A chronicle of the Holocaust, exploring stories of survival, tragedy, hope, and resilience through one of history's darkest chapters.A chronicle of the Holocaust, exploring stories of survival, tragedy, hope, and resilience through one of history's darkest chapters.A chronicle of the Holocaust, exploring stories of survival, tragedy, hope, and resilience through one of history's darkest chapters.
- Awards
- 1 win & 3 nominations total
- Self
- (archive footage)
- Self
- (archive footage)
- Self
- (archive footage)
- Self
- (archive footage)
- Self
- (archive footage)
- Self
- (archive footage)
- Self
- (archive footage)
- Self
- (archive footage)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Gleckman's direction is terrific. The film is broken up into parts, and these parts can act as a well-needed breather for the audience, if required. It's a heavy watch, as you'd expect - but a vital one.
What this film manages to accomplish in its lengthy (but warranted) runtime is incredible. You thought you knew all you could about the Holocaust, but you didn't. You could never. We Shall Not Die Now is completely fresh, and even with its use of older footage from Shoah, it offers up something new with clear control. Personally, I think this should be shown in schools. If films like Schindler's List and The Boy in the Striped Pyjamas are being presented to students, why not We Shall Not Die Now? Equally as important and heavy in weight.
We Shall Not Die Now, like Gleckman, has a bright future ahead. It's already winning awards and garnering attention, and will certainly continue to do so in the coming months. Remembering the team of producers, musicians, and everyone else involved in the making of this film, of course - for without, this would not have been possible. And lastly, we must never forget the victims of these horrific events.
- taryllsbaker
- Nov 3, 2019
- Permalink
Storyline
Did you know
- TriviaThe film features a main theme composed by Golden Globe and Grammy-nominated composer Benjamin Wallfisch, who's grandmother, Anita Lasker-Wallfisch, is a survivor of Auschwitz and Bergen-Belsen. Anita was forced to play the cello in the Auschwitz Women's Orchestra and Ben's theme was composed partially for solo cello in honor of his grandmother.
- Quotes
Michael Berenbaum: Survivors tell us their story not because they want to weaken us, not because they want pity, but because they want to strengthen us in our commitment to human dignity and human decency, and our commitment to the sanctity and sacredness of all human life. After they finish bequeathing to us their testimony, then the question is, what are we to do with it? Now it's up to us.
- Alternate versionsIn addition to the director's cut, there is also a theatrical edition of the film which comes in at 110 minutes, compared to the directors cut which runs 150 minutes.
- ConnectionsEdited from Shoah (1985)
- SoundtracksThe Road Home
Written by Stephen Pualus
Performed by Voces8
Details
- Runtime1 hour 40 minutes
- Color
- Aspect ratio
- 1.85 : 1
- 4:3