Splice

James Whale's 1931 adaptation of Mary Shelley's "Frankenstein" was one of the earliest films to chronicle man's quest (via science and nature, and in notably strict defiance of God) to literally create life by transgressing human reproduction; granted, the result was the hideous, hulking visage of Boris Karloff, but one couldn't help but be in awe of the sheer gumption of Victor Frankenstein and his accomplices. Roman Polanski evolved this idea (via adaptation of Ira Levin's novel) in "Rosemary's Baby," which took the notion of creating something truly awful (the son of Satan) and using it as a metaphor for a woman's self-destruction and paranoia during pregnancy. Larry Cohen's "It's Alive" took contemporary paranoias of a carcinogen-engulfed atmosphere and nuclear proliferation and applied it to his own murderous, bloodthirsty infant. And rounding out this prolific bunch is David Lynch's "Eraserhead," a hauntingly surreal horror film that not only presents parenthood with fearful uncertainty, but treats acts of sexuality and procreation with a metaphorically clinical (but never explicit) disgust.

Vincenzo Natali's "Splice" falls somewhere within this noteworthy pantheon of mad science, moral/ethical conundrums, and icky special effects. Many have already drawn comparisons (both positive and negative) to the early, mutation-informed works of Canadian auteur David Cronenberg, but Natali is just as interested in exploring the questions under the surface as he is showing an astutely creative visual eye. For a while, the film plays like something closer to an art-house feature (especially given the presence of character actors like Adrien Brody and Sarah Polley) with intriguing ideas and a solid FX budget. There are missteps along the way, but for the most part, this is a solid little sleeper.

Clive (Brody) and Elsa (Polley) are young scientists who have made a breakthrough in artificial life: two blob-like creatures (one male, one female) with the ability to manufacture an artificial protein for the purpose of nourishing livestock. In typical, business-first fashion, their corporate overlords marvel at the notion of mass-manufacturing it, and promptly reject Elsa's proposition of human experimentation (to cure genetic disorders). Driven by curiosity, the duo wind up creating Dren (Delphine Chaneac), a creature whose accelerated life cycle prompts the creepily maternal Elsa to keep her as part of a more personal "experiment." "Splice" contains subtle, well-played allusions to bad childhoods, long-term psychoses, and the shifting roles of parents in the eyes of children (Clive starts off as vehemently oppositional; later, he becomes a reluctant accomplice who ultimately develops a bizarre affection for the creation), not to mention the tension between parents amid the child-rearing process; watching this trio interact supplies most of the film's compelling, hypnotic moments. This deliberate pace and focus on character may prove off-putting to horror fans sold on the ADHD weirdness of the trailer, but those with open minds will find much to gorge themselves on.

Despite all the admirably creative spins on familiar concepts, Natali (or perhaps the producers, action aficionado Joel Silver being one) run out of fresh material by the climax, which takes chase clichés and overdone monster effects down a road that exists solely to patch up some character arcs and drum up excitement in a blandly conventional way. That being said, the first 3/4 of "Splice" is such a surprisingly effective slow burn of suspense and dread (culled from universal hopes and fears), played out by actors who know the fine line between camp and creep, that its later machinations are pretty easy to forgive.

6.5 out of 10

Splice was a movie that had a lot of promise. It seemed to be building towards something special, but got lost in an unnecessary plot thread that didn't quite work towards the end. THis specific plot started with a scene involving the creature and the character played by Adrian Brody, and it was a scene that didn't quite work because there wasn't enough of a build up towards something like that happening. Sure there were some scenes leading towards that, but in my opinion those scenes were not enough to take such a major step forward, not after he first showed disgust towards the creature at the earlier phases of its development. On top of that the movie goes even farther into absurdity at the conclusion, involving the character played by Sarah Polley and the creature again, taking much of the intelligence of the film out of the equation.

In my opinion, the director was onto something in the beginning but then took the story into an unnecessary direction that might've still worked if there had been some real build up to those points which led to the conclusion. Sure there were some signs, but really not enough. Instead the movie ends in what can only be called a total WTF moment, and it doesn't work at all. Not a horrible movie, but only average and not recommended.

Splice is a tricky picture to evaluate, for its ideas are superb. One could argue that it brings a new petri dish full of meddling scientists facing the consequences of their actions, while conversely it justifiably feels like a Cronenberg knock-off.

Psychological discord is in abundance, with its slants on skew-whiff parenting giving the pic a dark fascination, and as unpleasant as the male fantasy angle is, it does hold a morbid interest factor.

