La Zona, propriété privée

The premise is very good, all the more so as it describes a situation becoming more and more explosive of our days. Certainly we'll see more movies of the kind in the years to come.

Personally I think that the POV of poor teens trapped into La Zona would have been more interesting, at least from a suspense and action point of view. Following a rich teen dislocates such suspense, plus it means you have to take an interest in a kid who's not the subject of the movie. On the other hand the focus on the private militia of citizens is interesting, yet I'm still a bit unsatisfied.

So, the movie is pretty good, it is a nicely rounded up excellent premise but it could have been much better. As such you don't get out of the theater moved. Emotion, as suspense, is too much diluted into a narration that changes angles too often instead of building up the tension with a limited number of protagonists tied together.

La Zona is one of those rare films which grips you from the start and doesn't let go till the end credits roll up. It is also a rare example of a thriller and social drama which delivers on both fronts.

La Zona are residential compounds in Mexico for the rich and the affluent. They have their own security system and guards and even law, thus separating them from the normal law of the land. These "zones" are real and do exist in Mexico city. The one depicted in the film is separated from the slum neighbourhood by large concrete walls and barbed wire. An accident causes one of the power pylons next to the Zone to collapse thus paving an entry for three young petty thieves from the slums to enter the Zone to make a quick burglary. Things go wrong, however, and two of the boys are shot dead while the third manages to escape from the burgled house but not from the zone.

We then follow the search for the boy, by the residents (who intend to kill him) and the cops, who are mostly corrupt ready to turn a blind eye for the right sum. The Zone is a superbly tense thriller and a damning indictment of the social system in Mexico. The residents in these zones appear to be totally cut off from the reality outside; a nice contrast is a golf course inside the Zone from which the players get a panoramic view of the slums.

It is hard to believe that this is the feature debut of its director Rodrigo Pla. It's one of the most accomplished feature debuts that I have ever seen and you can be certain that Rodrigo Pla's name is going to be much better known in the coming years.

This one started out with a lot happening with too many characters doing their thing and it took me a while to really get a grasp of what was actually going on. I was a bit fidgety for the first 30 minutes or so. However once I realised what was going on, I sat transfixed.

The movie is not so much about the story , which is fairly simple about a heist gone wrong, and to a certain extent predictable . It is more of a comment on Mexican society and the class struggle. And since I myself come from a society not too different from the one depicted, I could completely relate with the happenings. Other than that, the film also covers issues like families struggling to keep together, the lack of communication, xenophobia, self-righteousness and the basic human instinct of violence, rage and revenge.

The direction is simply brilliant and it is equally matched with the acting by every single character. The only other film I can compare this to is the great Italian film, L'Aria Salata. I am really glad that I had the opportunity to watch it and I highly recommend it for all people seriously interested in cinema. It will leave you thinking for a long time afterwards. I would definitely watch it a second time.

This is about the Mexican big city, there rich people have created a zone behind walls. They keep the world out, but they are also kept out. Three young thieves enter and the hunt begins. The rich just don't want to defend their privileges. They want to kill for them.

But few of them are monsters. And what could have been an after all rather conventional social thriller, is more than that. The plot turns many times and everything isn't what it seems.

A strong movie about a class hatred which is becoming a dangerous threat to our kind of societies. It's a warning to us, not just to the rich.

In any large city of Latin America or the rest of the third world, wealth and poverty coexist side by side, not uncommonly separated by just a thin high wall. In typical fashion the rich appropriate the bulk of the country's wealth, a few of the poor reclaim a tiny portion back through robbery and muggings, and the rich react in turn by protecting themselves and even striking back. It's low intensity class warfare.

La Zona is an enclave, a walled-city with massive iron gates, widely scattered security cameras and around-the-clock monitoring. It's the modern equivalent of the medieval castle. Laying siege is a slum, where live the nemeses of the inhabitants of La Zona. They have come to this enclave out of fear, for protection against further assaults, to enjoy the good life in a secure haven. Many are angry. Some have been victims. Some are vengeful.

The story begins when, during a storm, the wall is breached and electrical power is lost. A threesome from the slum takes advantage to penetrate the enclave and steal a few things. The temporary invasion does not go well. Shots are exchanged. People die. That event sets the wheels of the thriller in motion.

The typical characters are present. The honest police investigator whose work is subverted by a corrupt police department. The good bad-guy, the bad bad-guy, the good good-guy and the bad good-guy. They are all there, some in multiple copies. It's formulaic, but effective.