Tarzan

The core Tarzan story is not only iconic, it speaks to something deep within us. It is at the same time the ultimate Romance and the ultimate Action tale. It is no coincidence that, almost a century ago, when young Hollywood looked to find a franchise for its new "talkie" motion pictures, they turned to the Tarzan tale, and spawned a franchise so successful that it literally outlived the shelf life of its star.

In my lifetime I have seen well over a dozen versions, retellings and re-imaginings of the Tarzan story. I have no doubt that after I am gone, producers and writers will continue to be attracted to it and continue to "make their bones" by bending it to their unique style.

That said, this one is not especially good. After a great opening scene, there is the filmic equivalent of "dead air" for about 35 minutes and when the script does finally get in gear it stumbles and falls, subject to a wildly disjointed narrative and equally bizarre editing.

Alexander Skarsgård has been impressive in other films (a race driver, a superhero) and I think with different material and a different director he could have connected. Christoph Waltz and Sam Jackson remain two of the most over-exposed stars in Hollywood and, good as they are, they are running out of clever ways to play the same character over and over. And over. And over.

Was not expecting it to be so good.

I did go into it thinking I did not want to see a movie about a white dude becoming King of an African Jungle, and I think the filmmakers themselves tried to be favorable of that opinion.

If you have any familiarity with Tarzan, especially movies that came before, this film acts as a continuation of that. It tells the origin of Tarzan, a boy lost in the jungle and raised by apes to become a ghost like figure, but this film more focus on the life after Tarzan left the jungle and joined civilization were his legend became the stories that Edgar Rice Burroughs wrote about.

Samuel L Jackson plays a doctor who needs Tarzan's help when Tarzan gets an invitation to come back to the Congo, the doctor needs to come with him to find out if slavery is being practice there, but it turns out the invitation was a trap laid out by the the villain, Rom, played by the brilliant Christoph Waltz in his element, to deliver Tarzan to an old enemy, also played brilliantly Djimon Hounsou.

Jackson's role in this keeps it from being some white dude who saves Africa from other white dudes. This is one of his better supporting roles as he was funny and dramatic when needed. The chemistry between Jackson and Alexander Skarsgård works like a charm.

I love Djimon Hounson character as an African Chief seeking vengeance with Tarzan's death. It was very Black Panther like (or more like Black Cheetah, as the costume design shows).

I like Margot Robbie as Jane as well. At first it seem they tried too hard to to make Jane not just the chick Tarzan saved, but as the movie went on and her character developed , she went on a small adventure herself that was as exciting as Tarzan.

It's an action packed adventure through the Congo. The visual effects worked to make the terrain beautiful and dangerous and epic.

It's also fun an exciting, it will have you laughing throughout all the action.

It still floors me how fantastic this thing turned out. Worth seeing

This film tells the story of an English aristocratic son who is raised by animals in the forests of Congo. He grows up and goes back to England, only to go back to Africa to help the people who are getting enslaved by the Belgian king.

"The Legend of Tarzan" is so much better than the trailer. It has very little scenes of Tarzan growing up in the wild, and concentrates on his civilised adult life. He maintains a deep connection with the nature and the animals, which is a beautiful message that can be translated to everyone being friendlier to the environment. The story is engaging and at the end beautifully poignant. The two leads Alexander Skarsgard and Margot Robbie are both very visually pleasing, which adds to the charm of the film. I enjoyed it.

I am really surprised at the mediocre reviews so far of this film. Honestly when I first heard about the film I had little interest in seeing it, but the trailer was better than I expected, and when has Christoph Waltz been anything short of terrific in every role he has played, but particularly when he is a bad guy. (Come to think of it has he ever been a good guy?) The whole cast is solid, and I really liked the historical setting concerning the Belgian King Leopold and his exploitation of the Congo.

I found all the animals and the CGI to be surprisingly cheesy. Undoubtedly the weakest link in the film, but that factor did not subtract much from a constantly entertaining and solid story. Besides the cheesy CGI the rest of the film looked terrific. I would recommend to see it on the big screen. It will probably lose a lot on smaller screens. Good summer popcorn film.

"The Legend of Tarzan" (2016) stars Alexander Skarsgårda as John Clayton (Tarzan), Margot Robbie as Jane and Samuel L. Jackson as Tarzan's American friend. The events take place a decade after Tarzan & Jane leave Africa for England with brief flashbacks to the ape man's origins. Christoph Waltz co-stars as the villain, Rom, who enslaves blacks in the Congo to mine the diamonds of Opar. Tarzan, Jane and Willliams (Jackson) aim to set things aright.

"Greystoke: The Legend of Tarzan, Lord of the Apes" (1984) was the best modern Tarzan movie, and one of my favorites despite a somewhat lethargic second half (and an irritating overuse of the "Ooo, ooo, ooo"ape vocalization, which this movie thankfully only does once). Unfortunately, they dropped the ball with the sequel, 1998's "Tarzan and the Lost City" with Casper Van Dien in the title role, as it was half-baked, a quickly-thrown-together "sequel" to presumably steal some of the thunder of Disney's animated version that was coming out the next year.

This one comes across as the true sequel to "Greystoke," albeit with an altogether different cast and understandably so, seeing as how it's 32 years later. The portrayal of the lost city of Opar is different from the books. There's no ravishing High Priestess La (a blonde white female) or ape-like denizens. The Oparians in the movie are just an intimidating black tribe covered with white body paint, but this is no big letdown because changes are to be expected when transferring to a different medium and, besides, Opar doesn't play that big of a role, at least not the city itself.

In any case, I found this to be a solid Tarzan flick with a serious adult tone mixing drama, jungle adventure and unbelievable action. I was thankful for the thoughtful lulls in the story, which shed insights on the characters or conveyed the wonders of nature, like when Tarzan communes with an elephant at night or when Williams honestly confesses about his past mistakes as a youth where he feels he's not so different from the odious Rom. Moreover, Margot expertly brings Jane to life and is easily one of the better Janes in the movies. The CGI animals are great, especially the powerhouse apes.

The film runs 1 hour, 50 minutes, and was shot, believe it or not, in England with aerial shots done in Gabon (West of the Congo).

GRADE: B.