Capitani

The plot is ludicrous. There are giant holes in the story that make it totally impossible to get into the narrative. The investigator seems unwilling to follow up any clues. He runs around like on steroids, but insists on not following up any leads. The subplot seems weird and even there, there is a huge hole in the premise of the story.

That being said I enjoyed the filming, atmosphere and scenery, so I watched all of it. The language is fun to listen to.

I think with a bit more refine this could have been up there in the genre. There's some decent acting and technical aspects-a mostly good script and plotting. It's certainly not a bad watch, overall. But I wouldn't recommend it to people wanting to get into the genre either.

As short as each episode is, it feels artificially long because they do bite sized reveals each episode, only some of which are substantive. The B plots are more well handled than the A plot, mostly because of some huge requirements for suspending disbelief surrounding the parents and the twin girls. Then the writing doesn't feel well handled later again because a guy shoots one person; two people die, but when conferring with his lawyer, it's stated he shot two people. One of whom was killed when he was not even present. A completely different person shot the other guy. How... did this get by the crew? Then the final reveal is fairly predictable, and maybe less interesting than other theories.

However, the character arc for both mains I thought was fantastic and really propelled the story when some hiccups happened. I really, really like the outcome for the local female brigadier. It looked like it was going to get tropey but it was actually excellent.

All in all, mixed bag. Probably worth watching just for the character arcs though, especially if there's to be a second season.

Great acting, tight editing, sharp dialogue and excellent use of locations make this 12 episode (less than half hour each) series a really engaging surprise even if the territory is not entirely original. Where a number of other French series exploring similar plots (missing girl/s in a remote village) seem to go immediately OTT on Gallic mysticism and generally grotesque village carry-on, the mood here is determinedly low-key and down-beat (similar to the excellent Belgian series The Break), making it one of the best and most credible cop/detective shows currently available on Netflix (in Ireland, at least). Well worth a look

If you can't find anything better, then this series is not a complete waste of you time. I'm now in the second season. Can't really remember much of the first. The story is simple and adequately told, without fussing around. This however is also the down side; no surprises, no interesting or unexpected plot twists. Just simple and straightforward crime with a plot hole here and there. The acting and dialogues are average at best and for some charaters below average. The characters remain very superficial. Dialogues may feel forced and not well acted out. The whole atmosphere breaths neutrality, contrary to what I love about most of the French and Scandinavian crime series. You won't get hooked, nor will you probably irritated. Doable as an in-between while waiting for something better.

Made a change from Nordic and French shows that we watch a lot of. Not quite up there with the very best, but good none the less. Decent story, acting and production.