Héros de guerre

Feng Xiaogang's Assembly was the opening film at last year's Pusan International Film Festival, and tickets were sold out in record time once they were made available online. Such is the faith (or curiosity) of the new film from the director who brought us movies like World Without Thieves, and martial arts Hamlet The Banquet. When you think of Chinese directors making a movie based out of Chinese history, you can't help but imagine the massive amount of propaganda that get so blatantly infused into the story and especially the dialogue. But here, Feng managed to bring about a movie which goes beyond the usual ra- ra, and shows us that a movie with universal themes can also come out from what is essentially a war movie based upon China's tumultuous era after WWII.

Assembly refers to the call of the bugle to retreat and regroup, and this is the call that Captain Gu Zidi (Zhang Hanyu) and his 47 men of the 9th Company, 3rd Batallion, 139th Regiment, are keenly listening out for, as they go about their mission in ill-equipped fashion, holding fort on a strategic plain. Sent to the frontlines for war-crimes, Captain Gu and his men, while being the best at trench warfare, find themselves severely lacking in essentials - manpower, ammunition and heavy weaponry, as they go up against the marauding forces of the Nationalist army, with their relatively superior armour. However, their mantra is old school - only the bugle will signal their fall behind, and everything else means fulfilling their mission objectives at all costs.

While all might seem lost, this provides the kind of tales of valour that comes out of these battles, something like 300's. Assembly honours the spirit of the unit, of their tales of bravery and unflinching under insurmountable odds. If you're looking for a war movie, then Assembly will not disappoint. For the first hour anyway. Told in three acts, the first act, all 60 minutes of it, is where the action takes place. The war sequences here aren't poetic in the veins of Terence Mallick's The Thin Red Line, but are more aligned with Steven Spielberg's Saving Private Ryan, with its gritty realism, strained colours, and bloody, gory violence.

We're probably, in recent years, in tune with war movies that put us in the shoes of aggressors, and that is to follow an assault team. Very rarely are we put into trenches and be seen to be on the defensive like that of Iwo Jima, soaking up wave after wave of attacks. And that's where Assembly shines, in having four intense battle sequences, three of which were on the defensive scheme of warfare, and the other, while an assault, does seem more to be on the losing end rather than achieving a clear, decisive victory. If details are what you're after, then you probably can't go wrong with the single bolt weapon, primitive artillery and the sharing of tin helmets. In fact, you'll probably be wondering instead that the PLA at the time was really backward, given the world's military technological advancement in the West/Japan during the 40s.

And given last year's double bill by Clint Eastwood in Flags of our Fathers and Iwo Jima, Assembly seems like both movies combined, in providing both an in-depth look at the battles fought, as well as taking time off to contemplate more serious issues in dramatic fashion. In the second and last acts which take up the remaining hour, we follow Captain Gu as he tries his darnedest best to get his company recognized for the contribution it made, no matter how minuscule it might seem compared to the helicopter view of achievements. These acts might bore those who came satisfied with the first half, but for those looking into a more intimate drama of one man's fight for his lost brothers, then this portion will likely appeal to you.

Ultimately, Assembly is an ambitious film. It combines drama and action, and in both aspects, doesn't hold back in bringing about the best it probably could. Kudos go to actor Zhang Hanyu who plays Captain Gu, in what can be essentially a one man show, putting focus of his place in history and his solo fight against the system. And after watching this, you'll probably won't hesitate to watch another war movie coming out of China, if they meet the benchmark set by Feng Xiaogang. Recommended!

Besides all the positive reviews about its realistic visual style, the shaky camera and all the "Private Ryan" stuff, it really deserved compliments from Chinese people, while we can see the true differences between Chinese people and Western people in a cultural perspective.

I've read some reviews criticizing the Assembly for it being too "western", and has significantly less character development in the entire movie, but to state in short Assembly is a movie purely shot from the angle of Captain Gu, who is the main man in the movie. It is very unusual to portray any war from an individual perspective for Chinese, even not in recent years. However, once someone wants to try it, it will come out with some side effects bound with Chinese culture. 1, Captain Gu's character is very "north-Chinese", which means he takes everything personally and with high dedication. Usually, he takes his men more than brothers. When brothers die, he cares about their bodies and believes they will be reincarnated. This is very typical Chinese man-man relationship in a near-modern china. Plus, the supporting characters are not memorable enough due to the magnitude of this Chinese civil war. China has the largest population in the world, which means one or two lives are not significant. And even the director strives to focus on individuals, such reality still rule the whole story.

2, Captain Gu's has a significant pursuit over the comrades' honor they deserved. However if you were Chinese, you would feel the motivations behind this action are strongly related to Chinese beliefs. Gu has strong emotions on his men, but he never accepted the truth that they are all gone. He'd believe they wouldn't rest in peace because the earthly honor unattained. Besides, director Feng Xiaogang apparently deviated from the typical Chinese war movies' atheism tune and communism campaign injected by political needs. This is to note the fact that very few man purely completely accepted atheism, even in a Communism China.

