Recomptage

Jay Roach (the "Austin Power" series, "Meet the Parents") doesn't seem the right director for a political-driven movie about one of the most controversial elections ever, but he did a good job in charge of this well-executed HBO production. "Recount" features solid performances all around, particularly Kevin Spacey as Ron Klain (Al Gore's recount point man) and Tom Wilkinson as James Baker (Bush's top recount strategist); Laura Dern seemed to have fun playing the ridiculously clueless (and potentially malevolent) Katherine Harris (Florida's Secretary of State), the woman who stopped the recount. The movie works for being wittily unbiased (Spacey's outburst scene: "You know what's funny? I don't even know if I like Al Gore... I just wanna know who actually won this f***ing election!" is pivotal, and his last conversation with Wilkinson/Baker is also a great point) and informative for those who have short-term memory (or were too young 8 years ago). We all know how it's gonna end, and the movie doesn't have the pretension of answering eternal questions like "Who really won the election and would have Al Gore been a better president?" We'll most likely never know the first, and can just wonder about the second. For better or worse, things would've been different had Bush lost, that's for sure. It might not be a solace, but that's the only truth we have, and the makers of "Recount" seem to be aware of that. 7.5/10.

This is an emotional roller-coaster that will keep you watching despite knowing how it is going to end. There are very few films which have the ability to suck in an audience so deeply even though they know what is going to happen.

It raises questions about the 2000 election and does a fair job of cramming several weeks into two hours. The performances are pitch perfect and but Laura Dern in particular should win an Emmy for her portrayal of Katherine Harris. Your party affiliation should not prevent you from watching this film as it bounces back and forth between both campaigns without too overtly taking a side.

I don't know how Jay Roach got involved in directing this project, but he redeemed himself for the horrific "Austin Powers in Goldmember".

Watch it.

Recount (2008)

A fairly gripping political drama, well acted, and of course with historic filling. I realized just as the credits ran, however, that what had me going throughout was the events, the history, the reliving of a time that seemed to intense an unjust (or at least dubiously just). It wasn't the movie that drove the event, but the other way around.

And so it is with this kind of re-enactment of a big event.

However, there is a sudden letdown after all. I mean, after all, what else is there? Knowing what happened and visualizing it anew isn't quite great cinema.

Even though this is a great telling of those facts. Which is how you come to appreciate and judge it by the end. And it's not enough.

I watched it with someone who didn't live in the U.S. at the time, and had little information about the contested Gore v. Bush election battles. And without me explaining certain events it hovered as an abstract comment on the insider problems of election process. That sounds pretty dull, doesn't it? (She was asleep by the end, and I was not, which says something, but not everything.) Because in fact the contents are pretty dull stuff.

Which makes the movie more remarkable, I suppose—it makes exciting what is a legal maneuvering, office room discussion, telephone call kind of movie. The fact it ever happened is no surprising, given the other options in other countries. But the details are astounding, and those details—from the people cheering when the votes won't get counted to the concession, finally, by the loser—are all telling. About the system, about human nature.

And about rising above to find our better natures. Some of us, some of the time.

If you thought a movie about the controversial 2000 Presidential campaign recount in Florida, you're wrong. Just when you think it's some crazy movie, you recall that it all really happened. At times, only the CNN footage reminds us that it really did happen. The drama and gravitas of the story should not be lost, but is, upon Americans. The movie not only accurately portrays actual events, but notes their context and their importance to American history, an analysis that many have already so soon forgotten.

The star-filled cast's fame does not disservice or overshadow the characters they portray, a fine balance of talent and respect. Special note, however, must be paid to Laura Dern's awe-inspiring role as the aloof, artificial Secretary of State, Katherine Harris. Despite makeup which makes prostitutes jealous, her mannerisms and uncanny slanted poise cause incredulous disbelief that such a wacky imitation could be enacted. All the cast, however, is likewise surrealistically convincing.

The hard working, late hours, and soul-sucking reality of working in a campaign office, often a suite rented out of a strip shopping mall with temporary desks and phone lines cheaply laid in for only a few months' time, is evident and pervasive. Such atmospheres lend the movie a realistic feel of grassroots-level work. One is likely to develop a profound respect for the idealism and vigor (or ego) of such volunteers with such spartan environments.

Music is not even necessary as the chaotic, meaningless buzz of a campaign office or the silent seriousness of a limo ride are soundtracks in and of themselves. The seriousness of the situation does not let the viewer go for the entire movie's arc, from the movie's opening seconds when an elderly lady's seemingly innocent action will cause screaming suspended disbelief in all viewers alike. The tension continues for over an hour more, frustrating and terrifying viewers until an ending whose frustration compares with few other feelings. Even typically dry court readings gain an impossible level of drama, tension, and emotional disbelief to the point of tears as the movie progresses through the increasingly unbelievable tale. The dirty tactics are unsurprising, given recent politics, but to witness the beginnings of the such era in retrospective is humbling. The animosity of the foes is tempered with a thin grasp on reality and humanity, summoned by powers eluding most of us common lay men and women.

The film is so accurate and nearly documentary which is suitable for those of all political persuasions. The far more important point is the preservation of the Union and our ability to pass power peacefully and civilly. Affairs even weightier than party affiliation are at stake. The movie is trying on the heart and mind as it begs us to question how insane the electoral system is, a view with which those of all political persuasions may likely agree. Nonetheless, the system somehow survived to live another day, a day that will again return.

There are two immutable facts that were brought out in this excellent film: one, Florida looked absolutely ridiculous in the way they conducted elections; and two, the 2000 election was absolutely stolen.

Florida will forever be stigmatized by butterfly ballots and hanging chads. The fact that election officials in some sixteen counties refused to do the machine recount as ordered shows the incompetency of our officials.

The recount notwithstanding, the manipulation of the voter roles and the subsequent disenfranchisement of 20,000 voters by the clownish Katherine Harris, played perfectly by Laura Dern, casts a permanent stain on the legitimacy of the Bush presidency.

The fact that the details of this movie were well known did not detract one bit from its enjoyment. It was compelling and exciting and the performances of stars like Kevin Spacey, Tom Wilkinson, and Dern made you forget that you knew the ending.