Fighter

In regards to comparisons with Bend It Like Beckham I would say this film is like it's older mature cousin. Bend It Like Beckham was cute, fun with a traditional Hollywood fairytale story. This film strips all the Hollywood fairytale and plonks the story in the mundane real world. The romance is careful and considered with real world reactions, the family reconciliation doesn't leave you with a happy happy family feeling, the Yoda equivalent offers opportunities but no answers and seems helpless through most of the film and the main character's kung fu obsession doesn't end with all conquering victory.

What you do get instead is a character tug of war where one side wants her to be a traditional Turkish girl and the other wants her to embrace modern Western idealism. For me this is what makes the film clever. It's not simply about a girl trying to overcome her limitations but a girl fighting to not be boxed in by any ones social norms whether it be Eastern or Western. The Western lifestyle is not held up as some moral superior as it is in many other films of this nature. This film is simply about a girl trying to forge her own path without having to embrace everyone else's values.

As a final note I noticed a lot of people thinking she is being kicked out of her martial arts class at the beginning of the film due to aggression. While it is true she is aggressive she's not being kicked out. The teacher notices her frustration at having no challenging opponents because she has out skilled everyone in the class the teacher feels be better of in a more advanced school. If you ask me this is good teaching and I wish more teachers were this observant.

Cinematography--Compared to 'The Wrestler,' a degree of verite and cinematic skill that disarms the viewer, and then hypnotizes as well.

Acting--The dialogue is minimal, but the pauses and silence poignant.

Story--The conflict in a 'balkanized' Denmark is volatile, as we saw recently jihad murders in the Netherlands and riots in France. While I harbor no love for Islam, the departure from the West from Christian values holds no cause for celebration.

The director of this film managed to mirror the two societies in a way that belabored neither, emphasizing the development of Aicha as an individual who became a champion, not so much in the ring, but to all those around her. Even her worst . . . I will stop here to avoid the spoiler.

A beautiful and touching movie that deserves a wider viewing than it is likely to get. Semra Turan plays Aicha, a second generation Turkish immigrant, who tries to break the mold. Neither entirely at home with her moderately conservative Muslim family, nor with her liberal Danish friends, Aicha's martial arts experience becomes a fight to find herself and have the strength to allow herself to be who she wants to be in spite of both family and friends.

Director Natasha Arthy manages to balance introspection and narrative so that it has depth without becoming ponderous philosophical discourse, and drawing on Xian Gao's choreography skills pays off in spectacular fight sequences. In the end, however, it is Semra Turan's stunning debut performance that gives this movie spirit. Raw charisma and requisite martial arts skills are complimented by heart to make her personal drama believable.

Well worth your while.

Makes the Karate Kid look like Romper Room.

Not a martial art movie as such, more of a coming of age film, but the reason it caught attention is that the fighting scenes are actually better than you would find in films that actually ARE fight films! Great direction, great acting. Great use of background and motion. The central character has many scenes where she is running seemingly without direction or purpose, a metaphor for the twists and turns in her life.

Does a great job of showing western viewers the "other" side of the coin, what is like to come from a culture that limits expression rather than encourages it.

Very engaging. Highly recommended.

I hit the couch to eat lunch and turned on Sundance channel and came in at the first third of the movie . . . didn't leave the couch. Good movie. As in the other movie reviews there is no real new story line here, but what caught me was the lighting. Shots were she is with her family are shot in darker lighting and when Semra is in the environment her heart wants to be in (ex. Kung Fu studio) the lighting is much brighter. Simple little things like this and the floating camera (?) make it a good MOVIE and add power to the story and the acting. I don't know if it was intentional, but Semra's "less is more" acting really helped sell the internal struggle she was going through to deal with the chains of Turkish societal and familial expectations. Now I can't wait to see it again from start to finish - and with my 12 year old daughter who just started serious training in sports. Should be required watching for girls in Jr. High.