User reviews

Which is actually one of those "Leper with the most fingers" distinctions.

The plot is kind of straightforward. We discover that an ancient evil was entrapped in an artifact. That artifact was moved to the United States by Cecil B. Demille, who used it in his first version of the Ten Commandments, then inexplicably buried the sets in the middle of the desert.

Flash to the present day, where a married couple of archaeologists played by Firefly veterans Adam Baldwin and Morena Baccarin, uncover the city, with the help of an Iraq War vet and his grandfather. What follows are the typical made for TV kills of ancillary characters, a dune buggy chase and some bad CGI.

Still, I'm recommending this film on the basis of the characterizations by Baldwin and Baccarin.

TV movie about an ancient Egyptian curse brought to the US in the 20's during the filming of DeMille's first version of the 10 Commandments and which is reawakened when DeMille's sets are unearthed in the desert.

One of the worst films I've seen in a long time.

The question is were the filmmakers serious or kidding when they made this film? If this is serious its a laughably bad movie and a great film to pick on for its badness. If its a comedy its less good but funny for all of the wrong reasons.You will laugh long and hard AT this film, probably more than many other Hollywood "comedies".

Ancient Egyptian mythology, archaeologists, Iraq War Veterans, various weapons, and dune buggies. Sounds like a recipe for a cool Indiana Jones movie, right? Negative. 15 minutes in, I was wondering how I was going to make it through the rest of this movie. First off, the monster was ridiculous, but not even in a campy, funny way. The script was unnatural, cliché, and generally awful. The story/plot, or what tried to pass for one, was terrible, with no real set up for the puzzle that ultimately needed to be solved to beat the monster. While this movie tried to be exciting by employing military weapons and characters, the stunts and fight scenes involving them were simple and fake-looking. Further, the movie tried to seem knowledgeable about the military by having Webster indignantly explain to Baccarin the difference between a "jarhead" and a "soldier," but in the same breath, the former logistics soldier referred to himself as a "grunt," which is not an Army-specific term, but instead refers to infantrymen, which he was not. The only bright spots in this film were the dune buggy stunts, the Ancient Egypt scene in the beginning, a small cameo by Richard Kind, and a funny- while-convincing performance by Charles Lister as weirdo Vet-turned-gun- runner Buford. You could watch this for free at IMDb through Hulu, but I think it's better suited for tying down your worst enemy Clockwork- Orange-style and making him/her watch it.

Sands of Oblivion is not a bad movie, it's just that it is not a particularly good one either. It did have potential to be though, with one of the best ideas SyFy ever had. The acting while not great is pretty decent, the dune buggy chase is exciting, the film is photographed quite nicely in more places than not and there is some striking scenery. However, the special effects are uneven, none of them are as bad as the ones(for example) for Titanic II but while some are serviceable, others are on the cheap side. The script is rather lazy and never consistent in tone, the story lacks thrills, a genuine sense of adventure and suspense for a movie typical of this genre and is never sure of what it wants to be and the characters are underdeveloped and clichéd(not just genre clichés but SyFy clichés too). In conclusion, lacklustre, had a wonderful idea and started off promisingly but fizzled out. 4/10 Bethany Cox

In 1923 Cecil B. DeMille filmed "The Ten Commandments". The filming location was Nipomo Dunes on the California coast, San Luis Obispo County. Near Pismo Beach the home of the Pismo clam.

There he buried the film set after making the picture. Some modern-day archaeologists dig it back up only to find that is not all they dug up.

Rats, no flame throwers but at lease White Phosphorus grenades will work just as well. I got a chance to use a couple of those critters during a military practice.

This film has a Hallmark feel to it and does not take too much time to make CGI look real.

With all the negatives it is still fun to pass the time with if you like all the sci-fi quickie movies where evil pops up mostly in desert scenes.

I'm at this very moment debating whether I should even finish watching this "poppycock" of a movie. They had a pretty interesting idea, with the buried movie set, and that was it. So far this incomprehensible mess has no real story. There is the buried set, some wolf headed monster running amok, an amulet, and a bunch of bad actors attacked by the wolf masked whatever it is. What I would have missed, had I had the good sense to eject this nonsense is a dune buggy chase, some really bad C.G.I., some incredibly stupid dialog, more bad C.G.I., and the hero fighting paper cut outs. Other than the original idea, this film has absolutely zero redeeming qualities. My mistake for continuing to watch. - MERK

I'm rating this movie based on the average tripe that shows up on Scifi, often unfit for the name of the channel. Having said that, this is still an enjoyable escape for an afternoon or evening.

The plot is quite original, and it's a shame it wasn't used in a major feature production. Still, the plot was fast-moving and not too hole-y. And while it was a budget production, the effects were very serviceable and did not detract from the film. The second-to-final fight scene, in particular, sums that up. It has to be seen to be believed.

Having two leads from the Firefly cast didn't hurt, either. So it was a real surprise to find it getting 3.7 on IMDb. I think a bit of it has to do with a question posted on the message board here: what's an Egyptian God, "a false god", doing with the Ten Commandments?

If you're not a fundamentalist like that, I think you can enjoy this film.

Over the years I've seen some pretty decent story ideas that the SciFi Channel has used as a basis for original films. They've usually gone to the bad because the money and/or skill needed to make them A quality entertainment just wasn't there.

THE SANDS OF OBLIVION gives them the chance to mess up not a good idea but a potentially awesome one that could have been as exciting as THE MUMMY or RAIDERS OF THE LOST ARK. Unfortunately, the great idea just fizzles out.

