A Shine of Rainbows

A shy, stuttering 8-year-old boy moves from the orphanage he's lived in since the death of his grandmother to an Irish island with his adoptive, free-spirited woman and her cold, silent husband. The story that unfolds is about both the boy and the husband coming out of their shells and learning to express and value what's important in their lives.

THE GOOD: The performances of every single actor in the film stand out. Particularly the child actors do an extraordinary job. The emotional fabric of the film is wonderful. You have to be touched if you have any emotions at all! The cinematography is jaw-dropping-gorgeous, owing mostly to the beautiful Irish setting.

THE BAD: There's no way around the simplicity of the script; you know everything that's going to happen long, long before it actually happens. In most films, this would be crippling; however, here it doesn't really matter because the story's about the characters, not the plot.

THE VERDICT: Heart-warming, beautiful, emotional, and family-friendly. You should most certainly watch this.

I give this movie a "10" on the cinematography alone, but it's so much more than that. The story is heartwarming, directing is perfect, acting is superb (even young John Bell in what is likely his first role), and the musical score is worth purchasing on its own. Loved every piece of it.

The story centers around an orphan (Bell) who is adopted by a beautiful and 'colorful' Irish woman (Connie Nielson, an actress new to me but I will definitely look for her again) and her reluctant husband (Quinn, an A-list actor who never ever disappoints) and whisked off to picturesque Corrie Island in County Donegal. The film tugs at your heart without being maudlin or without even a hint at 'over-acting,' so common in movies about orphans. (Kudos to the director.)

I cannot recommend this film highly enough and am shocked that I had never heard of it before renting it on a lark.

"Saccharine stuff on Corny Corrie TimelessFlight18 February 2024

A Shine of Rainbows tells the tale of a young and shy orphaned boy, Tomas, who is chosen by a new foster mum, Marie, to start a new life at her remote home on Corrie - a quiet island off the Irish coast.

Marie is welcoming, warm and loving towards Tomas, but the relationship between Tomas and Marie's husband Alec is not quite so comfortable. Tomas gradually settles and develops confidence, until a tragedy strikes.

Although a sweet, good natured and inoffensive film, I pretty much hated all of it (apologies to those who liked the film).

Firstly Marie and Tom (played by Connie Nielsen and Aidan Quinn) are too pretty by half, and not at all convincing; they're handsome city folk who look completely out of place in what could, in reality, be quite a harsh environment.

Secondly, the overbearing and relentless music. Just in case you forget this is meant to be in Ireland, here's some Irish music. And some more. And some more. And some more.

Thirdly, it is just so sickly sweet. Now I'm all for a feel good movie, but this was just so cheesy it almost tipped into satire. Maybe it's just the fact that I had not long before watched 'Ryan's Daughter' and the contrast between the grittiness of that and this treacle-laiden offering was too stark.

Throw in a range of eccentric knitware and Tomas's bizarre relationship with a seal pup (a dreadful animatronic one by the way) and it was all just too much to stomach.

Even the wonderful landscape didn't save it for me; we get glimpses of a fab coastline, but are never fully immersed in it.

There's certainly nothing to hate about the sentimental story itself, but the way it was portrayed on screen was just too lightweight and hammy. An amateur, corny offering I'll easily forget."

Don't be so easily to become a fetus not developed with brain, yet.

Very sweet film that reunites Aiden Quinn and Connie Nielsen after their smoking "Return to Sender". Quinn is perfect as Alec O'Donnell, Irish countryman, who can't hide his disappointment in the timid boy whom his angelic wife brings home from the orphanage. He and Nielsen are very tight, but the main interaction of the story is between the beautiful and self-giving Maire and the very needy boy, Tomas, exquisitely played by John Bell. Under her loving grace he blossoms and learns to accept himself and to live a joyful life, but will he and Alec be able to stick together if Maire goes away?

Connie Nielsen is one of the most beautiful and gifted actresses working, and effortlessly fills this sugary roll with no false notes. For contrast see her sullen Charlotte in Return to Sender.

I saw this film in December, of 2009 in Indianapolis. I am one of the judges for the Heartland Truly Moving Picture Award. A Truly Moving Picture "…explores the human journey by artistically expressing hope and respect for the positive values of life." Heartland gave that award to this film.

Tomas is a young boy that is bullied and unhappy at an orphanage. He is suddenly and mysteriously adopted by a childless couple, who live simply and modestly on a very remote Irish island. The Mother, although in ill health, is a woman of astounding positive energy and beauty and sets herself to healing the mental and physical scars of the boy's unfortunate upbringing. The Father meanwhile loves his wife dearly, but is far less excited by the recovering, damaged boy.

Intertwined with this awkward triangle relationship is light fantasy and legend and mystery of the gorgeous Irish coast. The Irish coast is so beautifully rendered that it is like a fourth character.

There is suddenly a great change in circumstances and two parts of the triangle have to come to terms with this tragedy. It takes courage and resolve and change and love.

The three actors of the triangle are vivid and hold your attention and each ultimately moves you emotionally in three different ways.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.