship was central to her life and work until she could finally find love elsewhere. A moving tale of Art, Love and Friendship. Directed by Zaida Bergrothy from a Screenplay by Eeva Putro and Jamo Elonen. 8/10.

Tove Jansson was a Swedish-speaking Finnish author and artist born in the 1910s to an artist family. Internationally she's most well-known as the author of the Moomin books and comics strips. This film is the story of her formative years and how she came up with the Moomin characters.

Upon its release it became the second most expensive Finnish film made to that point. And it does look good, I'll give it that, although I'm still not sure just why it needed such a large budget. But the locations and costumes look good. The film is also shot, edited and acted really well, with special mention going to Alma Pöysti as the leading character.

It's also interesting to see the author behind these beloved characters and how her own life influenced the books. Jansson's own rather bohemian lifestyle is definitely reflected in the books and her various acquaintances and friends that would eventually inspire many of the Moomins are also really interesting.

That being said, the film is not as Moomin-heavy as you'd think. It's more a story about a struggling artist and her various trials and tribulations. Successes and losses in both her career and personal life. And while that is interesting enough, I confess to being somewhat disappointed that there wasn't more Moomin content in this film. Then again, Jansson herself expressed in her later years that she's a tad miffed she's only known for Moomins. So perhaps in that regard this film is more respectful to her than many other sources have been.

Nevertheless, it's a great film to look up. Technically sound, well-written and beautifully acted. Not awe-inspiring or overly emotional, but then again, it doesn't need to be.

The story focuses on Tove Janssons formative years as an artist, during which time she also developed her most known characters, the moomins a lot. The film is well made, acting is top notch (especially Alma Pöysti in the lead role) and left me with a warm feeling. Don't expect a dramatic epoch or an intense drama with unexpected twist and turns.