Yet come the final third the makers let things run away from them, the bonkers dangers of tampering with science giving way to daft schlock, even managing to be distasteful in the process - while the finale is a weak attempt at a "TBC" cliff hanger.

Lead cast members are turning in good perfs. Adrien Brody and Sarah Polley as the meddling science couple hold court well, and Delphine Chaneac as the Chimera splicer of the piece really nails all the various emotional strands required for a tricky role.

Director Vincenzo Natali has shown with Cube and Cypher he has something to offer the horror/sci-fi splinters of film, but this is a mixed bag. A film of great ideas let down by overheating the plot for shock values, while the levity inserted into the play is misguided and damaging for dramatic worth. 6/10

Lol... Seriously, what did I just watch?? I can't decide if this movie is brilliant, cheezy, profound, juvenile, disgusting or the biggest turn-on since "I Spit On Your Grave". I'm not sure if you'll love or hate this flick, but if you will definitely NOT forget it.

As you can guess from the movie posters, the story is about an artificially-engineered humanoid who's pretty hot. Let your imagination take it from there. What makes this story so memorable is that the writers aren't afraid to take it wherever it needs to go. And then some. Like if you thought "Species" was perverse, it looks like "The Flying Nun" compared to this.

Just to throw some words out there: incest, bestiality, rape, science, incest. And yes, I know I said it twice.

I found myself, in the depths of my twisted mind, thinking "woah, wouldn't it be crazy if (such and such) happens..." and sure enough it does, only to be followed by "oh but they wouldn't dare let (such and such) happen..." and sure enough it does again. Normally I would say predictability is a flaw, but in this case it's thrilling. The whole experience is like a voyeuristic romp, testing the limits of how screwed-up the writers' (and your own) imagination can get. The point being, I'm sure, to show just how morally wrong it is for scientists to engage in vivisection & the creation of life. This is like Frankenstein on steroids.

Like seriously, my hippie brethren, put down your picket signs and just show this movie on street corners... You'll see an end to vivisection overnight.

Parts of this story seemed ridiculous & comic booky, but just when I'm about to write it off as childish tosh it introduces some incredibly complex themes like a Greek play. You think Oedipus had problems? Hahaha Oedipus never saw SPLICE. It would make him go crying to his momma.

The more I think of it, I think this film is brilliant. Much like "Starship Troopers" was a deep socio-political satire disguised as a campy action flick, I think SPLICE gives us a techno-moral satire disguised as a thriller. But like I said, I have no clue if this is masterpiece material or just plain cheese. Most likely the filmmakers deliberately used elements of both.

If you like scifi satires like "Starship Troopers", "District 9", or scifi morality plays about the creation of new lifeforms as in "Solaris", "Moon", "Alien Resurrection", or the one that started them all, "Frankenstein" (2004 miniseries, the best version), maybe with a bit of "Species" eroticism & "Rosemary's Baby" & "The Omen" & "Mommy Dearest" & "Flowers in the Attic" thrown in, then this is for you. I think...

By the way, y'ever notice how aliens & evolved humanoids always look just like Bjork? Just sayin...

Splice centres on two renowned young scientists (Adrien Brody and Sarah Polley) that are quasi-famous for successfully creating a new species of animal, a species with enormous pharmaceutical industry potential in the form of an ability to secrete profitable proteins. Despite a refusal by their company bosses to approve the next stage of the project, or anything that tampers with human DNA, their ambitions lead them to create a human-animal hybrid by combining human genes with those of the created species. This in turn leads to the creation of a new entity they name Dren, which they raise and attempt to study as a personal project concealed from their employers and colleagues.

The story becomes highly engrossing as we follow the creature's development alongside that of the two scientists, who are in a relationship that becomes increasingly strained by a series of ethical and logistical dilemmas. The two central performances are well-judged, but the real star is Dren; or the CGI responsible for her creation, which is always convincing and solid at all stages of the creature's evolution. Vincenzo Natali's visually intense direction is also worth mentioning, and he clearly enjoys playing with a generous budget as compared with his previous features like Cube.

This is, however, no modern masterpiece – the plot becomes predictable and contrived in the final third, the minor characters are little more than stereotypes (lax young brother, venal bosses) and the comedic elements of the film don't always sit comfortably with the horror aspects (there is, however, a notable exception in a hilarious scene towards the end). But these drawbacks are outweighed by the plus points, which makes Splice an enjoyable experience overall.