The Lucky Ones

The Lucky Ones (2008) ***1/2

Here's a fact: movies about the current war in Iraq have done about as well as... well, the current war in Iraq. To be fair, none of them have really been great. Even Tommy Lee Jones' In the Valley of Elah did not manage well financially, though it did manage to get half decent reception from critics. Understandably most of the films have been pretty heavy handed, and just as understandably, audiences have been satiating those taste buds with other, less controversial and subjects. But then comes along The Lucky Ones, starring Tim Robbins, Michael Pena, and Rachael McAdams. The film is about 3 soldiers returning home from Iraq; two on leave for 30 days, the other out for good. Instead of sticking to the usual downbeat tones of other Iraq films, it's more of a hopeful charmer and quite a funny one too. It's really more of a good old fashioned American road movie with soldiers than a war movie. But that didn't stop people from not going. The film got only limited release through 2008, despite gaining fans on the festival circuit.

Three soldiers return home from Iraq after meeting each other on the plane ride. When they arrive on American soil to catch their connecting flights, they discover that the airport is backed up solid due to a black out. Rather than wait around, Cheaver (Robbins) decides he's close enough to his home in St. Louis to rent a car and drive. TK and Colee (Pena and McAdams) decide they should join him. They're both heading to Las Vegas and figure they can probably make the drive and catch a flight out of St. Louis by the time they would here.

Colee is heading to Vegas to return her boyfriend's vintage guitar to his family. He died in the war. TK is heading to Vegas for some professional help before he meets up with his fiancé. Hookers and strippers? Colee inquires. Kind of - but not for the usual reasons. You see, they all have wounds, but some more sensitive than others. Cheaver injured his back in a not so heroic way, but he's more amused and relieved about it than embarrassed. Colee's been shot in the leg, and sports an unhealed wound and a limp. TK gets the best of both their worlds: he's been wounded by shrapnel in a not so public area. Now, as he says, it doesn't work right. He's going to Vegas to meet with some "professionals" to test his own little soldier out. "I can't go back to my fiancé without knowing it works, we'd have nothing to talk about!" A strange predicament for two people about to be married.

Cheaver, being the oldest in his 40s, is usually something of a father figure to the younger TK and Colee. On their trip those two first bicker before becoming closer. Colee openly talks about her late ex, and tells the tales he told her of robbing a Casino in Vegas to pay off his loan shark debts. TK responds with coldness and ridicules the dead man for his character. It results, inevitably in having to pull over and the keys inevitably being locked in the car.

The Lucky One's certainly doesn't go anywhere we really don't expect it to, but the paths it takes to get there aren't necessarily always the one's we expect. For example, given how quickly the trio arrive in St. Louis, it's obvious something will have to happen to keep it going. It's no big surprise to reveal that his wife wants a divorce, though she apparently is not cheating on him. Meanwhile their son breaks the big news that he got into Stanford, but needs 20 grand to secure his spot. So Cheaver decides he'll go to visit his brother or maybe even go to Vegas and win the money. That guitar Colee carries around is actually even worth 20 grand, though he doesn't want it, and she has to give it to her dead boyfriends family. She wants to give it to him but obviously knows she can't, although what she knows about her dead boyfriend seems to be less and less as time goes on.

The movie is populated with the usual oddball characters and chance encounters you find on cross country road trips, or in cross country road trip movies. There's a stop over at a church where they meet a very wealthy parishioner who invites them to a party, where among other things they encounter a young man against the war, another man who thinks after meeting the trio there's a good reason why they're losing the war, and a horny wife with the hots for the old Cheaver. Elsewhere they encounter the usual road side bars and motels, traveling sex workers and a rogue Tornado. And of course, along the way each confronts their own issues and demons.

The Lucky Ones is a funny and winning little movie. It's above all else a very human movie. The characters are what makes it succeed, not it's story. All three leads give wonderful and sincere performances, particularly McAdams as Colee. She's naive but not unintelligent, and tough but still vulnerable.

What could have been a downer filled with cheap shots and cheap tactics is instead smart and even handed, and above all respectful. That's not to say that it's necessarily a "safe" movie - but then again a movie that's best described as a road comedy about Iraq Veterans probably cannot be. It's above all else a very human movie. The characters are what makes it succeed, not it's story. All three leads give wonderful and sincere performances, particularly McAdams as Colee. She's naive but not unintelligent, and tough but still vulnerable. The movie ends as the soldiers' leave expires and they must return. At least for now they've been the lucky ones. Here's to hoping they stayed lucky.

Three soldiers are home from Iraq; a 40-ish Tim Robbins out for good and the young Michael Pena and Rachel McAdams on a thirty day leave. Each has their own problem that they are faced with at the beginning of the film. Robbins comes home to a wife who wants a divorce and a son who needs $20,000 for college, Pena suffered a wound that has made him impotent and McAdams lost her friend and wants to find his family in order to return his guitar and live with them since she's lost any ties with her own. Think every problem is going to be solved in a little bow by the end? Well, you'd be right. Think that it's going to really typical and schmaltzy? Not so much on that one. It seems like a film that's made for the obvious ups and downs throughout but it actually manages to be quite original and refreshing. Instead of feeling like a film that's just about resolving the individual situations, it's a lot more carefree and a lot more about these three people simply enjoying life together and keeping one another joyful.

