Enchère et en os

This movie totally surprised me; I was expecting your run-of-the-mill zombie apocalypse, with the usual who's-gonna-get-killed-first gamble, but I was wrong: It is about the lives and times of two grave robbers in the mid 1800s England. It is horror in a blasé way, and a comedy by circumstance more than by design.

It is by no way a summer blockbuster; There are no spectacular explosion and CGI, nor there is any romancing "for the female crowd"; It is an old-fashion, hand-made movie with lots of love.

This love is apparent in the actors' play, which is a testimony to their great direction: The two main characters have a synergy that works very well (they look as if they played together for ages) and every other actor in the movie are characterized and unique, even the background and silent ones. The music score, robust and in the right tone, adds to the grim ambiance.

It may not have a spectacular development or a intricate storyline, but it is easy listening due to the anecdotal way it is told and the smooth camera work. I still have pleasure re-watching it, even more-so with a couple of brews under the belt.

7 out of 10: Not a true classic in the cinematographic sense, but certainly worth a try.

The story has been told in other movies too. But the way it is handled here (with the humor) seems far superior to other movies (even a recent one, made by Landis). The story is more or less told in a reverse way, which makes you wonder a few things (or maybe you will guess where it is heading quite early on).

The acting is really great and even the small role by Mr. Pearlman is just great. You couldn't imagine anyone else playing that role. He really is on par with Dominic M., who just is great in this one. There is life after "LotR" and "Lost" after all. And he is one of the guys who can say he made the most of it (not to mention his engagement with the wonderful Evangeline Lilly)!

I saw this movie as part of the Midnite Madness at Sitges. Set in 18th century England, the plot covers the life of Arthur Blake from his first outing as an apprentice grave robber to his final confession on the eve of his execution.

The plot moves along via a series of misadventures involving Arthur and his partner encountering various unsavory characters and bizarre situations.

The first thing that strikes you about this movie is how accurately they managed to capture the look of the Hammer period horrors, the atmosphere is set with lots of fog laden graveyards, rowdy tavern scenes and excellent set/costume design.

For a movie titled I Sell the Dead, I was expecting the emphasis to be mostly on horror – don't get me wrong there are some jumpy moments and gore, but the tone is very much comedic, driven by the situations the characters get themselves into and their dialog. The closest comparison to the scenes between the two leads (Larry Fessenden and Dominic Monaghan) is the character interaction seen in the classic English comedies Only Fools and Horses, the Two Ronnies and Morecambe and Wise.

The acting is strong and the casting of very familiar faces in Ron Perlman and Angus Scrimm lift the movie above many of the others on view in Sitges.

Overall the movie offers something very different to the current crop of mainstream horror and will leave a smile on your face.

I went to see Glenn McQuaid's "I Sell The Dead" in it's North American premiere at the Toronto After Dark Film Festival. Seeing as this is the second showing worldwide I didn't quite know what to expect of this film, especially having not seen the short film that inspired this big screen adaptation.

I'll start off with a slightly more elaborate plot synopsis, without giving away any spoilers.

This movie is about Arthur Blake, how he became a grave robber and the interesting and supernatural discoveries that both he and his mentor discovered.

The costume and set design in this film were excellent. I was amazed to hear that the entire film was shot in and around New York. The costumes were very accurate to the time, really bringing you as a viewer into the mindset of the time. This movie works just as well as a period-piece as it does a horror-comedy.

The interaction between the two leads was very fluid. They played off each others acting with ease. The dialogue between the two was very well written, with Glenn adding his comedic touch even in tense situations.

The story is very encompassing and the ball gets rolling from the very start. I'd compare it to a visual page turner, always wondering just what will happen next. The characters themselves are all very vivid and unique adding different emotional layers to the film itself.

All in all, I recommend this film for anyone in the mood for some dark humour, with a bit of horror mixed in.

9/10

Great cast, great idea and stylish.... but it was missing something. It was neat to look at, but I never really connected to it.

There were a whole lot of good ideas, but not enough was done with them. The movie would have been better if it were longer to expand on the ideas or more focused. Most of Arthur's apprenticeship could have been cut for instance.

The horror wasn't particularly scary and the humor snicker worthy at best. Combined with the slow pacing, it's just too many strikes against the movie. It's a shame, because this movie has the cast and ingredients to be a genuine cult classic.