Un amour de père

It seems like every year or so the cinema comes out with a 'road movie' - an extended revelation of character deficiencies and nobilities played out on the open road (such as 'La Strada', 'Easy Rider', 'Thelma and Louise', 'About Schmidt', 'Motorcycle Diaries', 'The Adventures of Felix', 'Central Station' etc). They usually do well at the box office as a type of catharsis for the audience. That '$5 A DAY', given an excellent script by writing team Neal and Tippi Dobrofsky, a director with the comic timing such as Nigel Cole, and one of the finest groomed casts around, wasn't a major hit is puzzling. Timing, I suppose, but at least we have the great opportunity to see this little jewel of a movie on DVD. By all means pay attention.

Richie Flynn Parker (the gem of an actor Allesandro Nivola who can play comedy as well as he handles drama) is unhappy: he is a conservative Health inspector of restaurants - fired when his police record is uncovered (he had taken the wrap for one of his father's capers), married to Maggie (Amanda Peet) who is leaving him because he never communicates about who he really is, and discovers a letter from his gallivanting grifter huckster father Nat Parker (Christopher Walken in a pitch perfect comedic role) who claims he is dying from a brain tumor and needs a ride to New Mexico for a special treatment. Because Flynn's life is such a mess he consents to go and he and his father set out in a 'Sweet and Low' advertising little auto. Nat shows how he can live on $5 a day by sleeping in empty homes, pulling shenanigans to get free food, entry into parties (Dean Cain plays an 'old acquaintance'), and money and gas. The two spar about why Nat was never there for Flynn, how their relationship is broken, and gradually Flynn discovers the realities of his background - realities he nightly shares on voicemail to his wife Maggie. Along the way the two make stops including a visit to Flynn's previous babysitter Dolores (Sharon Stone, better than ever!), a woman who knows how to bolster Nat's morale and brighten his life - as well as fill Flynn in on some important truths about his parental past. Flynn questions whether Nat really is dying or is just pulling off a scam to get a trip to New Mexico. But in Albuquerque Nat meets up with an old debtor Kruger, now wealthy because of Nat's assistance years ago, and in the process of correcting problems with the past, Flynn's true identity is revealed. What began as a raw, near hostile relationship between Nat and Flynn is transformed in a very touching manner.

It is such a pleasure to jump into the trip and go along with this entertaining ride with Walken and Nivola because they are so very fine in their roles that we feel like we know them well. The balance between hilarity and pathos is excellent and the quality of every aspect of this little Indie film is first class. Highly recommended!

Grady Harp

Christopher Walken and Alessandro Nivola are Father and Son scheming and scamming their way from New Jersey to New Mexico. Much like "House of Games" and "The Grifters", this road odyssey plays like a house of mirrors. In other words, very little is exactly as it seems. Walken is estranged from his son because his irresponsibility landed Nivola in jail. Together they mend fences, while still working the angles along the road. Rarely have two characters been so unsympathetic, and yet somewhat sympathetic at the same time. If you enjoy road movies about rebuilding relationships, "$5 a Day" just might work for you. I know I enjoyed the ride. - MERK

Flynn Parker (Alessandro Nivola) is a corrupt health inspector who loses his job for not disclosing his criminal past. His girlfriend Maggie (Amanda Peet) moves out for keeping too many secrets. His con artist father Nat (Christopher Walken) tells him he's dying of cancer, and they go on a cross-country trip to New Mexico for an experimental treatment. Nat is proud of living on no more than $5 a day.

There isn't any real tension in this. I can't really understand why Flynn would go on the trip. He must be thinking his father is lying. It's completely out of character that Nivola has already laid out for Flynn. It seems much more likely that he would put his father on the Greyhound.

That aside, it's still nice to see Christopher Walken chew up the screen in this indie. Nivola is a completely low energy dude. He's not very compelling. There is a desperate need for funnier jokes to make this a fun dark comedy. It just isn't funny. Some of it is mildly cute.

The lame pun in my title is a reference to the menu at IHOP where you get a free meal on your birthday, or, as we learn in the movie, where you get a free meal if you show them a convincing fake ID that says it's your birthday.

"$5 a Day" is a cute road movie about a father & son pair of small time con artists who live on $5 a day by committing various harmless scams on their way from Atlantic City, NJ to New Mexico. Their goal is get the father (Walken) to an alternative treatment center because he says he's dying.

It's a standard road movie but with some interesting twists. The big gimmick, of course, is the fun way they scam their way across the USA, much to the straight-laced son's irritation. But his pop is Christopher Walken, and hey who can argue with that. It's definitely Walken's characteristic charm that carries this flick, but there's also a certain sensitivity that gives it a unique flavor which you might not expect from a bro road movie. In the DVD bonus interviews, director Nigel Cole says he really wanted to explore the unspoken emotional side in men, especially an estranged father-son pair who have a barrier of resentment between them. It's the gradual breaking of that barrier that becomes the focus of the story.

Sharon Stone, though featured prominently on the posters and DVD cover, only has a few scenes. But her time on screen is fantastic as she plays a very memorable character, a con artist herself.

Like any good road movie, the story is episodic, with characters entering and exiting never to be seen again. At the same time, secrets from the past reveal themselves and what had initially seemed like a random adventure starts to take shape as an interesting goal-oriented plan.

"$5 a Day" is an entertaining film with a lot of fun moments and of course great acting all around. My only criticism is that it mostly plays it safe (perhaps deliberately) so it's not as edgy as it could be, given the subject matter. But maybe that's what you're looking for: a charming little flick about penny-ante criminals making their way across the country.

I would compare the feel of this movie to "The Open Road" (with Jeff Bridges & Justin Timberlake playing the reluctant father-son travel buddies) or mabye "About Schmidt" (with Jack Nicholson as the retiree going cross country to find his estranged daughter). These are all well-made, sentimental stories that focus on reconnecting with our past and putting demons to rest.

If the late 2000s are the new 1930s then this is the perfect movie. In a time of recession we need Christopher Walken's optimistic, unrealistic, opportunistic grifter...

This was a real surprise - and a very pleasant one. I was expecting deep and sorrowful, but got hilarious, thoughtful, and even belly laughs - and enough grifts to make me wonder how or why we pay for anything anymore.

By turns honest, hilarious, outrageous, and moving this is all wrapped up in a lowball low-fi package that smacks of good indie roots.

Definitely one of my favorite movies of the year. Walken's gives a masterclass in comic timing, and Alessandro Nivola is a great straight man as the son who never could. And some great cameos. This is at times snort your milk through your nose funny, at others tragic: but it is not buffoonish in your face slapstick and even better for it.

All in all a really great little road movie that constantly sparkles with fresh ideas and little touches of originality that puts most movies to shame - I hope the Dobrofkys have got another 20 scripts like this - they deserve awards for the writing - a wonderful mix and they deserve lots of work on the basis of this.

And if I'm raving it's because it deserves it - it stands out from the crowd by a mile: fresh, witty, sincere, slightly surreal and oddball, and by the end, exemplary.

Get to see, you'll be glad you did.