Un bébé à tout prix

I thought it was pretty good. The plot centers around a 34-year old woman who is about to hit menopause early. I've always felt that Heather Graham is an undervalued actress who could go far with the right material, eg. "Broken" (2007) but I think that the plot would have been more credible with a slightly older looking actress, Graham still looks like 25. Perhaps the scenes with Zack's adventures in Ireland and his ditzy production assistant wasn't really essential to the plot. I never really understood why Georgina fancies Zack at all when the chemistry and emotional depth between Georgina and her friend Clem appears to be much deeper. The incident with the sperm sample and the birthday cake felt very contrived.

I noticed the frequent use of "Darling" and "Sweetie" which at times made the movie sound like a P.G. Wodehouse novel or an episode of "Absolutely Fabulous". Kudos to first time screen writer Camilla Leslie for making a new twist on the romantic comedy formula.

It's a dud. It shouldn't have been, because the basic elements were in place for a decent romcom.

I watched this because I know Heather Graham and Tom Ellis can act, sometimes well and sometimes brilliantly. And although the premise, needing to have a child either now or never, isn't original, it's serviceable in the right hands, as "Not Suitable For Work" showed with Ryan Kwanten as the lead. All the technical elements are fine.

But the screenplay is horrible. Events aren't just predictable, every single step of the way is consistently telegraphed, so loudly you can't possibly miss it. And the plot depends on two stratagems that just drive me up the wall. One is a failure to communicate, facilitated by awkwardly contrived situations. And not just once, but repeatedly, and not just between the two main characters. Just get the darn words out! And Georgina, Graham's character, continually displays incompetence at a level that seems almost terminal. Georgina shouldn't be trusted to cross a street safely, let alone run a construction company. Unbelievable.

The writers failed. And somewhere up the chain of responsibility, so did others -- directors, producers, editors. Pass on this one.

Apparently, Georgina Salt's biological clock has been ticking a great deal faster than she ever could have imagined. For upon visiting a fertility clinic, the attractive young woman (Heather Graham) learns that she has only two weeks to go before her ovaries dry up, rendering her forever unable to have a baby. The problem is that her longtime boyfriend (Tom Ellis) has no desire to be a daddy, so Georgina is forced to look elsewhere for sperm-donor options. Her search leads her to employ all sorts of desperate measures, including advertising for a "lodger," picking off mourners at a funeral, hooking up with a muscle-bound exotic dancer, succumbing to the advances of a horny employee, pressuring her gay best friend to perform the service and, when all else fails, even turning to a semen-filled turkey baster to get the job done.

Directed by Eric Styles, "Miss Conception" is a modestly amusing little British comedy filled with pleasant moments and droll performances, though, frankly, nothing in it is quite as teasy or clever as its punny title. On a sociopolitical level, the movie squares things with the feminists in the audience by counterbalancing Georgina's obsession with having a baby with the fact that she runs her own construction company. The one-note premise does lead to some contrivance and repetitiousness in the plotting, but the performances and consistently upbeat tone offset some of the movie's weaknesses.

Recently I have seen a slew of low budget independent films with Heather Graham staring. I'm not sure if she can just not find work in the Hollywood main stream or if maybe she is trying to hone her craft in the independent scene. Well, I'm going to have to go with Hollywood rejecting her, because her choices in films have not been great. In my opinion she is a beautiful woman who has done some pretty good work before but to me it's beginning to feel like just another Heather Graham movie, like this film here. OK, to be fair she does have an accent (no matter how bad it is) in this film so that is something to separate it. My point being she always delivers the same performance, exactly what the her character is and adding nothing new or unique, just a simple cookie cutter character for each film. Here is no exception, the premise could have been unique but is not, it could have brought about some very genuinely funny moments but does not in fact like Heather Graham this film does nothing more then it's simple story requires. In fact what is scary is that in most romantic comedies I feel it's the pointless supporting cast the can kill a film a take screen times away from your leads. Well in this case believe it or not the supporting cast is actually better an d more of them would have made for a better film instead we have same old Heather Graham and her on again off again boyfriend who is a jerk every time they are on screen together but then some how is the nice relatable guy when they are separate hmmm. Well, I have already drug this review on more then the film deserves, it's a waste of a good idea and just all to typical.

This was a poor movie. Heather Graham did a very poor role. During the movie, i didn't even once feel her character. She acted like a psycho from the start to the very end. The soundtrack of the movie was plain and boring. The other actors were quite good and convincing. Mia Kirshner did a very good job as a supporting actress. Tom Ellis appeared seldom during the movie and his character was not properly developed. I also had the feel that there were some scenes cut from the movie. I believe that Heather Graham ruined the movie with her role. The movie is a comedy, but the only time when I laugh was when they did a scene with a cake(inspired from American Pie). Yes, I paid more on the popcorn than I did on the ticket. Comparing the value of the popcorn with the value of the movie, all I can say is that the popcorn worth every penny.