No Smoking

You read thru the comments here, either its in 8-9-10 range or its in 1-2-3 range. Its funny to see the movie invokes such drastic reactions in different people. That itself talks a lot about the cinematic power of this masterclass movie of "A", (Anurag Kashyap).

To some extent, its a director's indulgence. He didn't make the movie for you or me, he made it for himself. It's a movie made for film school. The movie can be a textbook for various film-making subjects. Technically brilliant! A very dark movie indeed, probably first movie of the film-noir kind to be made from Bollywood stable. Anurag Kashyap is a sort of rebel in the industry. I am glad he was able to express himself cinematically through this movie.

Honestly, its really hard to understand the movie. And I didn't quite follow it either. But somehow, I really enjoyed watching it.

Vishal Bharadwaj produced it - who else but another master of dark movies will understand this movie.

Vishaal's music is infectious in the movie. He surprises me with his never-ending creativity. Musically I associated him with Omkara, Maachis type music, mellow, neo-classical, haunting. But his experimentation with Jazz in this movie is truly outstanding. Apart from the songs, the movie SHOULD get recognition for its background score. Deep rooted in jazz, I had to rewind the movie several times to listen to some background jazz scores. What else Vishaal has in store for us??? Its interesting to get a piece of director A's mind through his blog, where he really expresses himself, go to passionforcinema.com to read his blog. If you are anywhere close to film-making, you will love reading his writings.

Anurag Kashyap is a different class of movie director. I am not sure if he can make much money trying to follow his passion, because it is very hard to get accepted with this kinda movies. However, I wish he make a few semi-commercial movies to give him the money to experiment with true gems like No Smoking. Last thing I want him to be branded as a crazy lunatic of the bollywood.

Bravo Mr Kashyap!!

EXCELLENT is the only word that suits on this movie, i just saw this movie in December 2010 because of the great Indian reviewers who had given such a bad comments on this movie, my friend told me again and again to watch this movie but i was always saying no to him (i thought why to watch that movie which is rated 1.5/5 in the times of India)...i was wrong with every aspect, it is a shame that i had watch this great movie so late! i loved every scene of this movie, this movie has really something to say in each and every scene, Anurag Kashyap no doubt is the best director in India who wanted to change the taste of Indian viewers and i know that he will succeed in this...storyline great, cinematography great, a big hand for Jhon and Paresh, they did the great job...a deep, dark and real concept makes confused sometimes but if you start thinking deeper you'll see that this masterpiece really has many things to say...very well done Anurag, very well done the other star cast...lastly i wanted to say that please watch this different masterpiece and you'll be surely comparing it to the Hollywood movies!

For all those illiterates (the numbers of these great unwashed I do not doubt, it is hardly surprising that the movie bombed) who give it 1-2 stars and talk about preserving sanity, a question: Ever heard of Franz Kafka? I saw this movie just after I had read The Trial and The Castle back-to-back. It is a brilliant tribute to the genius of Kafka: I wonder that is what Anurag Kashyap intended in the first place. The plot follows the same twists and turns that one would have in a Kafka novel, particularly the descent to meet the Baba. It is not just any shady place, it is a passage from The Trial faithfully replicated: when K first approaches his accusers (note the name: another Kafka hallmark). Sheer genius. Both the original writer, and the film-maker.

There is no doubt left in my mind, that Anurag Kashyap is the next big thing in Bollywood. He is probably the best Indian director for a long time, after the great Satyajit Ray. After his controversial debut in the industry with Paanch, and Black Friday, he delivers this classy act with No Smoking. Truth be told, I was a bit skeptical about this film. A few of my friends had already had a glimpse of it and warned me against going for it, but I gave it a shot nonetheless. And I'm not complaining.

No Smoking is not your traditional movie. Its not targeted to be a box office hit, because simply 9/10 people will find it stupid, boring and curse Mr.Kashyap to be a raving lunatic. But in the truest of sense, there could not have been any better addiction movie than No Smoking. We have had Requiem For a Dream, Trainspotting in Hollywood, but this the first time we have an Indian story to it. True No Smoking is even more abstract than both, but it also follows a complicated theory. One which is iterated by the Guruji(Paresh Rawal) of the Hindu knowledge of the soul, consciousness, and the Vedas.

