Un garçon nommé Noël

This is a slightly 'Klaus' (2019), slightly 'Santa & Pete' (1999) and slightly 'Santa Claus The Movie' (1985) type film with hints of 'How The Grinch Stole Christmas' (2000) production and sets. It's an origin story, so it's easy to compare it to these films of a similar vein, but it's still different enough to enjoy it in its own right.

The writer has created a charming story, that kids will love and be able to watch with their families without the adults getting bored.

Matt Haig's usual style of books might possibly be classed as self help, so it was interesting to find that the writer of a book that literally (excuse the pun) saved my life, had also created this enchanting tale, but not a shock to find that I enjoyed it.

It has a large cast of famous faces and they all deliver without anyone stealing focus or performing badly.

It is the type of film that has a fairytale feel to it, so there are some characters that are played with a more stage show styling. Some of the characters would definitely be booed if they were in a pantomime.

I was even surprised that I liked Stephen Merchant's role, he usually winds me up, but he works very well as Miika.

It has a slightly old fashioned feel to it, but yet still has a certain something that keeps it relevant today. There's probably some sort of moral in there too, but I need to watch it again to find it, as I wasn't looking for it, but I'm sure I will watch it again next year, if not again this year.

775.05/1000.

A very good tale, great music, great acting and visually beautiful! I haven't read this book but the director an excellent job telling the story and keeping the surprises to the very end!

Well worth the time to watch and enjoy!

A sweet Christmas film which ticks all the boxes when it comes to entertaining kids and their parents. A cute story following the origin of Christmas and it's traditions, and the start of St Nicholas.

The plot is simple to follow but not overly obvious, visually is very nice to look at, and the cast cannot be faulted for the most part. Although it's good to have narration, the arc with Smith and the kids at the beginning and end is unnecessary, mostly because the acting from the kids is very stiff.

Not so child-oriented that there isn't any deeper messages, but also very little in the way of upsetting scenes. Probably not a film to rewatch every Christmas, but certainly enjoyable.

Whenever you have maggie smith in a movie, made in the latter years ,it will be a success. Its a christmas treat to us all from netflix to make the time of advent and waiting feel a bit shorter. Yes... even for a grumpy old man that physically hasnt bought a x-mas present for 10 years ( not due to scrooginess, rather 100% lack of fantasy, and that may spoucy right hand loves to do it.).

Its a story about the making of sankt nokolas in the cold deep winterwoods of suomian lappland, or finland, a story told in a dreamy fashionable mix of ms.smiths narrative, bold special effects, and studio decors, loads of sharp colours and light, even the darkness has its charm, put in some animatronix, alosg with a durable, well known angloamerican acting talent and long time traders on the silver screen then youll have a hit.

This is the julefilm for everybody that believes in hope, and to everybody that knows that a home is more than a home, cause its also a feeling, and if you loose your feeling of home then you may have to reignite your way of life and just to retain hope, and if youre there not hoping and disbelieving, do put this flick on for yourself and everybody around you...

loads of nice music too, but the primrose is dear maggie after all. So a recommend to this one.

Oh dear, dear, dear. I was getting ready to watch "A Boy Called Christmas" and decided to first read a handful of early user reviews that were posted. I wish I hadn't. While I always try to respect the opinions of most reviewers, positive or negative, there are a few that routinely post careless, negative comments, without much thought towards how it may impact not only the film's success, but also how it may affect the human beings in front of the camera (and behind it) who brought it to life for our entertainment.

In the case of this film, one reviewer literally eviscerated Henry Lawfull, a rookie actor with few credits to his name. Although his legal age isn't available, he's likely in his early teens. In any case, don't think for a moment that some of the more cruelly targeted jabs and nasty comments don't hurt him. They do.

I remember reading similarly rude and callous comments that had been prematurely and carelessly thrown at the young actors Natalie Portman and Jake Lloyd after filming was completed for Star Wars: The Phantom Menace (1999). Portman of course went on to win a Best Actress Oscar for her performance in Black Swan (2011) and later garnered multiple Oscar nominations. Sadly, Lloyd left the industry shortly afterwards, hurt, and disillusioned. We'll never know if Lloyd could have recovered from those early malicious barbs as successfully as Portman.

I'm even more amused with one reviewer who expressed his complete annoyance with "the mouse." That's right. A clever, cute, cuddly, and somewhat humorous CGI mouse! OMG where is this heading when even a mouse can garner bad reviews? Heaven help us.

I'll get to the film itself now having summoned the courage to finally watch it. A Boy Called Christmas is a lush and visually stunning production fit for adults and probably children 11-12 or older. There's both a delicate yet harsh feel to the film. Some scenes are wonderfully sweet, only to be followed by a gritty one. Gee, what a concept when art does indeed imitate real life!

Any film with Maggie Smith is a better film with her in it. Sally Hawkins is mind blowing. She's an actor's actor, and her chameleon-like ability to adapt to such diverse characters is stunning. It's also very refreshing to see Kristin Wigg in a more meaty, antagonistic role, and clearly a giant leap from Bridesmaids (2011).

As always, no spoilers here, but I will reveal that the movie is based on Matt Haig's 2015 book of the same name.