Detective vs. Sleuths

The storyline is good, with great level of depth as well as twists and turns. It's easy to understand and NOT confusing at all.

The pace is fast and compact! Things happen here and there to keep you going, without a sense of boredom from the beginning to the end!

An appropriate level of action was inserted to enhance the visual excitement, e.g. Gunfights and typical HK car chasing scenes. All these action sequences work well to keep the momentum going. And the clues unfolded one by one to facilitate audiences' understanding towards the cases and reasons for murders! All the main casts performed well to make it a good show!

However, two main pitfalls were picked up as follows: Firstly, the pace is far too fast that it doesn't allow the movie to breathe and the audiences to think through what is going on!

Secondly, each clue is unfolded too quickly! It should allow audiences to process each clue and piece together the puzzles to guess who is the SUSPECT! In fact, this is a psychological thriller, it should thus confuse audiences more, especially Lau Ching Wan's role with his paranoid delusion and multiple-personality disorder, and challenge our ability to unfold the clues. Yet, it's made to look more like an action movie, revealing all things abruptly!

I gave 8/ 10. Overall, it's a great movie! I would highly recommend you to watch it in the cinema, to enjoy the tension and dynamic action, which you will NEVER get from your laptop or home TV. It's definitely worth your ticket money! Take my words! Go, Go, Go..!!

In 2007, Ka-Fai Wai wrote and co-directed, along with his much more internationally-famous colleague Johnnie To, the absurd crime thriller "Mad Detective", one of my all-time favourite films.

Now, after a 13-year absence from directing, Ka-Fai Wai is back, this time without Johnnie To or To's production company Milky Way, but with a film that seems like a new riff on "Mad Detective", almost a sequel. Ching Lan Wau is back, playing again an insane detective with some apparently supernatural crime-solving abilities lying underneath his madness.

It might sound derivative of the former film, but Detective vs Sleuths has some new tricks up its sleeve, and it honestly feels extremely fresh. Its twisty plot comes together beautifully in the end, the action scenes are some of the best in recent memory, and Ching Lan Wau's performance is bloody brilliant. His antics are crowd-pleasingly hilarious, but it never undermines the film's commitment to its increasingly outrageous narrative.

This film feels like a throw-back, to a level of creativity in Asian cinema that was much more common in the 2000s than what we've seen in the last decade. Certainly, I enjoyed this more than anything Johnnie To has directed since "Mad Detective". That film inspired me to check out more of Johnnie To's work, but now I'm realizing that Ka-Fai Wai deserves equal attention, and I'm very glad he's back after such a long absence.

I was very into this movie for a while. The mystery is set up well and takes you on an intricate journey. Some of the action is pretty good and exciting. The lead actor gives a great performance. And I was invested in the main characters.

But the flaws killed it for me. The action becomes tedious and stale while also becoming outrageous and not believable. All the bullets miss. Early on I forgave this a couple times. But it keeps happening, and worse every time. Hundreds of bullets are shot and they keep missing.

Then you have other things like hilariously fake-looking blood spatter. Or other times when people get shot with no blood whatsoever. Or unrealistic CG fire.

I thought this was pretty good for a while and still has a lot of positives, but the negatives brought it way down for me. (1 viewing, 1/16/2023)

Detective vs. Sleuths, written and directed by Wai Kai Fai, is essentially a Milkyway film produced through the China-Hong Kong co-production machine. It is a bigger-budgeted, louder and dumbed-down police actioner that's constantly speeding to the next scene. Sean Lau is as always an engaging lead but is unfortunately sidelined as a cog in a larger formulaic machine.

As a string of brutal killings storms Hong Kong, Jun Lee, once a brilliant detective in the police force who was let go after a mental breakdown, conducts his own investigation the victims are all connected to his past cases. Yee Chan, a police detective who was a victim of one of the past cases, enlists Lee Jun's help to find the killer.

Sean Lau Ching Wan is easily the best part of the film. He plays a rehashed version of his lead role in The Mad Detective as a cop who solves crimes with supernatural abilities, which Lau improves upon by acting out the ghosts that converse with him. It's entertaining watching Lau's rapidly changing facial expressions talking to himself.

Charlene Choi tries her best but is unconvincing as a distinguished police detective. She overplays her character's vulnerability, looking like she's constantly on the verge of tears and not communicating an investigative mind solving the case at hand. On top of that, her character is pregnant and questionably partaking in dangerous action head-on. It is not more ridiculous than say running from a dinosaur in high heels, but it lacked conviction. In an interview, Choi was asked about her role preparation and said she was only told what to do on the day and thus what we see is her genuine reaction to everything.

Carman Lee is wasted as the police madam explaining the plot to the audience. Based on acting chops alone, I could picture Carman Lee doing a better job as the female lead if this was made back in the day.

Who had the final say on Detective vs. Sleuths? I'll never know. It plays like a movie made by its money backers cashing in with established formulae, which outweighs the creative parts of the script.

Wai Ka Fai sets up the mystery in an interesting way, but he is completely uninterested in exploring his own high concept. The rapid-paced editing never gives a moment to breathe or contemplate the crime. Most of all, the film repeatedly drowns itself in long monotonous shootouts that lack weight or consequence. The "pew pew pew" way the guns were fired, the bullets may as well have been orange rubber darts.

What the film tries to sell as depth is ridiculous. What father lovingly teaches her daughter Friedrich Nietzsche quotes in German?

I would recommend rewatching Mad Detective instead.

The movie sucks, and the characters talk and act like fools.

"We don't want to hurt anybody, we're just here for revenge!" What kind of criminals speak like that to calm the crowd? Maybe he should explain well on how he would like to do the revenge, by serving the enemy a massage maybe?

The movie is full of awkward paradox likewise in talks and actions, on every character, which distracts you from the story itself and make you curse.

The movie makers need to know a simple affair, that if you want to tell a detective story, just don't make it a story of idiots.

The rhythm of the story telling is chaotic too.

And the mixture of Beijing accent against mandarin amongst the actors of Hongkong and mainland makes no sense even in nowadays.