The Last Shift

There was nothing, absolutely nothing in this film that could be classed as funny. it was a very realistic look at the working class man, and the problems troubled kids face. it was a good movie, very touching, great acting and pulled at my heartstrings.

it had a start and a middle then the credits rolled, if it was an episode of a series youd be interested to watch the next episode.

Richard Jenkins & Shane Paul McGhie did a great job making their characters come to life. It's a movie about real life for many people in the US, that the countries or people in privilege places don't even bat an eye.

A sad reality, but a reality.

This story was written with a quill (or disposable Bic) not a sledge hammer. While it has the predictable white = bad, black = good thing happening, the story is actually new (to me, on film). Growing up, going through my first part-time jobs, I always ran into older people who unaccountably had the same responsibilities as I did. I didn't necessarily pity them, but I was curious about them. This film gives "that guy" some dimension, a life. I also like that the younger character can get in cross-ways with the law without being a thug. That's probably a lot more common than we know. It's not a story to change your life, but it is a thoughtful piece all the same.

I expected more bonding between the two, and the story to be more touching. I didn't really get either. I'm a little disappointed by it.

Astute observational indie about two guys who are stuck. Neither can admit that anyone is worse off, on a lower rung of America's economic ladder. They find themselves working together at a slow fast-food drive-through in a town that's been left behind. The elder of the two -- played with almost painful truthfulness by Richard Jenkins -- is a crumbling white guy who has been serving up low-nutrition burgers and fries for 38 years and thinks he's looking forward to his last shift. His trainee is a gifted young black man -- skilfully presented by Shane Paul McGhie as a charmer with a chip on his shoulder -- whose intelligence can't save him from the consequences of his resentment.

Written and directed with skill and sensitivity by documentarian Andrew Cohn, this is an understated state-of-the-nation piece that makes its points without ever resorting to polemic.