What is the basic theme of the movie is that every addiction has its core in the consciousness, the soul and we have to purify the soul in order to rid us of the addiction. The entire movie we are thrown into possibilities where the antagonist, K (John Abraham) is comprehending what is right or wrong. And that is not restricted to his addiction but all judgments in his life. Whether or not to cheat on someone's wife, or whether or not to trust someone, whether or not in his actions/inactions he is unintentionally causing anyone harm. Which is why we see he is made to believe his wife's death, his brother's suicide is his doing. But this is what his subconscious is telling him. This is what the cure is trying to tell him.

The treatment that the Guruji is giving him is completely psychological. We find all the patients/relatives of the people who have been to see the "Prayogshala" is admitted to a ward which is made by the Prayogshala itself. People will misinterpret as an emotional blackmail, but in truth its cleansing the soul. We see that the antagonist feels claustrophobic at the end of the end of his dream. He says that his throat is parched and he needs a smoke, when he breaks a window and rushes to the middle of nowhere to get a smoke. The dream of Siberia, the Russian soldier shooting him(although no blood comes out) is all an indication that this is not real, its the journey of the soul, a pathway to cure of his afflictions. We find many clues to this right from the start to the end, to the point when he is desperately trying to prove to the cops that he didn't murder his wife, we find him going all ends out to prove that he is innocent, but somehow nothing works out, since HE has been living a dream, and he just woke up, so his stories are not matching up. This is something novel that Fincher did in the legendary "Fight Club"

We find in the end the real K, looking out as if searching for a long lost friend, but in real he was searching for his soul, which was waiting to be cleansed, and as his soul his bathed in fire, it is cleansed and is returned to him. About the missing fingers, well everyone thought that was another torture device, but did anyone notice the fingers missing ?? They were the index finger and the middle finger, the ones we use to smoke. They are taken from the patient as a precaution. And the journey of the soul is complete only when he convinces another of his kin to undergo the same procedure, then his finger is returned to him.

The movie was like I said, superb, and instead of praising any of the actors, well, this is a all in all Kashyap movie throughout. It didn't matter who was the actor, true John Abraham has done a remarkable job, but the genius that Kashyap is, made this movie so good. The direction and screenplay made this the success that it is. The script was just too good, and the sets used, (which I think were real locations actually) were also marvelous. Also the small glimpses of cheap visual effects makes it even more brilliant to show the journey of the soul. The soundtrack is also too good. Apart from the Hindi numbers exclusively for the movie, we are also treated with lots of melodious oldies starting from Frank and Nancy Sinatra to others, and to careful notice one can see that all these songs were about smoking. Paresh Rawal is also excellent in his role as the Guruji, he makes it look so easy. Ayesha Takia is again just a pretty face in this movie, without not much chance to prove herself.

Lastly this review would be incomplete without a special credit to the masterful, artful Anurag Kashyap. He made a movie about a social peril, about smoking, and he made it look so easy, that it was just brilliant. He has well proved his merit over all other contemporaries. It is just pathetic that people still want to watch stupid remakes by Sanjay Leela Bhansali, irritating soap/family dramas by Karan Johar, and utter bullshit from the likes of Farah Khan, Sajid Khan when they always have options of watching brilliant stuff from this man. This perhaps is my longest review but you also don't get to see such exquisite movies such as No Smoking everyday. 9/10 !!!

"No Smoking" is the most brilliant,daring,unconventional film ever to come out of Bollywood. It could have been written by Franz Kafka or begotten by Stephen King upon John Grisham. John Abraham is outstanding as the arrogant selfish Indian yuppie "K", a Kafka hero if there ever was one. When his bullied wife leaves him, he's referred by a peculiar friend and his own peculiar family doctor to a mysterious clinic that guarantees he can kick his most nasty habit, smoking. The clinic turns out to be a nightmarish set-up (The Firm) from which there is no back-sliding without dire consequences. "K", the master of all he surveys immediately rebels and brings down hellish results upon himself and his family. The viewer is jolted along on this queasy and horrific experience just as is "K". Will "K" ultimately kick his "habit" and eradicate much of his personality along with it....will "K" become a model "Stepford" husband? Watch this disturbingly entertaining allegorical fable and find out!