Gitmek: Benim Marlon ve Brandom

"Gitmek": first-feature film of Huseyin Karabey. He is one of the powerful story-tellers of new Turkish cinema. Huseyin tells us a story about Turkish actress Ayca and Iraqi local artist Hama Ali who met each other first in a movie-set. Hama Ali sends her video-taped love letters to Istanbul. They are torn apart by the war in Iraq. The affection grows and Ayca decides to GO to Iraq. She decides to do something about her personal suffering and the suffering in Iraq. She decides to break the chains of indifference. There is war in Iraq, the second Gulf War. When she leaves Istanbul, she immediately faces completely different and painful realities. Going to Iraq is not that easy! Going to Iraq for love and with love is not that easy! You can go to Iraq to bomb but you cannot go to Iraq for love! Paradoxical or tragi-comic? Huseyin tells a delicate story and invites us to think about the reasons that make us move. If 'Gitmek' is telling something, it is this: not only going to Iraq, but to find in yourself the reasons to go there is the most difficult and important thing! If you are moved by this movie, think about this point! So I highly recommend the film.

It is said that technology has helped to transform our big world into a small village where distances do not have a major role to play.However, one must ensure that a judicious use of technology is made in order to benefit from its positive usage."My Marlon and Brando" is one such authentic road movie which makes an honest use of technology as it has been shot in the format of a video love letter.It is not an ordinary love story as it takes place in the times of war.This has been shown by depicting ordinary people in Turkey who protest against American invasion of Iraq.It is due to such a war that ordinary people are forced to face problems whenever they move from one country to another. The most important lesson that can be retained from this film concerns the status of women in Turkish and Iranian societies.Iranian customs are different from Turkish ones.It is for this reason that this film's leading lady Ayca is always reminded to cover her head. Turkish actress Ayca Damgaci is remarkable to watch as a theater actress whose failures make us all believe that acting profession is really a sad business. Film critic Lalit Rao saw this film with "Uberto Pasolini",Producer : The Full Monty,Director:Machan at 13th International Film Festival of Kerala 2008 at Trivandrum where this Turkish film directed by Huseyin Karabey won best début film prize.

Turkish documentary filmmaker Huseyin Karabey teams up with actress and screenwriter Ayca Damgaci to tell this deeply personal love story set against the backdrop of the 2003 U.S. invasion of Iraq that was based on true events and won them both critical acclaim and a slew of international film festival awards.

Ayca Damgaci puts in an incredibly powerful central performance as she carries the film virtually by herself with fine but fleeting support from Cengiz Bozkurt, Nesrin Cavadzade and Ani Ipekkaya as well as hilarious and emotional excerpts from the video love letters of as her leading man Hama Ali Kahn.

The filmmakers retrace the leading lady's curious journey from west to east in search of love putting the director's documentary film-making skills to good use capturing the flavour of the places the pass through and people to meet in a cinéma vérité that accentuates the human tragedy.

Only winds from the East.

i saw this film on Sarajevo film festival in 2008 and we had an opportunity to meet the actors and the director. i was very excited about seeing it, since i love turkey very much and i read a lot about the film and it was highly recommended to me. frankly, i was a little disappointed. the film is interesting and wholesome, but for me, it was full of prejudice and subjective comment on the region and nations living there. i suppose it's their film and their lives are in it, so they can make it however they want, but it is unfair to impose your own opinions about other nations and cultures without any chance for true objective insight. overall, i'm happy i saw it and it was very interesting. it is really a nice love story and i was somewhat impressed by the actress. the actor i didn't like so much. :) also, i hate the English translation of the title and in general translation in the movie is somewhat bad in my opinion.

I watched this one on the Sofia Film Festival where it was given the Best Balkan Movie Award. Although generally I'm not impressed with stuff like prizes I think it really deserves it, for it is a true Balkan movie - humane, intense, kaleidoscopic, emotional. Emotional in way that brings you very close to the characters; kaleidoscopic as it shows diverse nationalities, customs and landscapes; intense in building empathy for Ayça, the girl in quest for getting together with her loved one; humane in portraying all ordinary people she meets like the Kurdish refugees living illegally in Istanbul and her old Christian grannie neighbours.

Director's feel for detail and real life is extraordinary.