Invictus
- 2009
- Tous publics
- 2h 14m
Nelson Mandela, in his first term as President of South Africa, initiates a unique venture to unite the Apartheid-torn land: enlist the national rugby team on a mission to win the 1995 Rugby... Read allNelson Mandela, in his first term as President of South Africa, initiates a unique venture to unite the Apartheid-torn land: enlist the national rugby team on a mission to win the 1995 Rugby World Cup.Nelson Mandela, in his first term as President of South Africa, initiates a unique venture to unite the Apartheid-torn land: enlist the national rugby team on a mission to win the 1995 Rugby World Cup.
- Nominated for 2 Oscars
- 12 wins & 38 nominations total
Bonnie Mbuli
- Zindzi
- (as Bonnie Henna)
Louis Minnaar
- Springbok Coach
- (as Louis Minaar)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
In surely one of his lightest and straight-forward works of his career, Clint Eastwood has achieved one of the most inspirational films of the year with his new film, Invictus.
Starring Academy Award Winners Morgan Freeman as South African President Nelson Mandela and Matt Damon as Rugby Captain Francois Pienaar, Invictus is a picture full of emotion, magnetism, and revelation. What critics and audiences may be deceived by is belief that this is THE Nelson Mandela biopic which it is not. It is the story of Nelson Mandela's first years as President of the culturally separated country South Africa in 90's. In a way to unify his people, Mandela used the country's love for Rugby to connect the whites and the blacks. As their record has been less than impressive, no one expects anything notable from the Springboks. Mandela taps the captain of the team to rally his troops and surge into battle for the greater good of his country.
Everything about Invictus works on so many degrees of the medium based on the book "Playing the Enemy." The film never comes off as too pretentious or egotistical; it requires nothing more from the viewer than an open mind and heart. Eastwood directs the film perfectly, laying back when he needs to, never pushing the subject matter or shoving it down our throats. He utilizes all the skills we've come to love about his earlier works in Million Dollar Baby, Mystic River, and Letters from Iwo Jima. The use of light shows a character' s vulnerability inhabiting their souls or a score by Kyle Eastwood that offers both zeal and subtlety during a rugby match.
Cinematographer Tom Stern hits another one out of the park, catching all the fury and apprehension of all the different elements of this strenuous time. Joel Cox and Gary Roach edit the film with the perfect amount of precision and friction.
Morgan Freeman as Mandela is a wonderful charmer, showing the man's most hostile yet tranquil behaviors. Not necessarily the most engulfed characterization seen on film this year as Freeman's accent comes in and out of remission, but it's a tremendous performance worthy of an Oscar nomination.
Matt Damon, showing himself as one of the best working actors today, doesn't have enough of the character depth and arc to carry the picture. Damon's performance doesn't allow him to really go anywhere. It's a superb turn, with a great accent inhabitance, that warrants credit where the credit is due. However, Damon requires nothing more than a little motivational speaking and responsive humility.
Invictus, is one of the best pictures of the year, standing in the ranks of one of the best sports films of the decade. This is the type of film that Oscar will likely be all over and fall in love with. I concur.
****/****
Starring Academy Award Winners Morgan Freeman as South African President Nelson Mandela and Matt Damon as Rugby Captain Francois Pienaar, Invictus is a picture full of emotion, magnetism, and revelation. What critics and audiences may be deceived by is belief that this is THE Nelson Mandela biopic which it is not. It is the story of Nelson Mandela's first years as President of the culturally separated country South Africa in 90's. In a way to unify his people, Mandela used the country's love for Rugby to connect the whites and the blacks. As their record has been less than impressive, no one expects anything notable from the Springboks. Mandela taps the captain of the team to rally his troops and surge into battle for the greater good of his country.
Everything about Invictus works on so many degrees of the medium based on the book "Playing the Enemy." The film never comes off as too pretentious or egotistical; it requires nothing more from the viewer than an open mind and heart. Eastwood directs the film perfectly, laying back when he needs to, never pushing the subject matter or shoving it down our throats. He utilizes all the skills we've come to love about his earlier works in Million Dollar Baby, Mystic River, and Letters from Iwo Jima. The use of light shows a character' s vulnerability inhabiting their souls or a score by Kyle Eastwood that offers both zeal and subtlety during a rugby match.
