Anonyma - Eine Frau in Berlin

rape is the particular plight of women during war and acknowledged at long last as a war crime.The plight of German women at the end of WW II was especially awful as they had protection from no one. General Eisenhower who punished rape committed by his men with execution outside of Germany (first rape took place six hours after invasion of Normandy had begun)but as for German women all men had free hands as these women were all declared "willing". The Americans are the only ones to have gone through archives as for army rape in WW II however the one recent book existing is not allowed for publishing in the US because of the war in Iraq (!!)so exists in French version only. The French and the British have preferred to turn a blind eye to what was done by their soldiers towards German women let alone the Russians. It is very important that this film has been made at long last. Subject concerns all not just its victims let alone the children born out of the horrors. Bravo Germany.

ANONYMA - EINE FRAU IN BERLIN (A Woman In Berlin) is the painfully sensitive title of this exquisite film from writer/director Max Färberböck based on a once occult book by 'Anonyma' that has become a recent bestseller in Germany. It has the courage to tell the story of what it was like in Berlin as World War II was ending - the time of the Russian siege of the city just before and just after Hitler committed suicide, ending the horror of the Nazi regime. While many films have been made about the German populace and how they coped with the fall of their 'great Third Reich' country that was to rule the planet, few have been able to allow the audience to understand the brutalities of war on the people of Germany in so direct a fashion. It is a film that will haunt the viewer for a long time, a film that will restore some dignity to the German people who lived through it, not being part of Hitler's madness but being trapped in the ugliness that followed his fall.

Anonyma (Nina Hoss) is a journalist, a pretty woman living in the cellars and other hiding places while the Russians took over Berlin. She helps her fellow survivors of the bombing of Berlin, struggling for food and protection. The Russian soldiers, still angry with the gnawing hatred for the Germans from the Siege of Leningrad and the loathing of anything that exists in Hitler's Berlin, drink heavily and seek out the women from hiding to satisfy their insatiable lust. 'Berlin is a German whorehouse' and all women, from children to youngsters to elderly fraus are continually raped and beaten as part of the victors' rage. Anonyma speaks several languages including Russian and decides her only hope for survival is to align with the Commander of the troops, Major Andreij Rybkin (Yevgeni Sidikhin), believing that if she becomes his concubine she will be safe from the random raping by the rest of the soldiers. Their liaisons become more than outlets for the Major and the two gradually bond despite the horrors outside their rendezvous. They survive. Hitler commits suicide and the war is over and the two face the reality of returning to their previous pre-war lives...or can they?

Nina Hoss is brilliant in this difficult role and though the script allows her little to say, she conveys so much through her expressions that words are nearly unnecessary. Likewise, Yevgeni Sidikhin captures the dichotomy of emotional response his character must display, finding just the right balance between the conquering Russian soldier and the compassionate and vulnerable lover. The cinematography by Benedict Neuenfels captures the devastation not only of the buildings but also of the emotions of both sides of the participating groups and Zbigniew Preisner is responsible for the musical score that adds immeasurably to the drama. This is one of the great German films that took many years of maturing to make. It should be seen.

Grady Harp

Anonyma - Eine Frau in Berlin – A Woman in Berlin - CATCH IT (B+) A Woman in Berlin (German: Eine Frau in Berlin) is an autobiographical account of the period from 20 April to 22 June 1945 in Berlin (Battle of Berlin). At the author's request, the work was published anonymously for her protection. The book purports to detail the writer's experiences as a rape victim during the Red Army occupation of the city. Two years after her death in 2003 the anonymous author was identified in the Süddeutsche Zeitung by Jens Bisky (a German literary editor) as Marta Hillers. (Wiki) The controversial German movie is about the women who survived the war by working as captivate prostitutes for the Russians. Just like every war all the men were killed and women were tortured and captured by the occupiers. The starting of the movie is really nice as how it shows how people have to go through and live through once Russians won over Germany. The women whose husbands were Nazi were bound to be raped and tortured by the occupiers. The performances by all the German actor and actresses and especially Nina Hoss, August Diehl & Evgeniy Sidikhin are admirable. Because the performances in these hard hitting movies makes you believe the situation. The beginning of the movie really good but the movie falls when they start showing the romance between German woman and the Red Army commander, it slowed down the phase. On the whole, A woman in Berlin is a really nice movie about the aftermaths of the War.

Although I was aware of the awesomeness of German cinema in the past decades, I was still pleasantly surprised by this film. The title of the movie implies a specific point of view - the plight of a woman trapped in Berlin during the last days of WW2. The movie is however far less black-and-white (metaphorically speaking, of course) than it could have been. It goes beyond a simplistic right/wrong attitude and instead puts the audience in a position to ponder how in a war atrocities escalate and feed on themselves in a typical "chicken and egg" problem. Even the fact that the book on which the movie is based was met with outrage when it was first published in the 50's is ultimately part of this chain.

There are more complex answers to why horrible things happen in a war, and in the world in general - and Europe has had its share of it - and this film manages to capture these complexities masterfully.

Max Färberböck, known to the world-wide audience since his "Aimee and Jaguar", shows in this newer film for once not the standard story of the bad Germans, who, deserving after what they have done, being Nazis, are liberated by the good Russians, the good Americans and the good Allies. It shows exactly the same experience that we all, who grew up in the East Block, had about our Russiand "friends". They came to rape, to destroy, to violate, to erase. It is a very interesting fact concerning mass psychology or perhaps better mass-psychosis that nobody normally speaks about the enormous amount of destruction done or caused by the liberators of end-World War II Europe. And nobody even mentions the Stalinist concentration camps. This is why we need films like "Eine Frau In Berlin".

However, in Färberböcks film, we see the Russians, "like animals, like pigs, an-alphabets, without culture" - as the Russian Major says it in his own words, he, who speaks, according to the main female character "a seldomly high-style Russian". Well, a little bit of "justness" had to be - not ALL Russians are like the "scum" (quotation from the movie) that we see. Interestingly, my Hungarian home-town had been bombed by Americans, but afterward the Russians came like vultures and pitched themselves into the ruins, what was female, was raped, what had been church or synagogue - was emptied and the treasures stolen, a subculture sneaking from the sou-terrain up to the ruins and even profiting from corpses and debris.