The Line

This movie started on an average note & continued to be predictable until the last third, where it seemed to hop & skip forward, omitting a lot of pertinent information, leaving the watcher with the feeling of...huh?...why would they/why didn't they....?what happened to....? Why did(or didn't)....? Etc. The poor editing definitely messed w the timing, made it unbelievable because of stupid things put in to purely wrap things up & ended the movie in a way that made me feel unsatisfied. There were characters that didn't add anything in the end so it felt like those storylines just walked off a cliff and other characters never gave you a full picture of how they were affected, grew or changed in the end. It just felt incomplete, like some pages were missing between the climax and the ending.

The Line offers an intense portrayal of fraternity culture, examining toxic masculinity and power dynamics within a fictional brotherhood. Berger's direction takes a very thoughtful, anthropological approach, vividly capturing the rituals and environment of Kappa Nu Alpha. Through authentic, immersive details, the film effectively conveys a sense of unease and realism. While its themes may not be entirely new, the depth and seriousness of its execution make it both compelling and unsettling. The movie challenges viewers to reflect on how traditions and unchecked behaviors can perpetuate cycles of harm and complicity.

The Line brings forward an incredibly important topic that for so long felt taboo to discuss. As someone who spent formative years surrounded by people who were active in Greek Life, The Line tackles the toxic masculinity that is inherently built in to this centuries old "tradition". A tradition that should be fully audited and question about its place in the lives of such a formative aged participants. The performances are excellent across the board, with Alex Wolff (a raw nerve), Lewis Pullman (slimy and likable all at once), Bo Mitchell (a paragon of fragile masculinity), Hailie Berry (wonderfully defiant) and Angus Cloud (a truly tragic character) all doing what they do best, expertly directed and beautifully shot.

In The Line audiences are taken on an unforgettable journey through the highs and lows of fraternity life. Starring the formidable Adam Wolff as the lead, this movie masterfully blends humor and serious undertones to create a film that is both entertaining and thought-provoking. It's a wild ride, filled with raucous parties, pranks, and camaraderie, but it also takes a dark and unexpected turn that leaves the audience reflecting on deeper issues of identity, loyalty, and morality.

At first glance The Line seems like your typical college comedy, filled with the tropes we've come to expect from films about fraternity life - hazy keg parties, mischief-filled nights, and the carefree vibe of young adulthood. However, what sets The line apart from its predecessors is the way it captures the complexities of life behind the humor, using comedy to offset the deeper tensions and struggles faced by its characters. The film does this expertly which is a testament to both the writing and direction.

I was compelled the entire time by the direction of the movie and storyline of the characters. Definitely a movie worth seeing!

A provocative, damning and necessary exposé on the culture of Greek Life. This film blends artful and intimate cinematography with boisterous dialogue to deliver a chaotic and intense portrayal of fraternity pledging. While the film only scratches the surface of the characters' humanity, the protagonist's retrograde unraveling serves as a powerful commentary on the dangers of toxic masculinity, binge drinking, and herd mentality. The director does not offer an easy resolution, taking the audience on a journey into the depths of alcoholism with no glimpse of redemption for its pawns; this film demands serious conversation.