Cinematographer Tom Stern hits another one out of the park, catching all the fury and apprehension of all the different elements of this strenuous time. Joel Cox and Gary Roach edit the film with the perfect amount of precision and friction.
Morgan Freeman as Mandela is a wonderful charmer, showing the man's most hostile yet tranquil behaviors. Not necessarily the most engulfed characterization seen on film this year as Freeman's accent comes in and out of remission, but it's a tremendous performance worthy of an Oscar nomination.
Matt Damon, showing himself as one of the best working actors today, doesn't have enough of the character depth and arc to carry the picture. Damon's performance doesn't allow him to really go anywhere. It's a superb turn, with a great accent inhabitance, that warrants credit where the credit is due. However, Damon requires nothing more than a little motivational speaking and responsive humility.
Invictus, is one of the best pictures of the year, standing in the ranks of one of the best sports films of the decade. This is the type of film that Oscar will likely be all over and fall in love with. I concur.
****/****
10jdkraus
Originally, I thought this movie was going to be a biopic on the life of Nelson Mandela. To some degree, it is a biography on Mr. Mandela, but the film's main focus is on his idea of inspiring a country that is drawn to crime, violence, and poverty (after years of Apartheid) to a glimpse of hope via the nation's rugby team.
Without a doubt, this is the perfect role for Morgan Freeman. I will note that his accent comes and goes throughout the film, but he nails the role down. He is not overly dramatic nor does he just read the script. He becomes the man. Morgan Freeman is easily one of my favorite actors because he never plays himself. He always makes himself into the character he's assigned to. He'll definitely receive the Best Actor nom, and hopefully, Morgan can finally win the Oscar he so desperately deserves.
Regarding Matt Damon as the rugby coach (Francois Pienaar), he too immerses himself into his role. He even maintains a solid accent. However, the sympathy of the film is aimed towards Mandela than it is to Francois. The other cast members (none of which I recognized) also gave decent, believable performances.
As with the plot, it is predictable, something we've seen before underdog overcomes impossible odds, yet screenwriter Anthony Peckham throws in many important themes that may seem all to familiar, but is nonetheless eye-opening such as: forgiveness, unity, and determination to do what is right. Racial tension between the whites and blacks is dominant in the movie, particularly between the black and white security guards, but the film's point, as well as Mandela's goal, is to put our differences aside and work together as one.
The movie isn't just about a rugby game, but rather organizing a nation to a success. It may be considered a wise political move on Mandela's part, but as Morgan says to his aid, "It is a human calculation". People need inspiration in order to change and to do good. These themes are what make it a good film. It also makes it a different kind of sports movie.
Tom Stern's cinematography is wonderful, and this time, he doesn't make the movie all sepia tone like in "Letters of Iwo Jima" or "Changeling" and I congratulate the editors Joel Cox and Gary Roach once again for making each shot beautifully seamless and well structured for the storyline. The music by Kyle Eastwood and Michael Stevens is not just a pretty tone that plays along with the movie, but it adds some oomph and emotion. I particularly love their choice of African vocals, for it not only makes the film feel more real, but it is absolutely beautiful to listen to.
Clint Eastwood has done another great movie. Not only has he captured the themes of the story, but also the poverty of South Africa as well as the intense rugby sequences. There are some powerful scenes in this movie, as well as some intense and suspenseful ones, and even ones that'll make you smile. For the first time in a movie for this year, I actually cried. Not because of sadness, but from joy.
"Invictus" is an inspiring film. Some back-story could have been added to the characters and the first act could have been faster, but overall, I enjoyed this film. "Invictus" proves that it doesn't take special effects and big action sequences to make a great film. It is excellent to see one of our great old directors to recognize this, and display it so wonderfully without being preachy about it.
Without a doubt, this is the perfect role for Morgan Freeman. I will note that his accent comes and goes throughout the film, but he nails the role down. He is not overly dramatic nor does he just read the script. He becomes the man. Morgan Freeman is easily one of my favorite actors because he never plays himself. He always makes himself into the character he's assigned to. He'll definitely receive the Best Actor nom, and hopefully, Morgan can finally win the Oscar he so desperately deserves.
