The Return of 'Allo 'Allo!

"The Return of 'Allo 'Allo!" is a made-for-television comedy film that serves as a sequel to the popular British sitcom " 'Allo 'Allo!," which originally aired from 1982 to 1992. Directed by Jeremy Sams, the film brings back beloved characters and delivers a nostalgic trip down memory lane for fans of the original series.

Set in German-occupied France during World War II, the film follows the misadventures of cafe owner René Artois (played by Gorden Kaye) and his motley crew of eccentric patrons and resistance fighters. When René learns that the priceless painting, The Fallen Madonna with the Big Boobies, is hidden in his cafe, chaos ensues as various factions vie for possession of the artwork.

One of the film's strengths is its faithful recreation of the whimsical humor and farcical situations that made the original series a hit. Gorden Kaye effortlessly slips back into the role of René, delivering his trademark wit and charm with aplomb. The supporting cast, including Carmen Silvera as Madame Edith and Vicki Michelle as Yvette, also shines, reprising their roles with gusto.

Despite its nostalgic appeal, "The Return of 'Allo 'Allo!" may feel dated to modern audiences unfamiliar with the original series. Some of the jokes and humor rely heavily on cultural references and wordplay that may not resonate with younger viewers. However, for fans of the show, the film offers a delightful reunion with familiar characters and a chance to revisit the zany world of " 'Allo 'Allo!"

While the plot may be somewhat predictable and the pacing occasionally uneven, the film succeeds in capturing the spirit of the original series. The nostalgic nods to iconic moments and catchphrases will undoubtedly elicit smiles from fans who fondly remember the antics of René and his comrades.

In conclusion, "The Return of 'Allo 'Allo!" is a charming and lighthearted romp that will delight fans of the original series. While it may not break new ground or appeal to a wider audience, it offers a fun-filled journey back to a beloved era of British television comedy.

It has been many years since the war finished and, without the Germans running up large bar bills, René's café has suffered from greatly reduced takings and, as a result, he has decided to write his memoirs. With this air of memory and recollection, we also look back on the making of the series and the characters involved.

Has it really been so long since this series? Well, yes, it seems it has and sadly this film does nothing to really close the gap because it does rather reveal how basic the show was. The farcical and politically incorrect nature of the comedy hasn't dated well and while I was one of the seventeen million (!) people that watched this series, it probably helped that I was only about ten years old at the time. Looking back on it is a bit of a problem because it is hardly the sort of influential and clever comedy that really deserves a 90 minute retrospective on primetime BBC2. The material is mostly driven by the catchphrases (which seem terribly worn now of course) and the basic sexual innuendo which occasionally is funny but it is not that funny to watch it now.

Perhaps that is the problem – it was of its time and we all remember it as better than it actually is. So having those involved picking through it as if it were one of the finest things to come out of the BBC does rather expose the weaknesses. The "new" scenes being shot in front of the live audience are worse for this as they rely more on familiarity than wit and wheel out the old jokes to an appreciative studio audience. Indeed it is the studio audience that tell us a lot about this film because they are mostly dressed as Nazi's, resistance fighters and so on – they are fans and are cheering and laughing before the obvious lines have even been delivered. To this end, the target audience will also be fans and I suppose for them it will be a tremendous walk down memory lane as well as the chance to see new footage.

For the casual viewers though, it will be a bit like being the only person at a fancy dress party to have turned up in jeans and a tee-shirt as well as being the only one driving and unable to drink. I did feel rather left out because everyone seemed to be gushing and laughing about things I didn't get. The documentary side wasn't helped by the way it didn't really dish any dirt. The absence of Gonshaw (Maria) is notable and the narrator saying she left but not explaining more than that just made it stick in my mind as a thing. As well as this there isn't really anything negative to be said about the making, which I suppose is possible but does rather make for a dull love in.

One for fans then, but if it had been a little less gushing and a little "dirtier" (in the behind the scenes recollections rather than the one liners) then it would have been better for the casual viewer. As it was, I found it a bit of a trip down memory lane that I could have done without.

I have worked my way through the entire Allo Allo series over the last two years, I love the show, I'm a huge fan, so I was keen to see more.

A long time since I last saw this, and I seemed to remember it being an extended follow up episode, in reality it's more a documentary, looking at characters and actors in turn, remembering those that had passed away since the show ended.

It was so sad that Carmen Silvera had passed away, she was an integral part of the show, I loved Madame Edith.

There was something quite wonderful about hearing the music, and seeing René in his uniform, in his rightful place at the Café.

Plenty of fun, plenty of memories, Sam Kelly's insight was memorable though, from a child, I was convinced he said flop, how wrong I was.

Quite a lovely, sweet watch, 9/10.