The basis of the story is that when Cecil B. DeMille made the original, silent THE TEN COMMANDMENTS the studio bulldozed the elaborate sets in the California desert instead of recycling the lumber and other building materials. It seems that there had been genuine Egyptian artifacts used in the set and something Very Bad had been unleashed.

In the present day people are digging up the old desert location, and Something Bad is once again free to roam the Earth.

The cast is adequate to the job, and the special effects are really pretty decent. But the script and direction are uneven, and the film never finds a consistent tone. It veers into comedy and seems to disregard the numerous people killed by the newly unleashed monster. Near the end there's a dune buggy race that's professionally filmed but seems to have been cut in from another movie.

The original TEN COMMANDMENTS had a segment set in contemporary times (the 1920's) concerning the building of a cathedral with substandard material and the tragedy of putting cost and convenience in too high a position. A similar theme could have been developed with the lumber, which would be very well preserved in a desert climate.

THE SANDS OF OBLIVION is certainly worth watching, but the main thing I kept thinking was what might have been.

Worse than the rating it has been given. This is a typical SciFi movie nowadays: bad to awful acting, a script that is poorly written, and shoddy direction. From the opening scene where DeMille is burying his set to the end, this movie is terrible. In the beginning scenes this movie has Moses (which was Charlton Heston in the DeMille film), Pharoah (Yul Brynner) and Nefretiri (Anne Baxtor) overlooking a boy burying a box in the sand. The characters that were to represent the three aforementioned icons were awful and had to resemblance to the people they were to "supposedly" be. The fact that this is in the desert away from civilization is hilarious when someone is hurt and they are all yelling for an ambulance. The screenwriter obviously is oblivious to the fact that there are no ambulances in the middle of the desert. I was sorely disappointed that Morena Baccarin decided to do a film of such low quality.

When a crew accidentally unearths a long-lost film set from an Ancient Egyptian epic, they unleash a long-contained creature into the nearby desert and race to stop it before it completes it's mission of vengeance for being awakened.

This one manages to have some rather nice moments from it. A lot of what makes the film work is that there's some nice action scenes along the way here, which manage to give the film a really fantastic pace throughout here. The opening flashback showing the ancient Egyptians conjuring up the demon on the battlefield and battling the army of soldiers before finally burying it away in the sand-storm for the actual entertainment rite, the first encounter in the pit under the sand-dunes where it reawakens and attacks in fine form and the entry way into the crypt is highly enjoyable with the suspenseful crawl through the opening into the lavish main chamber before the the attack where it lurches out of the shadows to ambush them before being driven off in a flurry of action that's really enjoyable. Even later attacks, from the guard attacks on the transport route to the great beach scenes and even the longer, involved attacks as the encounter with the seductive demon-figure and the locust attack at the mote give this one some exciting and really thrilling action along with managing to give this a perfect base for the rousing, energetic finale. From the frantic dune-buggy chase through the woods out into the desert sand, a series of great brawls at the excavation site and finally the big battle at the end with the big creature and the reanimated sculptures on the wall all coming together with a couple rather suspenseful stalking scenes and even some gory deaths thrown in. As well, it's pretty nice to know it's possible to do a horror film on Egyptian culture without going for the mummy route, as there's a lot of fun here with the creature's appearance and supernatural powers that has some really fun times here. These here give this plenty to like against the few minor flaws to this one. Although there's a lot of fun to be had from this, it's Adventure-movie feel does leave the pace and tone a little disjointed here which makes this too upbeat here without really offering too many scary moments as it whisks itself off into another big action scene, which causes the pace to be a little thrown at times. That also causes this one to really gloss over the unleashed plagues part of the curse, which really should've been much more prominent here instead of how this one handles that kind of scene. The only other flaw here is the lack of clear-cut explanations for everything that are stated as fact, which is a big annoyance. Overall, though, it's not half bad.

Rated R: Graphic Violence and Language.

I found "Sands of Oblivion" to be passable entertainment, which I kept watching for the joy of seeing Jayne and Inara together again. The evil entity was pretty lame....what was its goals? Take over the world, or just kill people because he/it was angry about something? The efforts of the hero and heroine were all aimed at saving themselves, which didn't seem to be worth documenting.

I liked the hero, Jayne and Inara did well, the special effects were OK, there was good comic relief with the Buford character, and a really good shock early on in the show. I didn't miss the two hours I spent on this show. For those reasons, I give it a six out of ten.

It's an endearing film, nostalgia is good, as long as Richar Kind is acting.

I congratulate the direction and the Script team with such an excellent job.

And that's where the excellent actress, Angel Princess, began to climb the acting ladder.

I've been half-asssedly reviewing all the SyFy movies I've been watching, and every once in a while I find real gold- Sands of Oblivion had a great, cheesy story, some goofy characters (although not quite on scale with "Sand Sharks" band of loons), the occasional bit of inspired dialogue amidst plenty of throw-away material. But MORE importantly, the "action" was hilarious, and had some very surreal gore that unless you're giving the movie proper attention to, you're liable to miss. Yea, it's a stupid movie. One that you'll never see outside of the SyFy channel, and maybe never again afterwards. But for those "Wtf just happened" moments, some goofy violence, increasingly poor decisions and that B movie vibe, SandsofOblivion will kill 2 hours, AND give you some attractive people to root for.