Regarding Matt Damon as the rugby coach (Francois Pienaar), he too immerses himself into his role. He even maintains a solid accent. However, the sympathy of the film is aimed towards Mandela than it is to Francois. The other cast members (none of which I recognized) also gave decent, believable performances.
As with the plot, it is predictable, something we've seen before underdog overcomes impossible odds, yet screenwriter Anthony Peckham throws in many important themes that may seem all to familiar, but is nonetheless eye-opening such as: forgiveness, unity, and determination to do what is right. Racial tension between the whites and blacks is dominant in the movie, particularly between the black and white security guards, but the film's point, as well as Mandela's goal, is to put our differences aside and work together as one.
The movie isn't just about a rugby game, but rather organizing a nation to a success. It may be considered a wise political move on Mandela's part, but as Morgan says to his aid, "It is a human calculation". People need inspiration in order to change and to do good. These themes are what make it a good film. It also makes it a different kind of sports movie.
Tom Stern's cinematography is wonderful, and this time, he doesn't make the movie all sepia tone like in "Letters of Iwo Jima" or "Changeling" and I congratulate the editors Joel Cox and Gary Roach once again for making each shot beautifully seamless and well structured for the storyline. The music by Kyle Eastwood and Michael Stevens is not just a pretty tone that plays along with the movie, but it adds some oomph and emotion. I particularly love their choice of African vocals, for it not only makes the film feel more real, but it is absolutely beautiful to listen to.
Clint Eastwood has done another great movie. Not only has he captured the themes of the story, but also the poverty of South Africa as well as the intense rugby sequences. There are some powerful scenes in this movie, as well as some intense and suspenseful ones, and even ones that'll make you smile. For the first time in a movie for this year, I actually cried. Not because of sadness, but from joy.
"Invictus" is an inspiring film. Some back-story could have been added to the characters and the first act could have been faster, but overall, I enjoyed this film. "Invictus" proves that it doesn't take special effects and big action sequences to make a great film. It is excellent to see one of our great old directors to recognize this, and display it so wonderfully without being preachy about it.
Invictus is an enjoyable film, Morgan Freeman is great as Mandela and it's an inspiring story. The movie revolves around the 1995 Rugby World Cup and Mandela's attempt to unite South Africa behind its rugby team. Mandela develops a relationship with team captain Francois Pienaar (Matt Damon)playing the role of mentor and motivational coach.
Although it's well-made and worth watching. As a rugby fan I was a little disappointed with the action on the field although most ordinary film-goers may not notice. I am not convinced the director (Clint Eastwood) really understands the game and the actors hired to play the Springboks didn't really look the part. At 5'10" Matt Damon is a little small to play the 6'3" and 240 lb Pienaar. Pienaar was a popular charmer with a ready smile and a real ambassador for South African rugby. Damon still seemed to be playing Jason Bourne. It was an intense performance but it wasn't how I remembered Pienaar.
South Africa had not been allowed to play in previous world cup tournaments and the years of isolation had left the Springboks uncompetitive. They were seeded ninth coming into the tournament but exceed expectations by reaching the final. The action focuses on the final match with New Zealand. New Zealand had an amazing wing (running back) in the 20 year old Jonah Lomu who at 6'5" and 265 pounds seemed unstoppable. South Africa really were the underdogs. It was also the only time that the All Blacks have managed to reach the final since 1987. They usually get beat by the French (1999, 2007) or Australia (1991 and 2003)in the quarters or semis.
Overall it's nice for rugby to finally receive some recognition from Hollywood, because it's a major global sport. It's a good film.
I discovered that "Invictus" is a short poem by the English poet William Ernest Henley. The title is Latin for "unconquered". It was first published in 1875.
Although it's well-made and worth watching. As a rugby fan I was a little disappointed with the action on the field although most ordinary film-goers may not notice. I am not convinced the director (Clint Eastwood) really understands the game and the actors hired to play the Springboks didn't really look the part. At 5'10" Matt Damon is a little small to play the 6'3" and 240 lb Pienaar. Pienaar was a popular charmer with a ready smile and a real ambassador for South African rugby. Damon still seemed to be playing Jason Bourne. It was an intense performance but it wasn't how I remembered Pienaar.
