A documentary about the development around Barton Springs in Austin, Texas, and the environment's unexpected response to human interference.A documentary about the development around Barton Springs in Austin, Texas, and the environment's unexpected response to human interference.A documentary about the development around Barton Springs in Austin, Texas, and the environment's unexpected response to human interference.
- Awards
- 1 win & 2 nominations total
Ronald Reagan
- Self
- (archive footage)
Jim Bob Moffett
- Self
- (archive footage)
Frank Cooksey
- Self
- (archive footage)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Riveting narrative of a classic confrontation between land developers and the environmental community in Austin, Texas. At issue is the economic development of land in close proximity to Barton Springs, a naturally spring-fed body of water that has been a treasure in the Austin community for generations dating back to the 18th century. Land developer, Gary Bradley, argues for his right to pursue the American dream at the expense of degrading Barton Springs which has inestimable value to the community. Individual property rights are in conflict with community rights to an invaluable natural asset. Dunn presents a balanced view on both sides of this debate with uncommon sensitivity to the people, the community and the natural environment. The pageantry of this narrative is displayed with breathtaking cinematography and motion graphics that highlight Dunn's unique contribution to the world of documentary film.
4imxo
Whether you support unfettered property rights on the one hand or a government's exercise of power to defend the common good on the other hand, this film will let you down. On the left, it's often unenlightening clap trap, especially when you notice the horribly sentimental background music. On the right, it points out the selfishness of those claiming to be the real Americans when they are mostly just "real loud" Americans. Someone should tell those folks that common sense says you don't shite where you eat, but as long as they're taking cash to the bank they'll apparently just do their business wherever they please. These people probably know that everything has consequences, but they plan for the other guy to bear those consequences, a guaranteed formula for social meltdown.
The only admirable figures in the film were a wizened old farmer and a young boy in a new suburb. Those two seemed to possess a clarity of thought singularly missing from the property developers on one side and the ecological "Nimbys" on the other. It was nice, though, to see the late Texas governor Ann Richards again, certainly a far more lucid politician than the person who replaced her.
I think neither side was well depicted in this film of the ongoing battle between personal vs. social, private vs. public. Ultimately, The Unforeseen is, unfortunately, a lightweight film on a very serious subject.
The only admirable figures in the film were a wizened old farmer and a young boy in a new suburb. Those two seemed to possess a clarity of thought singularly missing from the property developers on one side and the ecological "Nimbys" on the other. It was nice, though, to see the late Texas governor Ann Richards again, certainly a far more lucid politician than the person who replaced her.
I think neither side was well depicted in this film of the ongoing battle between personal vs. social, private vs. public. Ultimately, The Unforeseen is, unfortunately, a lightweight film on a very serious subject.
I saw this film previewed on PBS' NOW. It is just wonderful that someone has done a film about this issue. I love that the director took the time to learn about alternative views. This type of film making has the possibility of bringing people together to work on consensus.
In an interview with the Austinist, Laura Dunn states:
Unfortunately, the "American Dream" has become owning a house with a yard and a fence around it. And these days, unfortunately, that house has to be 2300 square feet, and you have to have a green lawn, and there are all these connotations and associations that are built into the American Dream that--given where we are in terms of our environment...are totally at odds with a sustainable future.
We desperately need to have this film screened in Sacramento, California. The pressures we face from development are enormous. Does anyone know who I can contact about this?
In an interview with the Austinist, Laura Dunn states:
Unfortunately, the "American Dream" has become owning a house with a yard and a fence around it. And these days, unfortunately, that house has to be 2300 square feet, and you have to have a green lawn, and there are all these connotations and associations that are built into the American Dream that--given where we are in terms of our environment...are totally at odds with a sustainable future.
We desperately need to have this film screened in Sacramento, California. The pressures we face from development are enormous. Does anyone know who I can contact about this?
What's the movie trying to say, what's the issue it trying g to raise? If you know nothing about the subject/place and just watch this movie, you will never know. Just like another engineer finish another Operational Manual - only good for people only know how to operate the machine.
The movie should be clear and self-sufficient for people know nothing about the current issue(s) so people know what it is trying to say.
This movie is only good for people already know about the issue and want to get more information.
Karl
The movie should be clear and self-sufficient for people know nothing about the current issue(s) so people know what it is trying to say.
This movie is only good for people already know about the issue and want to get more information.
Karl
10kbaxters
I just saw "The Unforeseen" yesterday in Los Angeles at the AFI film festival. It is worth seeing, not preachy but really makes you understand how developers have such different interests(money)than you and I do. What happened in Austin has happened everywhere and I think the best message from the film is that we cannot go back and change the damage done but it is clearly time to take a mature look going forward in the future at each of our responsibility and stewardship for the land and nature, we must find a balance. Laura Dunn made a beautiful film that is poetic and mesmerizing and at the heart very sad, you feel a great loss watching this very personal film.
Did you know
- TriviaTerrence Malick, a long time resident of Austin, originally conceived the idea for the film.
- GoofsA latter animation showing water lines becoming blood vessels has a noticeable shift. It appears a duplicate frame has been accidentally inserted.
- Quotes
Gary Bradley: Nature in your life, very quickly becomes God. A God who gives great abundance at times... and takes everything away at times.
[on growing up on a farm]
- Crazy creditsThe film's credits play alongside a series of photographs. Contribution photographers are listed at the end of the sequence. Photos were from various Flickr accounts and many names are actually Flickr members' nicknames.
- ConnectionsFeatures Frontline: The Great American Bailout (1991)
- SoundtracksSpiegel Im Spiegel
Written by Arvo Pärt
Performed by Vadim Gluzman abd Angela Yoffe
Courtesy of BIS Records
- How long is The Unforeseen?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Το απρόβλεπτο
- Filming locations
- Barton Springs, Austin, Texas, USA(Swimming Pool)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $90,287
- Opening weekend US & Canada
- $2,496
- Mar 2, 2008
- Gross worldwide
- $90,287
- Runtime1 hour 28 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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