The Oak Room

This was a great story idea. It was somewhat original, the actors were pretty good. I think if they had a better writer and director, this could have been a worthy 9 or 10 for sure. I think it is worth the watch, but ONLY if you find yourself home on a Friday night, nothing going on and you are just sitting at home on the couch wondering what you could watch. Then give it a try. This movie could have been great, instead it kind of falls to being fair. Now if I would have spent good money to see this at the movie theater, I would have been a little upset, but still would have given the same review.

I saw The Oak Room recently at a local film festival and am very pleased I had the opportunity. This film is set in a bar at closing time during a snow storm. One character tells the other a story, and we go from there. Now whilst some of the acting is a little over the top or unconvincing in places, on the whole this was very well done. The setting of the bar and the snowstorm was done so well that despite being indoors and properly dressed for October, I was cold! The film made me feel cold! The tension was built over the course of the film, with a twist that I wasn't fully expecting. I knocked a couple of stars off as despite fully understanding the plot and twist, things were introduced towards the very end that weren't given proper context. It didn't ruin the film at all, it just felt like a few loose ends. Overall I really enjoyed The Oak Room.

I like atmospheric movies. Especially ones in snowy settings. That said, there really is no narrative. There are 2 men in ever scene, having a conversation. Many of the conversations don't further any through line. Or if they do, you need to conjure them up yourself. This is the "Pine Barrens" episode of"The Sopranos". It was an entertaining episode, it stuck with you afterward, but it was also frustrating, Is it worthwhile? I'd say 70-80% of casual movie watchers will regret watching it. 5% will love it--reading more into it than there actually is. The remaining 15-25% will be somewhat disappointed, yet entertained.

A disloyal son returns to the bar his late father used to frequent, but who will face the music?

A web of haunting menace, woven through stories within stories, down to the fourth level where we find a piglet. The point here is to catch the drift, rather than wonder about the destination, because there's only one place all these characters are headed.

This is framed and paced with expertise, using visual and musical motifs to layer the experience; with stories split apart or laid out on divergent tracks, both fabricated and sworn to be true. It even includes a goose-the-truth scene to show how exactly to tell a story - and, yes, the barman made that story up, but his next one reveals all you need to take to heart and, in combination with the piglet story, provides a disturbing foundation.

The two lead performances are excellent, and the production is to a high standard, varying the emphasis in what is basically a two-hander. And I loved the music from Torero and Steph Copeland.

Overall: Not really a horror, but a weird tale done to perfection.

A very clever and carefully-crafted film.

Great atmosphere and, despite being mostly one to one story-telling, it keeps your interest until the end.

Terrific acting from a very small cast, especially RJ Mitte and Ari Millen.

The soundtrack is very good and compliments the mood of the film well.

The script is great, although the main characters sometimes get too repetitive, as though the writers didn't fully trust the audience to get the point.

At one point, it was a story within a story and started to have an Inception feel.

Worth watching if you like your brain to be engaged during a movie.