South Africa had not been allowed to play in previous world cup tournaments and the years of isolation had left the Springboks uncompetitive. They were seeded ninth coming into the tournament but exceed expectations by reaching the final. The action focuses on the final match with New Zealand. New Zealand had an amazing wing (running back) in the 20 year old Jonah Lomu who at 6'5" and 265 pounds seemed unstoppable. South Africa really were the underdogs. It was also the only time that the All Blacks have managed to reach the final since 1987. They usually get beat by the French (1999, 2007) or Australia (1991 and 2003)in the quarters or semis.
Overall it's nice for rugby to finally receive some recognition from Hollywood, because it's a major global sport. It's a good film.
I discovered that "Invictus" is a short poem by the English poet William Ernest Henley. The title is Latin for "unconquered". It was first published in 1875.
Morgan Freeman's made a career out of playing inspirational second fiddles who always steal the movie. Now with Clint Eastwood's "Invictus", we finally get to see this amazing actor take front and center and run with it. The movie, based on a John Carlin novel about the event that changed South Africa, fits Freeman like a glove and it's hard to imagine he's not a front-runner for that lead actor Oscar he has so deserved for so long now.
He plays Nelson Mandela as a born leader, an authoritative yet empathetic uniter who preached forgiveness and looked for common ground when elected president of South Africa. His election caused unrest among whites, and blacks still had hard feelings for years-worth of oppression. The one thing he saw that could unite was the Rugby team, a shamefully rag-tag bunch facing extinction because many still saw the team as a left-over from apartheid. Mandela knew ending the team would mean more unrest among white Rugby fans so instead he presented a challenge to team captain Francois Pienaar (Matt Damon); win the world cup,unite us.
Do they? It's all predictably plotted and there are times where you wish Eastwood had employed an announcer to explain what's happening on the Rugby field but the great themes of forgiveness, unity, and determination make this a sports movie well worth seeing. There are really wonderful elements here. The relationship between Mandela's white and black security detail. The Rugby team reaching out to the community by going to the slums and teaching kids how to play. Pienaar's visit to Mandela's prison cell to understand the man's courage. The people of South Africa rallying into something of a community. And the bond between Mandela and Pienaar, very well played by both Freeman and Damon, of two men looking for their country's pride, it's center, and it's heart. By the final Rugby match, the movie has built up such good-will that any predictability or confusion on screen becomes an afterthought to the joy and excitement on display. Eastwood's film shows how sports can unify people, a simple yet inspirational and lovable message that should leave audiences cheering.
He plays Nelson Mandela as a born leader, an authoritative yet empathetic uniter who preached forgiveness and looked for common ground when elected president of South Africa. His election caused unrest among whites, and blacks still had hard feelings for years-worth of oppression. The one thing he saw that could unite was the Rugby team, a shamefully rag-tag bunch facing extinction because many still saw the team as a left-over from apartheid. Mandela knew ending the team would mean more unrest among white Rugby fans so instead he presented a challenge to team captain Francois Pienaar (Matt Damon); win the world cup,unite us.
Do they? It's all predictably plotted and there are times where you wish Eastwood had employed an announcer to explain what's happening on the Rugby field but the great themes of forgiveness, unity, and determination make this a sports movie well worth seeing. There are really wonderful elements here. The relationship between Mandela's white and black security detail. The Rugby team reaching out to the community by going to the slums and teaching kids how to play. Pienaar's visit to Mandela's prison cell to understand the man's courage. The people of South Africa rallying into something of a community. And the bond between Mandela and Pienaar, very well played by both Freeman and Damon, of two men looking for their country's pride, it's center, and it's heart. By the final Rugby match, the movie has built up such good-will that any predictability or confusion on screen becomes an afterthought to the joy and excitement on display. Eastwood's film shows how sports can unify people, a simple yet inspirational and lovable message that should leave audiences cheering.
10artzau
People forget that Nelson Mandela came to power at a time when his country was bitterly divided. There was the bitter experience that white South Africans saw in their neighboring countries,i.e., Rhodesia, now Zimbabwe and other nations where the White colonialist had been replaced by Black African politicians and a stable government had been replaced by corrupt, self-serving regimes where those in power feathered their nests after seizing the assets of their former White citizens and placed all their friends in positions of authority with the result of the country going to the dogs. The scene where the Afrikaaner newspaper remarks, "Mendela can get elected but can he run a country," and the superb Morgan Freeman remarks to his bodyguard that the headline raises a good point.
