Le Noël des Looney Tunes

First off, I will advise you not to expect high quality like any Rankin'/Bass special or How The Grinch Stole Christmas! but it is a decent effort. Of course it isn't as irreverent or as ingenious as the Looney Tunes cartoons that we all grew up with, and in some cases still love. And while the voice acting is good, particularly Joe Alasky in numerous roles such as Daffy, I don't think they quite have the energy that the immortal Mel Blanc(a major part of the success of the original cartoons) brought to the proceedings. It is also too short, so one or two of the jokes didn't work as well as it should. But overall, it is decent and well worth the watch. Despite the story being used countless times before(Muppets, Disney, Peter Pan and the Pirates, Scrooge(1951), Scrooged, the recent Christmas Carol with Jim Carrey etc.), and the danger of it being too clichéd, the story about Daffy being a Scrooge-like character and being visited by three spirits, is a nice if condensed twist on the timeless Dickens story. The animation is in general beautiful and traditional, the music is lovely and the writing is sharp. Plus while Bugs was badly underused, it was nice to see our favourite cartoons on screen again. There are some funny moments, Daffy being visited by Granny and Tweety was one of the funnier moments, particularly the image of Daffy getting hit on the head by a candy cane. Another hilarious part was anything to do with Yosemite Sam. And there are some poignant ones too, Porky with Prisilla certainly but I am principally talking about young Daffy in the orphanage and he says "I just want to have a family". All in all, decent effort but if you are looking for anything exactly like the original cartoons, you will be a tad disappointed. 7/10 because it was very enjoyable and was a nice twist on the classic story. Bethany Cox

Daffy Duck is the rich greedy arrogant owner of a big superstore. Bugs Bunny warns him to be nicer in this Christmas time. He is the Scrooge in this version of A Christmas Carol. He is visited by three ghosts and learns his lesson. This is new animation. I don't like the crass consumerism style of the cartoon although I understand the need for it. The animation looks alright. It doesn't have the beautiful old classic look but it's good enough. All in all, it's a fine version of the Christmas Carol. I would put this on a second tier. There are many better versions even if one select only the kiddie versions. At least, this isn't recycle old cartoons.

This was so good. I admit- I was hesitant to watch. Sometimes when a "newer" rendition of the Looney Tunes is presented, it tends to let down. But this was true to the Looney style.

The re-telling of a Christmas Carol with the faithful characters of the Looney Tunes was great! Making Daffy the Scrooge was inspired and the twists that the writers added to give that Dickens flavor was refreshing.

Bottom-line: my young kids loved it, my teenager loved it, I loved it... even my hubby was laughing.

Grab the popcorn, wrangle the family in and get ready to enjoy a holiday moment with Bah Humduck! A Looney Tunes Christmas.

I rented this movie today. I thought it was OK, but the main problem was the company that produced it. Warner Bros. Animation hasn't been the same since 2002, when Sander Schwartz took over and ruined everything. The company mostly focused on cartoons featuring the DC superheroes ("Justice League Unlimited," "Teen Titans," "The Batman"), crude Flash-style cartoons that try to bring in humor ("Mucha Lucha," "Xiaolin Showdown"), and some other action shows. They also tried taking over production on Scooby-Doo, and totally killed the magic of the show with changing the voices and sound effects and animation style ("What's New, Scooby-Doo?," "Shaggy and Scooby-Doo Get a Clue," "Aloha Scooby-Doo"), and also completely changed Tom and Jerry (with "Tom and Jerry Tales," which looks even worse than the Gene Deitch and Chuck Jones T&J cartoons!). Despite turning out all this mediocre product, the studio tried a couple of times to produce Looney Tunes cartoons in the old spirit, with poor-quality shorts like "Museum Scream," "Hare and Loathing in Las Vegas," etc., and ultimately, "Looney Tunes: Back in Action." But when the latter flopped at box-office (hey, it was a bad idea, "Finding Nemo" was poisoning the other animated flicks of that year!), the future of Looney Tunes was at stake. Termite Terrace churned out "Baby Looney Tunes," "Duck Dodgers" and "Loonatics Unleashed," which are NOWHERE near the quality of the classics, even nowhere near the quality of the cheap late 1960s Warner-Seven Arts cartoons! This current addition to the Looney Tunes filmography, "Bah Humduck!," is the latest attempt by Warner Bros. Animation to do a Looney Tunes cartoon. The current staff at the animation department had no or barely enough experience with the classic (but near-obscure) Warner Bros. cartoon characters. Gossamer and Marvin the Martian and Hubie and Bertie and a few others are poorly drawn here, and the music is NO MATCH for Carl Stalling (or even Milt Franklyn.) Heck, even Bill Lava could do better music than that. If they wanted Carl Stalling-style, they could've hired Steven Bernstein, music composer for "Animaniacs" and "Pinky and the Brain," as well as the 1994 Animaniacs-esquire Hanna-Barbera special, "Arabian Nights." Also, Wile E. Coyote is always treated like that he is always silent or deaf or doesn't know how to talk, and that he can only use signs. I know Wile E. Coyote. He talked a couple of times. And you know what? I actually LIKED his voice! Mel Blanc gave him a great British-sounding voice that matched really well with him. But alas, Mel Blanc has gone, but there are many others out there. They could've hired Kevin Michael Richardson, whom voices Tech E. Coyote (who, unfortunately, sounds NOTHING like Wile E. Coyote!) Also, Billy West does a good Elmer, but a bad Bugs Bunny! I LOVE Billy West's Fry from "Futurama," as well as his Stimpy (but his Ren wasn't the best Ren voice though). Speedy Gonzales's voice is also really bad, too. He is designed in the same style as you see on most merchandising. The best Speedy Gonzales design out there was the 1955-1967 Speedy.

But anyways, it shows that the Looney Tunes are still struggling to make it into today's culture. If they do, and the quality improves or Sander Schwartz leaves the studio, it could lead into a Looney Tunes renaissance!

After the Walt Disney characters and The Muppets, it was the turn of the Looney Tunes stable to tackle the popular Yuletide tale revolving around the miserly Ebenezer Scrooge; coming so late in the game (i.e. way past the Warners Animation Studios' prime), it is no surprise that this emerges as the least effective rendition of all! The grouchy Daffy Duck is the natural choice for Scrooge: with the premise updated to modern times, many of the familiar Looney Tunes figures turn up – atypically – as submissive employees in Daffy's department store (that said, Bugs Bunny is his usual independent self, though he serves no particular function here except to further harass Daffy!). On the other hand, Porky stands in for Bob Cratchit, Sylvester is "Jacob Marley" and, as the Christmas Ghosts, we have Granny and Tweety(!), Yosemite Sam and the Tasmanian Devil. Even at a mere 46 minutes, the film is mostly a drag – since the comedy is generally forced, thus unfunny, and the quality of the animation extremely poor when compared to the dazzling imagination displayed by the form in its heyday.