A space traveler from the Earth of the 22th century - without wars, poverty and oppression - crashes on an unknown planet. Politically and economically that planet similar to the totalitaria... Read allA space traveler from the Earth of the 22th century - without wars, poverty and oppression - crashes on an unknown planet. Politically and economically that planet similar to the totalitarian human states of the 20th century.A space traveler from the Earth of the 22th century - without wars, poverty and oppression - crashes on an unknown planet. Politically and economically that planet similar to the totalitarian human states of the 20th century.
- Awards
- 5 wins & 8 nominations total
- Rada
- (as Yuliya Snigir)
- Prokuror
- (as Fyodor Bondarchuk)
Featured reviews
A little about the plot: young explorer Maksim Kammerer crash lands on Sarakhsh, a world enveloped by nebula gasses where people have never seen the stars. The Unknown Fathers, a group of local oligarchs, brainwash the population to fear and despise surrounding nations. Kammerer, aloof in his assumed superiority, sets out to free the people of Sarahksh of oppression and paranoia.
I wont ramble on - suffice to say that Bondarchuk has done well considering the scale of the novel. Vasiliy Stepanov (as Maksim Kammerer) is sexy, cool and a blond head taller than his alien companions (a fine nod to the novel and a detail I did not expect). He was also most excellent in the action scenes.
Bondarchuk shines in his portrayal of Umnik (The Clever One). I really enjoyed the scenes of him writhing in agony in the bath. A great performance. I am compelled after reading some of the other comments to say that the novel, like this movie, is quite comical...
Direction-wise there are some minor continuity errors and a few places where pace slows, but the film sticks quite closely to the novel and this may not have been avoidable.
Compared with the contemporary adaptation of the Strugatskis Ugly Swans by Konstantin Lopushansky the film is of course rather crude and soulless. But it's good fun done right.
I recommend it to everyone and will be waiting for film two.
The movie's greatest asset is certainly the Strugatzky brothers' nuanced story about a planet corrupt to the bone and the hero's moral imperative to intervene. The story is largely treated with respect, and while I can relate to some of the criticism aimed at the movie - there are some continuity issues, the casting might not suit everyone's taste, as won't the Matrix-style kung fu - this is a well-realised sci-fi flick that's worth watching for the strength of its story alone.
Yes, Tarkovsky would have made this a different movie, and I'm surely going to watch Aleksey German's 'Hard To Be A God', but I for one didn't mind this movie's bubblegum aesthetics while pondering existential moral dilemmas.
As to fighting scenes, I estimate them as dead. There was almost NO real action. The usage of Bullet Time technology of matrix all fight long turned the action into slow and boring trash. The martial arts instructors should really be ashamed of this.
There is a Russian proverb: "The first pancake is laid shapeless". It is just about the film. The spectator expected to see a miracle, because a $40million worth Russian film is considered like a $400million Hollywood movie. This expectations of a common viewer were ruined. I do hope that next attempts of Russian directors and producers to catch up with Hollywood will be more successful.
Let's start with what's good. First, it had an impressive budget with massive sets and computer graphics which were pretty good. The story is really interesting based on Strugatsky's sci-fi novel. That's where the good ends in my view. I quite liked the sound in the film - rich full-blown sound effects. And I didn'tthink much of the music either way - it was good enough.
Now to the bad. The script of the film I thought was terrible and jerky, with some silly dialogues and so was most of the lead actors' play - as if this was a farce - totally unrealistic and unbelievable and at times plainly bad. The camera-work was average at best and so was the editing. Then there's this kung-fu which is very fairy-tailish, with crazy jumps and blows completely copying Matrix style.
I couldn't help thinking the director wasn't very original in creating the image but made it a weird mix of visual ideas taken from other films: cars looking like they are from Total Recall and Mad Max, lead actor looking like the tanned curly blond boy from The Blue Lagoon from the 80's, let alone his bad play. One of the characters - Fank, an aide to the prosecutor (by the way. played by the director in a very unfitting for him role) - is a near- copy of Gary Oldman's character Zorg in the Fifth Element driving something of a bat- mobile. Even though the movie is filled with modern GGI, it is a weird mix of things borrowed from western movies with very Russian style of actors' play, with lots of crazy overacting, yelling (there's lots of that here) and a typical Russian cinematography of the late 80s - early 90's.
Yet, the film is quite watchable and holds together the interest till the end, albeit mainly for the big money poured into it. It's certainly worth watching for the really great sci-fi story, especially if you're a sci-fi fan and like adventure and post-apocalyptic movies. All in all, It's like a great play badly acted and badly directed on a richly decorated theatre stage. Recommended.
Did you know
- TriviaThe symbols of the Country of Unknown Fathers are very similar to those of the Hungarian national socialist Arrow Cross Party, which is probably due to the fact that the names used on the planet of Saraksh both in the film and in the original novel are based on Hungarian-language names.
- GoofsRed armored car, which Maxim steals near the final, was designed without a door. So the crew had to cut the hatch in the tank's plating. When Guy Gaal knocks the car, it can be seen that the hatch cover is actually made of wood.
- Quotes
[first lines]
Narrator: The year 2157, the Noon of Mankind. Armed with the Great Theory of Upbringing, people have forgotten about wars, hunger and terrorism. Nature lives again. A breakthrough in medicine has set people free from illnesses, allowing them to use hidden resources of the human body. Earthlings are reclaiming distant planets. New generations have risen, for whom search in deep space is a routine matter. Young earthlings are brave, strong and naive. They think they are capable of everything.
- ConnectionsFeatured in Arkadiy Strugatskiy v Kanske (2016)
- How long is Dark Planet?Powered by Alexa
Details
Box office
- Budget
- $29,500,000 (estimated)
- Gross worldwide
- $23,772,559
- Runtime1 hour 55 minutes
- Color