User reviews

Any empathy that a viewer might develop for these two alienated youths quickly dissolves: Roman is just another teen idiot with easy access to guns, and being the son of a wealthy politician, he's uncontrolled and knows no boundaries. Maru thinks Roman's alienation from society gives them a common bond, and they link up when she is emotionally vulnerable, feeling as-yet-unrequited sexual urges. Why either of them is disaffected is never explained. And that seems an intentional and satisfyingly realistic directorial choice, to show unthinking teens making bad choices with no plan, no hope, and no future. Things go poorly, as you might expect.

Both lead characters are well acted; their understated approaches suit the mood and the personas. The supporting cast of "responsible" adults receives much less screen time. The camera work is mostly fine. Too-close close-ups and hand-held views, all so unnecessary and annoying, are short and infrequent. Perhaps one day those fads will go the way of bell-bottoms and mullets or their Mexican equivalents.

The scenario, the characters, and the result of I'm Gonna Explode could play out in any one of many nations. I inferred a particular message, as indicated by my title above; others may experience it differently. It's worth watching once.

Though it appears doubtful that J.D. Salinger's classic paean to teen-age rebelliousness, "Catcher in the Rye", will ever be filmed, Mexican director Gerardo Naranjo's I'm Going to Explode (Voy a Explotar) provides a kindred spirit in teenage Roman, an updated cinematic expression of Holden Caulfield's search for authenticity (though one with decidedly more reckless abandon). Naranjo, who studied film at the American Film Institute with another up and coming young director, Azazel Jacobs (Momma's Man), owes a big debt of gratitude to the French New Wave, yet his I'm Going to Explode stands on its own as an involving tale of two lovers on the run, never feeling derivative or redundant.

Produced by actors Gabriel Garcia Bernal and Diego Luna from Y Tu Mamá También, I'm Going to Explode rises above its youthful flaws with energy, dark humor, and personal style, and an expressive spontaneity that makes it a rich and deeply moving experience. If Holden had a partner, she might have resembled 15-year-old Maru (Maria Deschamps), a troubled outsider with a rebellious spirit. Bored and feeling very much alone at her suburban prep school in Guanajuato, Maru is an outsider who empties her soul each day into her diary, aching for someone who understands her longings. Her world comes alive, however, when she meets Roman (Juan Pablo de Santiago), the disaffected son of a well-to-do right-wing politician.

A bright, impulsive, emotional, and unpredictable young man, Roman seems to delight in seeking his father's (Daniel Gimenez Cacho) attention by getting kicked out of every school he is enrolled in. Now in the same school with Maru, they meet at a talent show in which Roman pretends to commit suicide by hanging and Maru feels an immediate camaraderie. She writes to a friend that "He exists, but I also made him up," and says that "the best part is that he's angry." Roman has similar feelings for Maru and it does not take long for the two free spirits to plan a runaway from a world they can make little sense of. Roman, in melodramatic fashion, pretends to be abducting Maru while flashing one of his adored guns but the reality is less exciting.

Although they both want their parents to think they are far away, in reality they are hiding out in a tent on the roof of his father's house, sneaking downstairs to corral the necessities of life when his dad, Maru's mother, and sister (who have made themselves part of the rescue team), are not at home. Fortified with plenty of wine and rock music which they listen to with dual headphones, they are clearly having fun at the expense of their self-involved but legitimately frightened parents who are thrown off the trail by hysterical phone calls from Roman, replete with misinformation. In a startlingly insightful sequence, Maru expresses her conflicts about having sex with Roman, fearing that she will lose her power over him and be taken for granted if she "puts out" (why most Hollywood teens never think about that is a mystery).

Like most adolescents, one minute they express powerful emotion and seem grown up, the next minute they are squabbling or not talking because of inconsequential jolts to their ego. When Roman and Maru do have sex, it is very erotic because they are at first so hesitant and tentative, perhaps the way we all were the first time. Ultimately, they steal a car with the idea of going to Mexico City but, as in real-life, it does not always work out according to plans. Surviving an unnecessarily melodramatic and predictable ending, I'm Going to Explode is a film of sensual delight and pure exhilaration and Deschamps' performance as the more mature protagonist keeps the film from descending into juvenile hi-jinks.