In a sense, this film is about Mandela. The rugby team becomes a metaphor of what he faced when ascending to the presidency, a nation divided. Noting that the Black South Africans were cheering for the opposition in the face of the old Apartheid guard whose love of rugby unified them. It's easy to forget that there was a great division among White South Africans, i.e., the descendants of the Boers, Afrikaaners, and the rest. There was even a middle ground with the "Coloreds," Asian South Africans, being caught between these two worlds and there were bitter rivalries among the competing African political interest groups as well.
Mandela's focus on reviving the national rugby team and making it a symbol of a new united nation homes in on the role of Matt Damon, an Afrikaaner who's the captain of the team. Francois is the catalyst that makes this story work and Damon, the rugged Mick from Boston, does a fantastic job showing the transition from hopelessness to hope as many White South Africans felt at that time. The wonderful thing about this film is its touching on all the levels. It goes beyond being merely the story of a single man or group of men. Sure, we love a "feel good" movie and of course we love an "underdog can win" flick, but this film works works because its about people working together to rebuild something new for everybody.
The film reeks with great moments: Pienaar visiting the cell where Mandela spent more than 20 years of his life, thinking and planning; The New Zealand Rugby team doing their Maori threat dance before the match; the jet buzzing the field before the game-- and so on. See it. Enjoy it. And, don't forget, it's a bit of history. Romanticized? Somewhat. Mandela wasn't able to solve all of South Africa's big problems, but he did one bang-up job for the Springboks.
In a sense, this film is about Mandela. The rugby team becomes a metaphor of what he faced when ascending to the presidency, a nation divided. Noting that the Black South Africans were cheering for the opposition in the face of the old Apartheid guard whose love of rugby unified them. It's easy to forget that there was a great division among White South Africans, i.e., the descendants of the Boers, Afrikaaners, and the rest. There was even a middle ground with the "Coloreds," Asian South Africans, being caught between these two worlds and there were bitter rivalries among the competing African political interest groups as well.
Mandela's focus on reviving the national rugby team and making it a symbol of a new united nation homes in on the role of Matt Damon, an Afrikaaner who's the captain of the team. Francois is the catalyst that makes this story work and Damon, the rugged Mick from Boston, does a fantastic job showing the transition from hopelessness to hope as many White South Africans felt at that time. The wonderful thing about this film is its touching on all the levels. It goes beyond being merely the story of a single man or group of men. Sure, we love a "feel good" movie and of course we love an "underdog can win" flick, but this film works works because its about people working together to rebuild something new for everybody.
The film reeks with great moments: Pienaar visiting the cell where Mandela spent more than 20 years of his life, thinking and planning; The New Zealand Rugby team doing their Maori threat dance before the match; the jet buzzing the field before the game-- and so on. See it. Enjoy it. And, don't forget, it's a bit of history. Romanticized? Somewhat. Mandela wasn't able to solve all of South Africa's big problems, but he did one bang-up job for the Springboks.
Did you know
- TriviaNelson Mandela said that only Morgan Freeman could portray him. Freeman was the first actor cast.
- GoofsIn the final when the clock reaches 10 minutes in the second half of extra time, the referee blows his whistle to signal the end of the match even though the ball is still in play. In rugby, the match does not end until the ball is dead. South Africa would have had to win the scrum then kick the ball to touch (out of bounds). At that point, the referee would blow his whistle. If the losing team is in control of the ball, play continues until the ball is dead.
- Crazy creditsThe Warner Bros logo is the 90s era logo, in keeping with the time period of the film.
- SoundtracksInvictus 9,000 Days
(2009)
Music by Clint Eastwood and Michael Stevens
Lyrics by Dina Eastwood and Emile Welman
Performed by Overtone and Yollandi Nortjie
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- The Human Factor
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $60,000,000 (estimated)
- Gross US & Canada
- $37,491,364
- Opening weekend US & Canada
- $8,611,147
- Dec 13, 2009
- Gross worldwide
- $122,426,792
- Runtime2 hours 14 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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