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Josh Lucas, Betty Gilpin, and Vanessa Kai in Les ombres du passé (2008)

Metacritic reviews

Les ombres du passé

39

Metascore

7 reviews · Provided by Metacritic.com
  • 80
    Los Angeles Times
    Los Angeles Times
    Death in Love is occasionally pretentious but always riveting. Strap yourself in, especially for those gruesome flashbacks of Nazi medical experiments -- this is one endurance test that's worth the effort.
  • 70
    The Hollywood Reporter
    The Hollywood Reporter
    Bisset is powerful as a mother who has virtually devoured her young. With her Medusa-like tresses aswirl, she is truly ferocious.
  • 70
    New York Magazine (Vulture)David Edelstein
    New York Magazine (Vulture)David Edelstein
    A pretentious and stilted but weirdly compelling blend of sins-of-the-parent saga and horror movie.
  • 60
    New York Daily NewsJoe Neumaier
    New York Daily NewsJoe Neumaier
    Challenging and thoughtful, but is also, like its characters, a prisoner of its own anger.
  • 20
    Village Voice
    Village Voice
    Someday, a wise and potent film will be made about the Holocaust's legacy on succeeding generations. Posing as a study in evil, Death in Love is claptrap that confuses bile with art.
  • 20
    The New York TimesStephen Holden
    The New York TimesStephen Holden
    Death in Love hasn't a drop of humor or hope. Its dull, smudged look makes every environment appear joyless and claustrophobic.
  • 0
    New York PostLou Lumenick
    New York PostLou Lumenick
    There's something seriously wrong when you assemble actors this good -- and can't believe a single stilted word coming out of their mouths.
  • See all 7 reviews on Metacritic.com
  • See all external reviews for Les ombres du passé

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