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Juliette Binoche in Ouistreham (2021)

Metacritic reviews

Ouistreham

60

Metascore

15 reviews · Provided by Metacritic.com
  • 83
    The Playlist
    The Playlist
    Binoche’s naturalistic performance marries itself beautifully to the ensemble while grounding, in reality, a character unbelievable, yet true.
  • 80
    Screen DailyWendy Ide
    Screen DailyWendy Ide
    It’s particularly perceptive when it comes to the ethics of using real lives as material, and the question of the legitimacy of emotional bonds if one party is hiding essential truths about themselves.
  • 80
    Time OutDave Calhoun
    Time OutDave Calhoun
    Although Binoche is the film’s star, her presence is smartly muted, allowing us time and space to discover the world as she does, and providing room for complexity in considering the ethics of his character’s work and of Carrère’s film itself.
  • 75
    Slant MagazineWilliam Repass
    Slant MagazineWilliam Repass
    Even when the film becomes something like a spy thriller, it never loses sight of its political themes.
  • 68
    TheWrapBen Croll
    TheWrapBen Croll
    Between Two Worlds is highly self-aware, at some points simply playing up the odd dissonance of seeing as glamorous a figure as Juliette Binoche scrubbing toilets, and at other points making more caustic commentary on the impossible task the book and adaptation set out to accomplish.
  • 63
    Movie NationRoger Moore
    Movie NationRoger Moore
    Its predictability doesn’t break Between Two Worlds, but it does soften the blows it intends to deliver.
  • 50
    VarietyPeter Debruge
    VarietyPeter Debruge
    The movie provides some nice, memorable bonding moments between Marianne and her subjects, including Cédric (nonactor Dominique Pupin), a decent if slightly pathetic middle-aged man also looking for work. But its portrayal of cleaning women ultimately feels flat, and it’s not clear whether watching Binoche scrub a few toilets is meant to dignify/humanize those stuck doing such chores, or to underscore the lengths to which she’ll go as an actor.
  • 40
    The GuardianPeter Bradshaw
    The GuardianPeter Bradshaw
    Neither of the two worlds of the film’s English title is illuminated clearly enough
  • 40
    EmpireDavid Parkinson
    EmpireDavid Parkinson
    Despite the nobility of its intentions and commitment of its cast, this would-be treatise on gig economical iniquity winds up patronising the very ‘invisible people' it's supposed to be championing.
  • 40
    The Irish TimesTara Brady
    The Irish TimesTara Brady
    Marianne may learn to “pass” for a cleaner – kind of – but she can never experience the precariousness faced by her subjects. Her idea that these people are entirely invisible is bogus from the get-go. The script wrestles with these problems but it simply cannot overcome them.
  • See all 15 reviews on Metacritic.com
  • See all external reviews for Ouistreham

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