Well done. This is a Chinese war movie about the wide gray scale in the war and in China.

2, Captain Gu's

This is an excellent military blockbuster which might remind people of less its American counterpart Save Private Ryan than the traditions of the Chinese chivalry which lays a stress emphasis on "Name" or "Title".

Gu Zi Di(Millet Field), who is orphaned in a famine and named after the millet field where he was picked up,tried conscientiously every means to reclaim the credit of being martyrs( the holy death) for his 47 neglected dead comrades. Considering his growing background, one might find it easy to understand his obsession with the "Name", the importance of doing justice to the name and reputation of the dead rather than leaving the holy dead in obscurity. To put the figure in a historical perspective, he is actually an ideal reincarnation of the traditional Chinese knight who pursues the justice in disregard of the cumbersome secular hypocrisy and bureaucracy.

I think the film is aimed to re-appropriate the Chinese chivalry tradition in a modern military background to inject masculine heroism into the mercantile contemporary Chinese society where a vast number of people are lost in mercenariness,not ashamed of losing their name in idolization of money-ism.

After so many years waiting, there comes "Assembly", the first military blockbuster of China that Chinese movie and military fans have been hardly expecting for such a long time! I believe this movie will pose an extreme important position both in the movie history and military culture of China.

Since Steven Spielberg's "Saving Private Ryan" and Tom Hanks' "Band of Brothers", shooting an excellent and extraordinary warfare movie becomes a great dream among Chinese movie and military fans. Due to political and history reasons, military is a sensitive subject for normal directors and production companies. The official August 1st Movie Studio of PLA is nearly the only producer of military movies. Though there were also many famous works such as the epic trilogy of "Decisive Engagement", the majority of this studio's products are mainly designed to meet propaganda and political priorities, then secondly for art or to restore history. As for those so called "main theme of nowadays" military TV series and plays, absolutely rubbish! (Except "A Soldier's Charge")

"Assembly" becomes a turning point. Yes, August 1st Movie Studio did supply some assistance during the making, but "Assembly" is not an official product of the Authority. It aims at entertainment area, uses commercial method combined with modern movie technology, rather than compulsory propaganda, to win the New-Year-Eve movie mark campaign in China.

Director Feng Xiaogang did it. "Assembly" sets a new level for Chinese military movies. And wins the hart of many audiences, fulfills its mission to be the first military blockbuster of China that people expecting long. I don't mind the special effects of war were created by the same team in Korea's "Taegukgi hwinalrimyeo". I'm just so pleased that China is now also able to shoot such a warfare movie that shake my heart so greatly and touch my emotion so deeply, that reflect the brutality of war and restore history details so really! Just like the Hollywood did! Nearly-real combat scenes and explosions shot by a shaking camera, old weapons and uniform (Type 55 uniform of PLA) in history exactly restored, native language of that period, and so on…… These scenes only exist in our dreams before, now they finally come into big screen!

Unlike the epic works of August 1st Movie Studio that mainly focus on great leaders, "Assembly" precisely draws the inner heart of a normal person for the first time. What's more, the director didn't avoid sensitive history matters. In order to gain martyr identities for his gloriously died comrades, Company Leader Gu Zidi came through lots of unfair treatment after the founding of new China. He never gave up and continually to fight, to find his men's bodies, until they were formally confirmed as martyrs and buried in 1958.

By the end of the story, when 47 heroes finally received the medals and salute that belong to them, tears break out from the eyes of every audience. That is the real glory of a Chinese soldier, the real spirit of Chinese people!

ddeell72,Christmas Eve, 2007

indeed,i agree this is a very powerful movie: chapeau to mr feng Xiaogang for this tour de force ! recent years war movies the like of "flags of our fathers", "saving private ryan","iwo jima" are certainly (and always will be) violent but with lesser gratuitous effects and they dealt very justly with the myriads of war consequences, first on the soldiers and the rest of us. i salute the initiative of mr feng. here, i am not comparing his 'the assembly' to the previous film titles, for no war is alike and comparable. but his courage in depicting a period of profound political disturbance in his own country make us all stop and ponder, and this is on a personal note since i am vietnamese and having lived through much of my own country's war, what are the tragedies of fratricide between brothers of same origins, beliefs and values. mr feng showed us the strong sides and the various weak sides of soldier in this part of the hemisphere. by that process, he erased those past clichés of Asian cultures in the practice of that belligerent art. is or are there any morality stemming out of this movie ? mr feng will be more apt to answer than myself. finally, i wish someone in my own country could have courage and integrity ( and resources !) to make this kind of movie for future generations to learn from our past. mr feng has carved himself an indelebile mark in Chinese filmaking. bravos...