Of course there are many different stops on the way to their ultimate destinations in order to give us some situations of them interacting in the real world, but each one is a lot of fun and we gain a little more depth to the characters at each stop. All of the characters are well-fleshed out and don't feel like just another retread of stereotypes we've seen over and over again. One of the things that really surprised me is that when a little romance starts to bloom between Pena and McAdams, I didn't roll my eyes like I would have expected but instead I smiled and enjoyed watching this flirtation grow between the two of them in a non-typical way. And all the way through we are treated to three strong performances from three solid actors.

The real star is Rachel McAdams, who I'd say is Oscar-worthy. She keeps the laughs coming all the way through and steals every single scene with her bright eyes and southern drawl, but you can tell that there is real emotion brimming just under the surface. She's a girl who has every reason to hate life with a fury, but she remains optimistic and tries to get those around her to enjoy living just as much as she does. One scene in particular, when she finally meets the family of her fallen friend, is a showcase for what an extraordinary actress she is. This is her best performance by a long shot, and definitely one of the best of the year. The Lucky Ones is something that could have been obvious and clichéd, but ended up being just the opposite; a refreshing and very well-acted story that I wish wasn't destined to be forgotten come awards season.

Here you have three people, no dramatic problems, stuck in an airport. They, strangers to each other, join in a trip across from the East to the Midwest. Ho hum. Oh, wait, Tim Robbins is in it, OK, give it 6 minutes. Then, this believable trio display the best part of human life...empathy. You fantasize, in somber spirit, that humans are like these three. The movie comes to a quiet, completed end, and you love each character and find yourself hoping they have a good life, because they are no longer Tim Robbins, Mike Pena, and Rachel McAdams, the actors. The "public" that they navigate around seem always insincere with their 'thank you for serving', although in real life, past returning veterans were treated with total disdain. The scene in jail and the phony confession to a robbery seemed...not quite honest or believable, but it was the only weak scene.

Neil Burger's offbeat, quirky, dramatic movie is a triumph. It succeeds in all the aspects, from the technical parts to the acting, I can't find a single negative thing about it. Burger doesn't dilly-dally around, he went straight to the point of his subject, giving a fair amount of time for each of the three characters (McAdams, Pena and Robbins) to develop and eventually you can't help but really like them...a lot. Especially McAdams but more on that later. The script is tightly wound, the chemistry between the three protagonists doesn't seem forced, the movie doesn't force you to like them the moment the movie starts but instead, these colorful characters will gradually grow on you.

Tim Robbins, one of my favorite actors, doesn't disappoint. 2008, I have seen him in two movies the other one being The City of Ember. And as long as a movie has Tim Robbins in it, I'm sold. That's why I watched the movie in the first place. Michael Pena, another great guy, gives off a good vibe towards the movie and once you know what's been bothering his character, you can't help but laugh at how one-sided and ridiculous his problem is. Pena gives one of his greatest performance on screen. And of course, the belle of the ball, the star of the show, Rachel McAdams gives a quirky, zesty and joyful performance as a lovable Southerner and I can't help but be reminded of another quirky, zesty and joyful character, Amelie. She just keeps the laughs rolling in and steal every scene she's in. She gives the character such depth that one might come off as one dimensional had it been portrayed by a lesser talent. Definitely an underrated performance for 2008.

Highly recommended.

I'd never heard of Neil Burger's "The Lucky Ones" until a friend recommended it to me after catching it on a flight to Australia. Released in theatres stateside last year, it was pulled after making a paltry $267,000 in its opening week. This is a hell of a shame as what we have here is the first great movie about the Iraq war. Three soldiers return to the states on leave and through circumstances end up on a road trip to Vegas. Michael Pena is a cocky Sargeant with a wound in his manhood, struggling to come to terms with how his Fiancé will react to his impotence. Tim Robbins is a veteran trying to find the money to send his kid to college and thus stop him enlisting. But the standout performance, and quite possibly the standout performance of the past year full stop, comes from Rachel McAdams as a naive private returning her dead boyfriends guitar to his family. Her turn here is far superior to anything Oscar nominated this year and probably the best from an American actress since Hilary Swank in Million Dollar Baby. The films strongest point is its lack of a "message". Pro war or Anti war, you'll find your own point of view here and Burger is subtle enough to allow you the privilege. I won't give it away but this has a great ambiguous seventies style ending, just the way I like 'em. It's always a good sign when a movie ends and you wish you could get to see more of the characters, and it's an all too rare occurrence in modern cinema. For this Burger and his cast should be applauded.