Ponniyin Selvan - part 1

There are three types of audiences for this film in the country: those who have read the books, those who haven't, and those who are familiar with the history of the Chola Kings.

The books were written 70 years ago as a serialised format for a magazine, based on the characters and events of the Chola kingdom. They include fictional characters and dramatic elements for intrigue.

The movie's screenplay is adapted from the books, with necessary changes to appeal to today's audience, similar to adaptations like "Lord of the Rings," "Harry Potter," and "Game of Thrones." However, the mentioned books take place in a fantasy world with miracles and non-human characters, while "Ponniyin Selvan" is a historical fiction set in reality.

The screenplay, written by Mani Ratnam, Jaya Mohan, and Kumaravel, feels flat and confusing for a two-part movie. It gives the impression of a rushed eight-episode TV show re-edited into a two-part film, which is very different from "Baahubali."

Vikram's portrayal of Aditha Karikalan is flawed, with overacting.

Trisha's performance as Kundavai is unbelievably phenomenal. Her look and acting are terrific.

Aishwarya Rai and Karthi get to play the most interesting characters in the movie. Aishwarya looks convincing as Nandini, albeit slightly older, and her performance is okay, but it could have been extraordinary.

Karthi doesn't meet my expectations as Vanthiyadevan.

Jayam Ravi's portrayal of Arun Moli Varman is a surprise. His performance is very good, and although I was initially disappointed with his appearance, by the end of the movie, I accepted him.

The same goes for Aishwarya Lakshmi. Many of her scenes from the book are missing, and Prakash Raj as Sundara Chola doesn't fit the role.

Jayaram as Nambi is fantastic.

Sharath Kumar, Parthiban, Kishore, Mohan Raman, Prabhu, Rahman, and Jayachitra are perfectly cast.

Shobitha as Vanathi appears very artificial, but her dancing skills are commendable.

Manimeghalai is absent from the film.

The locations feel real and exotic, while the sets and props transport us back to the 10th century. The costumes, accessories, and makeup are so well done that we forget the actors and see the real Cholas. The visual effects blend seamlessly with reality in many scenes.

The sound effects are of high quality.

The music sets the mood of the film, and the songs flow well, except for "Chola Chola." However, "Ponni Nadhi" and "Alai Kadal" are great additions to your playlist.

The Devaralanatam sequence is perfectly shot and choreographed, but "Sol" is cut out.

The cinematography by Ravi Varman is outstanding, creating world-class visuals, with only a few shots falling short.

It would be better if both movies were re-edited and released on an OTT platform as a mini-series with eight one-hour episodes.

Perhaps no Indian film released in 2022 sans RRR and KGF2 has arrived in theatres with the ungodly hype that accompanied Mani Ratnam's "Ponniyin Selvan I". Based on the cult 1955 book series by Kalki Krishnamurthy, many icons like MGR and Kamal Hassan have attempted to recreate the magnum opus on screen but it took a visionary of Mani Ratnam's caliber to finally bring the project to fruition. With an ensemble cast and an exceptional technical crew backing him, the master director weaves his magic wand to create an immensely enjoyable period spectacle, albeit with its shares of minor bumps and flaws.

Set in the 10th century during the times when the Chola dynasty ruled over most of South India, Karthi stars as "Vallavaraiyan Vandiyadevan", commander to the crown prince Aditha Karikaalan (Vikram), and his journey to fulfill a set of tasks his liege lord sets out for him. Assigned with dismantling a seditious conspiracy brewing within the kingdom, the steadfast Vandiyadevan embarks on an arduous journey, with aid of the princess Kundavai (Trisha) as well as Karikaalan's younger brother, the titular "Ponniyin Selvan" (meaning Son of the river Ponni, played by Jayam Ravi).

Focussing more on drama elements and political machinations and in setting up the immense world detailed in the books, "Ponniyin Selvan" is devoid of the large canvas action sequences and mass moments of typical masala-period pieces like the Bahubali franchise and RRR. Case in point, one of the most enthralling sequences in the film was the confrontation between Trisha's "Kundavai" and the primary antagonist, the scheming "Nandini", played by Aishwarya Rai with each actress oozing menace and gravitas, aided by the excellent dialogues crafter by screenwriters Kumaravel and Jayamohan.

A R Rahman's music is unfortunately largely pedestrian with only the BGM composed for Trisha's character creating any real impact. The film also indulges in setting up too many things for its second part and meanders pointlessly for large portions post the interval. The climax showdown which was intended as a brutal skirmish doesn't come across convincingly, reducing the impact of the immersive politicking and mind games that led up to it. In short, PS-1 scores high in its drama elements while struggling to be convincing during its stunt sequences. Nevertheless, the painstaking worldbuilding, its clutch of ace performances and the level of political intrigue Mani Ratnam has managed to infuse into the storytelling make PS-1 a recommended watch in theatres! Cannot wait for the second part, set to release in 2023!

Great screenplay, great visuals, beautiful actors, great performances and really soulful music. An experience through and through, the old mani ratnam is back and this time he has something to prove. Aishwarya and Vikram proves why they are one of the finest actors that have graced Indian cinema and how experience matters the most. Every actor plays their part well, it's such a visual treat.

Maybe the only nitpick that i have is the length, gosh this movie is too detailed and lengthy, but don't let that inhibit you from watching it. One of the finest historical period dramas to come out of India.

Ponniyin Selvan could've been India's GOT except for the VFX part. But it is not due to the convoluted screenplay, jerky camerawork and poor action choreography.

The lack of developments for character and conflicts are too obvious. If there were some conflict and challenge during the war scenes, it would've been more interesting. Instead, we get to see Aditha Karikalan just easily defeating his enemies.

Vikram doesn't have much screen time but leaves an impact with his performance. Karthi is charming as Vandiyathevan but the dialogues are poorly written. Jayam Ravi did the role with great control and didn't fall apart like I thought while watching the trailer.

I love Aiswarya but she's such a miscast for this role. First of all, her face isn't what it used to be. Botox is evident and her cheeks below her eyes doesn't move at all. There's so much make up on her face and it makes it difficult to think she's someone from such an ancient time. Same with Trisha minus the botox part.

They're both there for their beauty. Nandini should've been written better.

The political aspect was only good in one scene where Trisha walks into a meeting and proposes some marriages.

AR Rahman's score is great in some scenes and lame at some. Nandini has the best BGM and Kundavai has the worst. Songs aren't that great or suitable. Ponni Nadhi is so good though. Rest of the songs was unnecessary and felt out of place.

I liked the last ship scenes but then again, the action should've been better.

The Common Fiction mood is there in the film that mainly progresses the story in a very different and enfold way . The fiction itself lies on the title of the Film as Ponniyin Selvan son of Ponni ( River Ponni ) is saved by her from drowning and thereafter holds the Title.

Rivalry, War and Diplomacy are the stuff that surround the events. There are multiple action scenes. But the main motion is controlled by efficient diplomacy and conspiracy by the people of the royal family and their close ones.

The Screening is undoubtedly amazing. Whether it's the entries of the mainstream characters or the presentations of the songs and dance performance.

All the characters have their own shade and caliber to get the audience's attention. Each character is connected to each other in some way. And the net is spread in a very beautiful manner through all of them.

Very much progressive as a cinematic prologue in its own way.

Mani Sir literally insists the audience by his storytelling to think in a way like the dynasty about which the film is. PS I is mostly about knowing the characters and critical assumptions of the audiences.

Must Watch to Know a deep Rooted psychology and chronological suspense. Its a film greatly scripted down.

And and and Last But Not The Least A. R Rahman's music are just gob smacking.