Halla Bol

A complete waste of time

Halla Bol is a complete waste of time. The script and dialogues are poorly written, the direction is lacklustre and the acting borders on hammy.This movie was clearly aiming for the Rang De Basanti crowd but it falls far short of the mark because it does not have even one of the elements that made RDB connect with its audience_great script, terrific acting, good direction and a powerful social message that was never preached but shown.

Compared to that near-masterpiece, Halla Bol takes a step backwards by resorting to scenes such as the hero taking a leak on the villain's Persian rug and the hero's mentor staring down bullets in a truck no less! All of this might have been acceptable in the 80s when there was a downturn in movie quality and bad movies like DivyaShakti and Phool Aur Kaante became big hits, but movie-making has become_should have become_more subtle and thoughtful of late.

Rajkumar Santoshi is a capable director and I appreciate that he wants to give a social message in every movie he makes but maybe he simply does not know how to do it! He resorts to sermonizing without a care as to the audience's intelligence in understanding what he is trying to say. Maybe he should just concentrate on entertainment and leave the social messages to the Rakeysh Mehras and Aamir Khans.

Even if you don't agree with everything I say, you will agree that throughout the screening you will be thinking that Rang De Basanti was much much better and Mr.Santoshi should have left the industry-bashing to Om Shanti Om. Industry-bashing? That's right!!Santoshi has depicted the industry as a place of back-biting, bitching and the casting couch which the hero happily indulges in with a starlet curiously named Sania. There are some people who will think that these portions show the real face of the industry. Don't believe everything you see!

All in all, raise your voice against movies like this and don't spend your hard-earned money on this bomb.

* out of ****.

The story has been treated very well, the issue has been brought up very nicely and the way a person standing against norm has to suffer has been very well portrayed. At the same time options for a person to fight against such evils are also presented. The story also presents that we Indians are so engrossed in our daily lives and also doesn't want to be a part of any controversy even when it concerns other people life. The characters are realistic ans presented extremely. A lot of study has been done in understanding the whole case and then the characters have been developed bringing the miserable plight of all the people who were involved in the case. The director and all the actors has done a gr8 job and played their parts really well. Congrats to the whole team!!!

This is one of the movies which will remain in my collection for lifetime, and like to watch it again and again. I am a big fan of Rajkumar Santoshi's movies except for Family which deserved nothing mark. Though he is considered as a commercial filmmaker, but the way he makes every movie has deep relations with the real world. Another example in this category is Prakash Jha.

Halla Bol is about Sameer/Ashfaque, a street actor turned superstar after stepping in Mumbai's B-Town. Before he was under guidance of old aged dacoit Siddhu for fighting against social and political corruptions. But after he gained superstar position in the film industry he avoids to step in controversy as it would spoil his stardom and popularity. In that way, he faces the case for Rashmi Sahani murder case, in which he was a perfect witness.

It is clear that Ajay is a favorite choice of Santoshi for casting in this kind of movies which have social messages to the citizens. Ajay and Vidya Balan couple looks great and cool. But the one who makes this movie interestingly worth a watch is Pankaj Kapoor. His convincing and motivating role as a dacoit turned reformer Siddhu is superb and deserved 10 out of 10 because only his presence takes the movie in forward. Santoshi did a brilliant job by casting such a talented actor in his project. But the most irritating role included here is of Darshan Jariwala as minister Ganpatrao. His performances look damn dull and blunt, as well it could have been prepared much more serious or lively.

After all, Halla Bol cannot be as great as Santoshi's previous The Legend of Bhagat Singh or Khakee but still can be accepted as useful to the audiences. This is not for them those who simply watch movies for timepass, leisure or fun...but for them those who want to view the world's real happenings inside a movie. So it's upto audiences to consider it great or junk.

I can rate it 7 out of 10.

Raj Kumar Santoshi as director is at his element while handling a script that demands its pound of action and strong dialogues. With Halla Bol he gets those occasional moments and on their basis the movie is worth a watch.

Movie star Ajay Devgan (Sameer Khan) knows the ropes of how the industry works and does his bit as a member of the film fraternity who bitches behind the back of colleagues, acts in umpteen commercials or turns sycophant, dramatic, romantic as the situation in reel or real life may demand. But when he becomes an eye witness to murder at a party (Jessica Lal episode revisited) his conscience is at a crossword.

With the aid of his theatre guru Pankaj Kapur (Sidhu) he declares Halla Bol on the nexus of politicians and important businessman who believe they can protect their guilty sons since they control the reins of 'Power' 'Paisa' and 'Public' in the country.

The plot dips and loses audience interest at times since its a script that has been done in different variants before but then you can trust the director to deliver a few moments that draw a clap from the audience.

The dialogues between Ajay Devgan and the Politician along with those few minutes when Pankaj Kapur reacts to a bribe are strong points and raise the movie above the ordinary.

Ajay Devgan puts in a spirited performance but the movie belongs to Pankaj Kapur who lights up the screen every time (reminiscent of Sunny Deol doing his bit with Damini).

For his portrayal as Sidhu - a reformed dacoit - and a bit of Ajay Devgan each time he hits out at the political big wig makes Halla Bol a movie to watch and get, shall we say… a bit inspired.

It is encouraging to know that in the current scenario of rip offs, remakes and comedies, a filmmaker is there who has the courage to make films on social issues which need to be addressed. Halla Bol is Rajkumar Santoshi's hard hitting movie inspired from a well known real life incident. It has a slow and unimpressive start but gains after the intermission. In the second half you see the good old Rajkumar Santoshi back in form in some well directed scenes. In short some straight conclusions about the movie are : 1. It is inspired from the famous "Jessica Laal" Murder case which questioned our judicial & political system. 2. It can also be seen as a redefined version of Rajkumar Santoshi's own masterpiece "Damini". As here Ajay Devgan witnesses a murder and then fights for the justice. 3. There are few firsts in the movie. A hero using the main hall of a minister's home as his bathroom and Vidya Balan giving some bold statements as the wife of Ajay Devgan to the press reporters. 4. This time Santoshi's 'Sunny Deol' is the powerful "Pankaj Kapoor" who is equally power packed and punchy as Sunny was in "Damini". He is such a great actor that even when he has not got that physical appearance, still he makes you believe when he fights many men single handedly. He gets a author backed meaty role and does full justice with it. The film belongs to him completely.

Ajay Devgan plays the role of Bollywood Star who was there in a party where a girl was shot dead. As he comes from a good social background he stands alone against all oppositions and becomes a witness. He is quite impressive but also seems similar to his act of "Aprahan" and "Gangajal" . Pankaj Kapoor is there for his support who was once a dacoit and had surrendered after a moral transformation. The movie is enjoyable in parts, specially the confrontation scenes between Ajay Devgan and the politician father of the murderer, with some powerful dialogues inviting cheers from the viewers. But its all the way "Pankaj Kapoor" which you remember coming out of the theater for his gem of a performance. Vidya Balan has nothing to do as Ajay's wife except one good scene with the press. Whereas music is satisfactory & could have been better, the background music on the other hand enhances the impact of the scenes. The movie is tense and lacks lighter moments of good humour. Rajkumar Santoshi only manages to impress in the second half. If only the first half had been more entertaining and engrossing, it could have resulted into a better movie. "Halla Bol" lacks the complete ingredients of a blockbuster, still it's a welcome change to have a movie on social issues after "Rang De Basanti" and the movie should be watched only for one person, that's Pankaj Kapoor.